Emma Cline - The Girls

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The Girls: краткое содержание, описание и аннотация

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Girls — their vulnerability, strength, and passion to belong — are at the heart of this stunning first novel for readers of Jeffrey Eugenides’s The Virgin Suicides and Jennifer Egan’s A Visit from the Goon Squad.
Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged — a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.
Emma Cline’s remarkable debut novel is gorgeously written and spellbinding, with razor-sharp precision and startling psychological insight. The Girls is a brilliant work of fiction — and an indelible portrait of girls, and of the women they become.

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I was passing by the common room with Jessamine, on our way to the Tuck Shop, when a girl called, “Your sister’s looking for you downstairs.” I didn’t look up; she couldn’t be talking to me. But she was. It took me a moment to understand what might be happening.

Jessamine seemed hurt. “I didn’t know you had a sister.”

I suppose I had known Suzanne would come for me.

The cottony numbness I occupied at school wasn’t unpleasant, in the same way a limb falling asleep isn’t unpleasant. Until that arm or leg wakes up. Then the prickles come, the sting of return — seeing Suzanne leaning in the shade of the dorm entrance. Her hair uncombed, her lips bristling — her presence knocked the plates of time ajar.

Everything was returned to me. My heart strobed, helpless, with the tinny cut of fear. But what could Suzanne do? It was daytime, the school filled with witnesses. I watched her notice the fuss of landscaping, teachers on their way to tutoring appointments, girls crossing the quad with tennis bags and chocolate milk on their breath, walking proof of the efforts of unseen mothers. There was a curious, animal distance in Suzanne’s face, a measurement of the uncanny place she’d found herself.

She straightened when I approached. “Look at you,” she said. “All clean and scrubbed.” I saw a new harshness in her face: a blood blister under a fingernail.

I didn’t say anything. I couldn’t. I kept touching the ends of my hair. It was shorter — Jessamine had cut it in the bathroom, squinting at a how-to article in a magazine.

“You look happy to see me,” Suzanne said. Smiling. I smiled back, but it was hollow. That seemed, obliquely, to please Suzanne. My fear.

I knew I should do something — we kept standing under the awning, increasing the chance someone would stop to ask me a question or introduce herself to my sister. But I couldn’t make myself move. Russell and the others couldn’t be very far away — were they watching me? The windows of the buildings seemed alive, my mind flashing to snipers and Russell’s long stare.

“Show me your room,” Suzanne announced. “I want to see.”

The room was empty, Jessamine still at the Tuck Shop, and Suzanne pushed past me and through the doorway before I could stop her.

“Just lovely,” she trilled in a fake English accent. She sat down on Jessamine’s bed. Bouncing up and down. Looking at the taped-up poster of a Hawaiian landscape, the unreal ocean and sky sandwiching a sugary rib of beach. A set of the World Book Jessamine had never opened, a gift from her father. Jessamine kept a stack of letters in a carved wooden box and Suzanne immediately lifted the lid, sifting through. “Jessamine Singer,” she read off an envelope. “Jessamine,” she repeated. She let the lid bang shut and got to her feet. “So this one’s your bed.” She stirred my blanket with a mocking hand. My stomach tilted, a picture of us in Mitch’s sheets. Hair sticking to her forehead and neck.

“You like it here?”

“It’s okay.” I was still in the doorway.

“Okay,” Suzanne said, smiling. “Evie says the school is just okay.”

I kept watching her hands. Wondering what they’d done exactly, as if the percentage mattered. She tracked my glance: she must have known what I was thinking. She got abruptly to her feet.

“Now I get to show you something,” Suzanne said.

The bus was parked on a side street, just outside the school’s gate. I could see the jostle of figures inside the bus. Russell and whoever was still around — I assumed everyone. They’d painted over the hood. But everything else was the same. The bus beastly and indestructible. My sudden certainty: they would surround me. Back me into a corner.

If anyone had seen us standing there on the slope, we would have looked like friends. Chatting in the Saturday air, my hands in my pockets, Suzanne shading her eyes.

“We’re going to the desert for a while,” Suzanne announced, watching the flurry that must have been visible on my face. I felt the meager borders of my own life: a meeting that night for the French Club — Madame Guevel had promised butter tarts. The musty weed Jessamine wanted to smoke after curfew. Even knowing what I knew, did a part of me want to leave? Suzanne’s dank breath and her cool hands. Sleeping on the ground, chewing nettle leaves to moisten our throats.

“He’s not mad at you,” she said. Keeping a steady simmer of eye contact. “He knows you wouldn’t say anything.”

And it was true: I hadn’t said anything. My silence keeping me in the realm of the invisible. I had been frightened, yes. Maybe you could pin some of the silence on that fear, a fear I could call up even later, after Russell and Suzanne and the others were in jail. But it was something else, too. The helpless thoughts of Suzanne. Who had sometimes colored her nipples with cheap lipstick. Suzanne, who walked around so brutish, like she knew you were trying to take something from her. I didn’t tell anyone because I wanted to keep her safe. Because who else had loved her? Who had ever held Suzanne in their arms and told her that her heart, beating away in her chest, was there on purpose?

My hands were sweating, but I couldn’t wipe them on my jeans. I tried to make sense of this moment, to hold an image of Suzanne in my mind. Suzanne Parker. The atoms reorganizing themselves the first time I’d seen her in the park. How her mouth had smiled into mine.

No one had ever looked at me before Suzanne, not really, so she had become my definition. Her gaze softening my center so easily that even photographs of her seemed aimed at me, ignited with private meaning. It was different from Russell, the way she looked at me, because it contained him, too: it made him and everyone else smaller. We had been with the men, we had let them do what they wanted. But they would never know the parts of ourselves that we hid from them — they would never sense the lack or even know there was something more they should be looking for.

Suzanne was not a good person. I understood this. But I held the actual knowledge away from myself. How the coroner said the ring and pinky fingers of Linda’s left hand had been severed because she had tried to protect her face.

Suzanne seemed to look at me as if there could be some explanation, but then a slight movement behind the shrouded windshield of the bus caught her attention — even then, she was alert to Russell’s every shift — and a businesslike air came over her.

“Okay,” she said, urged by the tick of an unseen clock. “I’m taking off.” I had almost wanted a threat. Some indication that she might return, that I should fear her or could draw her back with the right combination of words.

I only ever saw her again in photographs and news reports. Still. I could never imagine her absence as permanent. Suzanne and the others would always exist for me; I believed that they would never die. That they would hover forever in the background of ordinary life, circling the highways and edging the parks. Moved by a force that would never cease or slow.

Suzanne had shrugged a little, that day, before walking down the grassy slope and disappearing into the bus. The queer reminder in her smile. Like we had a meeting, she and I, at some appointed time and place, and she knew I would forget.

I wanted to believe Suzanne kicked me out of the car because she’d seen a difference between us. That it was obvious to her that I could not kill anyone, Suzanne still lucid enough to understand that she was the reason I was in the car. She wanted to protect me from what was going to happen. That was the easy explanation.

But there was a complicating fact.

The hatred she must have felt to do what she’d done, to slam the knife over and over again like she was trying to rid herself of a frenzied sickness: hatred like that was not unfamiliar to me.

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