Natashia Deon - Grace

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Grace: краткое содержание, описание и аннотация

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For a runaway slave in the 1840s south, life on the run can be just as dangerous as life under a sadistic Massa. That’s what fifteen-year-old Naomi learns after she escapes the brutal confines of life on an Alabama plantation. Striking out on her own, she must leave behind her beloved Momma and sister Hazel and take refuge in a Georgia brothel run by a freewheeling, gun-toting Jewish madam named Cynthia. There, amidst a revolving door of gamblers, prostitutes, and drunks, Naomi falls into a star-crossed love affair with a smooth-talking white man named Jeremy who frequents the brothel’s dice tables all too often.
The product of Naomi and Jeremy’s union is Josey, whose white skin and blonde hair mark her as different from the other slave children on the plantation. Having been taken in as an infant by a free slave named Charles, Josey has never known her mother, who was murdered at her birth. Josey soon becomes caught in the tide of history when news of the Emancipation Proclamation reaches the declining estate and a day of supposed freedom quickly turns into a day of unfathomable violence that will define Josey — and her lost mother — for years to come.
Deftly weaving together the stories of Josey and Naomi — who narrates the entire novel unable to leave her daughter alone in the land of the living—
is a sweeping, intergenerational saga featuring a group of outcast women during one of the most compelling eras in American history. It is a universal story of freedom, love, and motherhood, told in a dazzling and original voice set against a rich and transporting historical backdrop.

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I take a look around and share this present with her.

“Massa George?” I hear Josey say. “Somethin I can do for you, suh?” I hear her muddled scream before I can reach her.

His hand is at her throat and her eyes are wide. She grabs his hand and a squeak like a quick-blown whistle shoots from her mouth but cain’t nobody hear her but me. She swings her hands, her feet, at his body but he sends his fist to her cheek. She’s limp.

Jesus! I don’t know what to do! Tell me what to do!

He grabs her by her blouse and drags her moaning along the ground. Her headscarf unravels, her blouse rips away. He holds her under the armpits, pulling her deeper into the woods, then drops her in a patch of dirt he already prepared for this. George straddles her, pulls his belt from his loops one-handed and wraps it around her throat, pulls it tight, then loosens it.

Josey wakes and flails wild on the ground, tugging at the belt, her nails break against the leather, the sharp broken bits scratch down his arm, slicing thin lines. The belt strap slips from his hand. She screams hoarse, out of breath. He finds the strap again, pulls harder, like reins.

A smirk grows on his face as her fight weakens. He double loops the strap around his whole fist.

Josey stops. Her eyes roll back. He loosens the leather and moments pass. She takes a life-saving breath. Coughs. He say, “You scream again, I swear I’ll kill you.”

Something nearby in the bushes moves and George looks over his shoulder. Just for a second. Enough for Josey to kick him square in the jaw. She leaps up, confused and running in the wrong direction. He dives on her back, puts his full weight on her, anchors her down ’til she shrinks to her knees. He puts his hand on the back of her neck, pushes her face down in the ground, presses her cheek in the dirt. He bites her shoulder through the skin. She screams. He rolls her over, puts his knee in her stomach. She reaches for his face. Too short’s her arms. She only huffs beneath him now. A whistle joins her exhales.

“Please,” she say. He reaches for a low branch and runs his hand down it to rip the leafs off. He shoves the leafs in her mouth, turns her over, face down in the mud, sits on her spine, both his hands pressed down on her shoulder blades. Tree roots, like dead fingers, have risen from the wet ground and press against her throat, crushing her windpipe.

He shifts her head and she breathes.

“Please, God,” I say. “Please kill this man right now. Burn him up. Stab him through the heart. Please!”

Josey cries loud and hollow. He pushes her back on the root ’til she cain’t make a sound.

I kick up the wind, make tornadoes of leaves and dirt, send it to his face. He only brushes them away. “God, have mercy. Please kill this man! Please, God? Please?”

Josey stops moving.

Only he’s moving now. Grunting.

The only thing I can do: I lay down on the forest floor with her. See her breathing. Just enough. We lay together. Stay still together. I imagine I kiss her tears. I imagine I stroke her forehead. Whisper, “You ain’t alone.”

Part III

18/ FLASH, Conyers, Georgia, 1847

THE HOT GEORGIA sun is beating down on all of us, ’fectin me most ’cause I’m the only one that got to walk in it. Cynthia sent me to the apothecary to get some medicine for Bernadette. I forgot the sheet of paper with the medicine’s name written on it but I already know. It’s the same as always. Coca leafs.

The heat is keeping the streets mostly clear except for the white children playing in ’em, a few shades darker than usual, their winter skins brown. White women are posed under the shade of storefronts with their pink and blue dresses on, fanning themselves softly like it ain’t that hot. But in the shack far behind the shops, black women are sitting side-by-side across the porch, wide-legged and perched back on their hands, welcoming a breeze. Their skirts are scrunched up to their waists showing their hand-washed britches.

White men roll by on horse-drawn wagons crumbling rocks beneath ’em and spraying out dirt, stinging my arm. Some old bits of grass get caught on my face and stick to the sweat. And other men are walking around with no shirts on, or thin garments with their nipples and nuts showing through their clothes. It ain’t fair they tell women to wear something like a baggie sleeve from neck to ankle even in a heat wave. The religious ones tell her it’s what God wants. To honor her body. When really it’s to make women servants to those men’s sin because they cain’t see women the way God intended — not everybody’s a possible lover — sisters and brothers, maybe. But those men blame her instead of asking God to cleanse and fix them. Around women, those men are always halfway in hell. Double-minded.

I stagger up the porch steps and into the brothel. Inside’s as hot as out and Cynthia’s complaining in the corner like it’s gon’ make God turn off the heat.

“It’s about time,” she say to me. “Put it on the counter and go wash your hands out back.”

I love the way Jeremy play piano.

He looks like a stray cat sitting over there all spit-cleaned and skinny. He’s playing a slow and easy melody, erasing the stains of this place. Even though Cynthia hired him to play for the house, I think he only plays for me.

He’s real good with his fingers.

Cynthia told him she gon’ cut ’em off if she catch him touching my hand again when I pass him by to serve drinks. So I don’t go near him this time. Instead, I pass Bobby Lee and another man sitting at the side table near the mouth of the hallway. It’s the first time I’ve seen Bobby Lee this close without his hat pulled all the way down and his arms crossed high on his chest.

Down the hall, in the back room, the washbasin is filled with already-dirty water but it’s cleaner than me so I rinse my hands in it. I can still hear Cynthia yelling, “It’s too damn hot to screw!” and, “Percy, move over. It’s already hot as hell in here. I don’t need you breathing on me, too.”

But Jeremy’s music stirs. It covers the squeal of her voice with the smoothest song I ever heard. It’s the only slow song he know.

I bury my face in a cool towel, pat it slowly, then pinch my cheeks sore to remind myself not to smile too happy if Jeremy look at me ’cause Cynthia might see.

He don’t never look at no other girls. The only reason he’s here at all is the debts he got to pay off, even some he owe Cynthia. She told him he needed to stop selling his family heirlooms and get another job. It’s why she gave him one. It’s like she thinks she’s part responsible for him. Knew Jeremy’s daddy before he passed. His daddy sold her this brothel even though she a woman. Almost impossible to repay the favor.

When I get back in the saloon, Cynthia’s standing across the room squirming in her low-cut dress, picking at her lace stockings. She cracks her toe knuckles when she takes her feet out of her heels.

I take a pitcher of water from near the front door and pour two short glasses full while I watch Sam through the window. He’s out front talking to some plantation owners. Been out there since before I left. I don’t know why Cynthia ain’t called him in yet ’cause whatever news he getting cain’t be good and he should be working. Ray joined ’em a second ago and already he riled up, pacing, and threatening to hurt somebody.

“Bring me some water,” Cynthia tell me, keeping her eye on them outside.

I meant to bring her the water directly but I caught Jeremy smiling at me. It makes me flush.

I pick up the pitcher and pour water on the wrong side of the glass, drench my dress, splash the floor.

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