Sasa Stanisic - Before the Feast

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Someone has opened the doors to the Village Archive, but what drives the sleepless out of their houses is not that which was stolen, but that which has escaped. Old stories, myths, and fairy tales are wandering about the streets with the people. They
come together in a novel about a long night, a mosaic of village life, in which the long-established and newcomers, the dead and the living, craftsmen, pensioners, and noble robbers in football shirts bump into each other. They all want to bring something to a close, in this night before the feast.
Booksellers love BEFORE THE FEAST!
“Before the Feast is a big book in every sense: it's vibrant, compassionate, and knowing. Stanišić channels an almost reckless energy into a novel that's at once sprawling and controlled.” — Stephen Sparks, Green Apple Books on the Park
“Stanišic’s work is seamless, rhythmic, and captivating. Anthea Bell makes for a dream translator, perfectly capturing his whimsy and idiosyncrasies. This is not a book to consume once and leave on the shelf to collect dust. Like your favorite fairy tales, Before the Feast is a story to experience again and again, whose charms will enchant you every time it is read.” — Rachel Kaplan, Avid Bookshop
"A dead ferryman; a solitary oak in a fallow field; a night that illuminates a troubled past like a bolt of lightning splitting the dark. Furstenfeld is an isolated-one may even say xenophobic town bordering a lake in eastern Germany-the former GDR. However, those ancient, timeless fairy tales swirl about the present more than that recent history. Sasa Stanisic has written a stunning modern fable in that grand tradition. The reader is immediately unsettled as if trying to peer through the mistbefore dawn. You try to stitch the various images into a coherent whole, never quite certain if the "reality" you perceive actually exists. Stanisic, a genuine heir to the Grimm tradition, gives no quarter, and the reader is all the more grateful for it. He does this all while writing such beautiful prose, sentences that can take your breath away."
— Shawn Wathen Chapter One Bookstore
"Every single thing in this book is alive. Everything speaks, and some of it you can hear.
It’s like someone with a gorgeous voice stops you. He’s talking fast, very fast — talking and talking and he won’t shut up. There you are, you can’t help listening, but then, worst of all, his story becomes so strange and heartfelt that you can’t STOP listening. You’re all caught up and you can’t stop listening and then when he’s done (it’s been a while but anyway it’s too soon), he goes away, but you — you still hear the gorgeous voice talking in your head, like it’s coming from everything, everywhere, maybe for days on end.
You want to never stop hearing it."
— Pepper from Vintage Books

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Right at the front: Frau Kranz — we recognize her by her easel — with a tiny movement, the only movement, in her right arm.

And then Zieschke bangs his beer bottle on the auctioneer’s desk, and the auction begins. Who’ll bid me ten?

We are glad that Anna probably won’t be burnt. Standing by the bonfire, she raises a burning brand in the air and bids ten euros, but we outbid her, we bid twelve.

MY THANKS TO

Christine Marth, Martin Mittelmeier, Maria Motter, Thomas Pletzinger and Katja Sämann for their perception, wit, investigative talent, encouragement, and all their support for my work on this book.

MY THANKS TO

the inhabitants of Fürstenberg, Fürstenfelde, Fürstenwalde, Fürstenwerder and Prenzlau for their information and hospitality, and also to their respective museums and associations of local history for the historical insights. Their church registers and chronicles, and the accounts by Lieselott Enders of the history of the Uckermark, have been important sources for the present text.

MORE PRAISE FOR Before the Feast

WINNER OF THE 2014 LEIPZIG BOOK FAIR PRIZE

“A village in the Uckermark, fully in the present, yet rife with legends.

In Before the Feast , this village tells its own story — a novel as a

compelling multi-voiced chorale put in prose.”

— Leipzig Book Fair Prize Jury

“A book like few others. Politically well-versed and

stylistically a work of art.”

Die Zeit

“Highly entertaining and full of chutzpah.”

Die Welt

“Switching among styles with a dancing virtuosity, Staniši картинка 7

knits a dozen characters into a multi-stranded tissue of gossip, myth,

and memory. . In English, Staniši картинка 8makes a dream team with

Anthea Bell, who translates with a pitch-perfect ear for

every twist and frisk of his German.”

The Independent

“Episodic, impressionistic and whimsical. . clever and funny.”

— TIBOR FISCHER, The Guardian

PRAISE FOR How the Soldier Repairs the Gramophone

“I love this book. It’s funny and it’s heartfelt and it’s brazen and

it’s true. Find some space on your shelf beside Aleksandar Hemon,

Jonathan Safran Foer, William Vollmann, and David Foster Wallace.”

— COLUM McCANN, author of Let the Great World Spin ,

winner of the National Book Award

“Staniši картинка 9is an exceptionally talented, impish and caring writer

who has walked the edge of the abyss. One hopes that he will

continue to grapple with the paradoxes intrinsic to the human

condition and tell many more empathic, revealing and imaginative

stories full of cathartic laughter and feeling.”

Los Angeles Times

“Madcap flights of invention and comic exaggeration clash movingly

with the painfully real chronicle of terror, loss, and exile at the story’s

heart. . How the Soldier Repairs the Gramophone bears witness to

this horror with tragicomic intensity, reflecting the possibilities and

limitations of fiction in the face of atrocity.”

— Bookforum

“Beyond succeeding as a compelling fictional account of the very real

tragedy of a town in Bosnia-Herzegovina, [ How the Soldier Repairs the

Gramophone ] is also testament to the power of the imagination — and

its limitations. . Staniši картинка 10’s tale will remain exceptional: A gifted

storyteller, he’s able to translate unspeakably gruesome history into

something poignant and hauntingly beautiful.”

Village Voice

ABOUT THE AUTHOR

KATJA SÄMANN SAŠA STANIŠI was born in 1978 in Bosnia and Herzegovina and - фото 11

© KATJA SÄMANN

SAŠA STANIŠI картинка 12was born in 1978 in Bosnia and Herzegovina, and currently lives in Germany. His award-winning debut How the Soldier Repairs the Gramophone has been translated into 32 languages. Before the Feast was a bestseller in Germany and won the prestigious Leipzig Book Fair Prize.

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