Emma Cline - The Girls

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The Girls: краткое содержание, описание и аннотация

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Girls — their vulnerability, strength, and passion to belong — are at the heart of this stunning first novel for readers of Jeffrey Eugenides’s The Virgin Suicides and Jennifer Egan’s A Visit from the Goon Squad.
Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged — a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.
Emma Cline’s remarkable debut novel is gorgeously written and spellbinding, with razor-sharp precision and startling psychological insight. The Girls is a brilliant work of fiction — and an indelible portrait of girls, and of the women they become.

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Sasha had barely said goodbye. Burrowing into Julian’s side, her face set like a preventative against my pity. She had already absented herself, I knew, gone to that other place in her mind where Julian was sweet and kind and life was fun, or if it wasn’t fun, it was interesting, and wasn’t that valuable, didn’t that mean something? I tried to smile at her, to speed her a message on an invisible thread. But it had never been me she wanted.

The fog had been denser in Carmel, descending over the campus of my boarding school like a blizzard. The spire of the chapel, the nearby sea. I had started school that September, just as I was supposed to. Carmel was an old-fashioned place, and my classmates seemed much younger than they were. My roommate with her collection of mohair sweaters arranged by color. The dormitory walls softened with tapestries, the after-curfew creeping. The Tuck Shop, run by seniors, which sold chips and soda and candy, and how all the girls acted like this was the height of sophistication and freedom, being allowed to eat in the Tuck Shop from nine to eleven thirty on weekends. For all their talk, their bluster and crates of records, my classmates seemed childish, even the ones from New York. Occasionally, when the fog obscured the spires of the chapel, some girls could no longer orient themselves and got lost.

For the first few weeks, I watched the girls, shouting to one another across the quad, their backpacks turtled on their backs or slung from their hands. They seemed to move through glass, like the well-fed and well-loved scamps of detective series, who tied ribbons around their ponytails and wore gingham shirts on weekends. They wrote letters home and spoke of beloved kittens and worshipful younger sisters. The common rooms were the domain of slippers and housecoats, girls who ate Charleston Chews cold from miniature refrigerators and huddled by the television until they seemed to have psychologically absorbed the cathode rays. Someone’s boyfriend died in a rock-climbing accident in Switzerland: everyone gathered around her, on fire with tragedy. Their dramatic shows of support underpinned with jealousy — bad luck was rare enough to be glamorous.

I worried I was marked. A fearful undercurrent made visible. But the structure of the school — its particularities, its almost municipal quality — seemed to cut through the dim. To my surprise, I made friends. A girl in my poetry class. My roommate, Jessamine. My dread appeared to others as a rarefied air, my isolation the isolation of weary experience.

Jessamine was from a cattle town near Oregon. Her older brother sent her comic books where female superheroes burst out of their costumes and had sex with octopuses or cartoon dogs. He got them from a friend in Mexico, Jessamine said, and she liked the silly violence, reading them with her head hung over the side of the bed.

“This one’s nuts,” she’d snort, tossing a comic to me. I’d try to hide a vague queasiness incited by the starbursting blood and heaving breasts.

“I’m on a diet where I just share all my food,” Jessamine had explained, giving me one of the Mallomars she kept in her desk drawer. “I used to throw half of everything away, but then the dorms got a mice infestation and I couldn’t.”

She reminded me of Connie, the same shy way she plucked her shirt away from her belly. Connie, who’d be at the high school in Petaluma. Crossing the low steps, eating lunch at the splintered picnic tables. I had no idea how to think of her anymore.

Jessamine was hungry for my stories of home, imagining I lived in the shadow of the Hollywood sign. In a house the sherbet pink of California money, a gardener sweeping the tennis court. It didn’t matter that I was from a dairy town and told her so: other facts were bigger, like who my grandmother had been. The assumptions Jessamine made about the source of my silence at the beginning of the year, all of it — I let myself step into the outline. I talked about a boyfriend, just one in a series of many. “He was famous,” I said. “I can’t say who. But I lived with him for a while. His dick was purple,” I said, snorting, and Jessamine laughed, too. Casting a look in my direction all wrapped up in jealousy and wonder. The way I had looked at Suzanne, maybe, and how easy it was to keep up a steady stream of stories, a wishful narrative that borrowed the best of the ranch and folded it into a new shape, like origami. A world where everything turned out as I’d wanted.

I took French class from a pretty, newly engaged teacher who let the popular girls try on her engagement ring. I took art class from Miss Cooke, earnest with first-job anxiety. The line of makeup I could sometimes see along her jaw made me pity her, though she tried to be kind to me. She didn’t comment when she noticed me staring into space or resting my head on my folded arms. Once she took me off campus for malteds and a hot dog that tasted of warm water. She told me how she had moved from New York to take her job, how the city asphalt would reflect sheets of sun, how her neighbor’s dog shit all over the apartment stairs, how she’d gone a little crazy.

“I would eat just the corners of my roommate’s food. Then it would all be gone, and I would get sick.” Miss Cooke’s glasses pinched her eyes. “I’ve never felt so sad, and there was no real reason for it, you know?”

She waited, obviously for me to match the story with one of my own. Expecting a sad, manageable tale of the defection of a hometown boyfriend or a mother in the hospital, the cruel whispers of a bitchy roommate. A situation she could make heroic sense of for me, cast in older and wiser perspective. The thought of actually telling Miss Cooke the truth made my mouth tighten with unreal hilarity. She knew about the still-unsolved murders — everyone did. People locked doors and installed dead bolts, bought guard dogs at a markup. The desperate police got nothing from Mitch, who had fled in fear to the South of France, though his house wouldn’t be razed until the following year. Pilgrims had started driving past the gate, hoping to pick up horror like a vapor in the air. Idling in their cars until weary neighbors shooed them off. In his absence, detectives were following leads from drug dealers and schizophrenics, bored housewives. Even enlisting a psychic to walk the rooms of Mitch’s house, straining to pick up vibes.

“The killer is a lonely, middle-aged man,” I’d heard the psychic say on a call-in show. “He was punished as a youth for something he hadn’t done. I’m getting the letter K. I’m getting the town Vallejo.”

Even if Miss Cooke would believe me, what would I tell her? That I had not slept well since August because I’d been too afraid of the unmonitored territory of dreams? That I woke certain that Russell was in the room — taking soggy gasps for breath, the still air like a hand over my mouth? That the cringe of contagion was on me: there was some concurrent realm where that night had not happened, where I insisted Suzanne leave the ranch. Where the blond woman and her teddy-bear son were pushing a cart down a grocery store aisle, planning a Sunday dinner, snippy and tired. Where Gwen was wrapping her damp hair in a towel, smoothing lotion on her legs. Scotty clearing the hot tub filters of debris, the silent arc of the sprinkler, a song floating into the yard from a nearby radio.

The letters I wrote my mother were willful acts of theater, at first. Then true enough.

Class was interesting.

I had friends.

Next week we would go to the aquarium and watch the jellyfish gape and parry in their illuminated tanks, suspended in the water like delicate handkerchiefs.

By the time I’d walked the farthest spit of land, the wind had picked up. The beach empty, all the picnickers and dog walkers gone. I stepped my way over the boulders, heading back to the main stretch of sand. Following the line between cliff and wave. I’d done this walk many times. I wondered how far Sasha and Julian and Zav had gotten by then. Probably still an hour from L.A. Without having to think about it, I knew Julian and Zav were sitting in the front seats and Sasha was in the back. I could imagine her leaning forward from time to time, asking for a joke to be repeated or pointing out some funny road sign. Trying to campaign for her own existence, before finally giving up and lying back on the seat. Letting their conversation thicken into meaningless noise while she watched the road, the passing orchards. The branches flashing with the silver ties that kept away birds.

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