Henry Roth - Mercy of a Rude Stream - The Complete Novels

And, alas, so it was. His East Side cockiness was gone. Though he fought other Irish kids in the street thereafter, it was always in the hope that some adult would intervene, or someone warn of an approaching cop, or any other pretext would crop up as an excuse for disengagement. Never did self-assurance return, never did he win, never expected to. Oh, this was grievous, this plummeting of self-assurance — he could tell it was happening to him — this erosion of self-assertiveness in the kid once so pugnacious. He could feel the undoing of self, the atrophy of the one he was on the East Side.

And when to this, in earliest spring, a little pack of Irish kids, mostly younger than himself, followed him home after school from the corner of Park Avenue on the way to the stoop, chanting: “Fat, fat, the water rat, fifty bullets in your hat!” he turned once or twice to scare them off. And away they scampered, pell-mell in elated flight. He climbed upstairs, entered the kitchen, where he found Pop alone reading his Yiddish newspaper. Ira got out a library book, and lost himself in a fairy tale. .

Suddenly a sharp knock at the door startled them. Opening it, Ira stood face to face with Mrs. True, the young Irish matron from upstairs on the fourth floor. And surrounding her, some of those same Irish gamins who had baited him only minutes ago: He had thrown her little five-year-old Danny to the sidewalk, she accused Ira, and the child had suffered a deep gash on his head. She was a pretty brunette, Mrs. True, and the wrathful flash of her brown eyes set off her pert, rosy features. In vain, Ira denied responsibility. He never pushed her little Danny, or anyone: The kids called him names, and he just turned around to scare them, so they ran away, they shoved each other — No, they didn’t! the other kids clamored: Ira had knocked down little Danny.

And all at once, Mrs. True drew back her hand and slapped Ira in the face. As if the blow were an incitement, it released in Pop all his terrified fury. Ira never could recall afterward with what rod he was chastised, whether with a stick or a stove poker. He was being sacrificed to avert more disastrous reprisal. He could only recall that he groveled, screaming, “Don’t, Papa, please, Papa! No more!” He screamed and moaned without bringing a stay to Pop’s ferocious blows. And had it not been for Mrs. Shapiro, new tenant in the “back,” dumpy, shapeless Litvak Mrs. Shapiro, there was no telling where the scourging might have ended. Pop had lost all control, and was already treading his son underfoot, stamping on him, so that even Mrs. True’s look of satisfaction had turned into one of aversion. Mrs. Shapiro interposed herself between the howling child on the floor and his insensate father, interposed herself stolidly, stubbornly.

“What, you’ll destroy your own son for a goya’s sake?” she said in Yiddish. And she refused to move, or be moved by Pop’s raving curses, but obdurately stood her ground, and even withstood his savage thrust. And now, Mom, apprised by her son’s screaming as soon as she entered the lower hallway of the house, rushed up the stairs and into the kitchen.

“Mama!” Never had her face seemed more heaven-sent than now, furious in his defense.

“Lunatic!” she screamed hoarsely at Pop. “Wild beast! Mad dog! What you’ve done to the child! Be cloven in two!” Formidable in wrath, she confronted Pop with outthrust face, and arms spread ready to come to blows. He retreated. And the next second, Mom turned fiercely on Mrs. True. “Vot you vant?” she demanded.

Mrs. True and her entourage of kids silently withdrew.

He would remember that fearsome afternoon, as a kind of atonement for all he had been, a kind of extinction of all that he once felt was right and commendable about himself — but no longer was. He would have to learn other ways; he would have to try to. . stay out of fights, stay out of trouble, disputes, learn to say yes, slur over differences, smooth over gritty places with a soft word, as Mom advised. Or with a noncommittal, conciliatory: “Yeah? I didn’t know that.” He could almost feel the once self-assured East Side kid shriveling within himself, leaving behind. . a kind of void.

VI

Eddie Ferry became his fast friend, little Eddie Ferry, son of the widowed janitress who moved in on the ground floor. Together, the two friends constructed tin-can telephones, stretched the connecting string from ground floor a flight up the tenement stairs, from flat to flat. Together, they hiked west along Gentile, fancy 125th Street, sampling show-window displays as they went, their goal always the same: the rewarding, well-stocked hardware store far to the west, just short of the Eighth Avenue El. There they clung, slid squeaky, streaky fingers along the plate glass of the double show windows — from street to entrance on one side, and back on the other side, from entrance to street: Ah, the ravishing display of brass telegraph sets, and coils of copper wire to go with them, and dry batteries and electric bells and camping gear, fishing rods and lustrous Daisy air rifles — if only they had the money!

Eddie taught his friend how everything worked. He knew all about electricity; he knew how to make homemade batteries out of the zinc and carbon rods of discarded ones and ten cents’ worth of sal ammonia, which you could buy in the drugstore. He didn’t mind that Ira was Jewish; he said Ira wasn’t like the other Jews, dirty Jews: like Davey Baer, and his younger brother Maxie, who moved into the red-brick tenement across the street, and always beat Eddie tossing picture cards of baseball players, or flipping checkers or matching pennies. Only rarely, a very few times, flaring up at something Ira said or did that displeased him—“Yuh lousy Jew!” Eddie flung at Ira.

But it seemed only natural; he didn’t mean anything by it, just grabbed the nearest handle to twist in show of disapproval. Ira learned to buffer the epithet with a deprecating grin — covering slight embarrassment, the same way that Eddie grinned when his harassed mother fumed about the tenants, saying: “I don’t give a fart what they think.” (Did the poor woman really say, “I don’t give a fart,” Ira would wonder years later. Or did she say, “I don’t give a farthing.” It would be awhile before he learned that a farthing was a coin.) It was with Eddie, in the lee of his Irish boldness, that Ira first began those explorations into the reaches of other parts of the city, westward to Riverside Drive, all the way to Grant’s Tomb, to the freight tracks beside the awesome, broad Hudson River; or eastward, on 125th Street, past glamorous vaudeville theater marquees, by chophouses with treife , alluring T-bone steaks on the cracked ice in the show window — and those strange, repulsive, green, mottled creatures with great claws, moving sluggishly on their icy bed. “Them’s good; them’s lobsters,” Eddie assured the doubting Ira.

“Good? Them? With all those green legs?” Ira screwed up his face in revulsion. “How c’n you eat them?”

“What d’yuh mean how c’n you eat it? Jesus, you Jews must be dumb. Yuh cook ’em an’ break the shell with a nutcracker. Them two big things in front ain’t legs. Them’s claws.”

“Like that?” Ira conciliated.

Eddie’s was the world Ira now yearned for, to be allowed to share, allowed access to. He was only too ready to gloss over differences, lull the felt sense of strangeness the East Side had implanted in him, in the sanctity of kosher food, in custom, in observance. They were all impediments to entering Eddie’s world, world of rooftops and flying kites, of journeys to the marvelous turning bridges over the Harlem River like the one at the end of Madison Avenue, where a whole bridge swiveled slowly around to allow a ship to pass, and the bewildering network of tracks in the huge freight yards on the other side of the river, in alien Bronx. Or way over east, past little Italy, where people spoke a strange language, haggled over produce in long, sometimes strident syllables, gesturing violently all the time, strange produce on pushcarts and in stores, that even Eddie didn’t know the names of—“Aw, dem’s for wops”—to the floating swimming pool in the East River, where, under Eddie’s tutelage, Ira finally learned to float in the water, and — miraculously — to dog-paddle. Amid the naked, splashing, shrieking kids—“Everybody pisses in de water; so don’t swallow even a mout’ful,” Eddie advised, “or it’ll make ye puke.” Together they climbed the fecally malodorous rocks to the summit of the Mt. Morris Park. .