Jim Crace - Genesis

IT WAS at that moment, peering across the room at Lix, his eagerness to please, she decided she’d accept him as a lover for a while and even that she would allow herself a period of being in love. She had not flushed like he had flushed for her. Her pulse had not increased for him. Her feelings were not bodily She was calmly concentrated on the chance that Lix had offered her of pushing back the jacket, pulling open the shirt, and making politics with kisses on a comrade’s rack of ribs. Freda always needed someone in her bed when the optimistic ghost of 1968 invaded her. Her body and her spirit demanded company But not just yet. She’d let his role intensify as all the action of the coming weeks intensified, as they prepared to pull the cobbles loose and press their chests against the police and MeisterCorps. She’d save their best encounter for the aftermath of Marin Scholla’s kidnapping. She would defeat him on his bed. That was her long-term urgency.

Time to begin. Freda followed blushing Lix out of the meeting room and made him talk to her as they walked across the campus to their almost neighboring Academies of Human Science and Theater Studies for their evening lectures. She was, she said, again in her soft, fiercely reasonable voice, “irretrievably disillusioned” with RoCoCo. Marin Scholla was being virtually delivered into their hands. And they could only muster five. “Some throng.” They’d need twenty-five at the very least to rush the chairman off his feet, she said. They could not expect the head of a leviathan like MeisterCorps to stride into their university unaccompanied, like some delivery boy There would be the usual dignitaries and luminaries surrounding him, men and women in their best clothes who would be easy to intimidate. There’d be private guards as well. Americans were paranoid whenever they left home. They moved around in skittish flocks, “like trigger finches,” never trusting anyone. “Americans are terrified of streets,” she said. And there’d be armed police, perhaps, despite the recent ruling that the campuses were off limits to any unauthorized civic forces. There’d be the television and the press, of course, and beefy businessmen from MeisterCorps who maybe, emboldened by their lunch and their genetic hatred of the young and studious, would be quick and eager to deploy their shoes and fists.

Besides, even if RoCoCo had volunteered en masse and were a hundred strong, Scholla would avoid a crowd. He’d steer clear of anybody seeming faintly aggressive. Anyone approaching him would have to look absolutely safe. He had his share of enemies who would be glad to land a punch on his old Yankee chin, or splash an egg across his suit. (Making “garbage that didn’t last and enemies that did,” she joked, was MeisterCorps’s contribution to the world.) She’d heard that men like Scholla never walked closer than five meters to a building in case some demonstrator on the seventh floor was standing by an open window on a chair, ready to spit or urinate. “Or dump,” suggested Lix. They laughed together for their first time.

“We need,” Lix said, already seeking ways of reining in his Mad Idea, but reining in, as well, the female of his dreams, “a strategy that’s more in keeping with the Melt.”

She snorted in reply and stretched her neck and shook her hair. A frisky thoroughbred. “The Melt’s a cheap diversion. They’ll let you change your clothes, but just you try changing anything that matters.”

“Well, then, something smaller-scale at least. You can’t beat men like Scholla with force, anyway. There’s five of us. And three of them can’t run. No, you have to beat a man like that with weapons that he hasn’t got.”

Lix was not speaking from experience. Nor was he speaking in a voice he recognized from his wide repertoire. He was someone new and unrehearsed, the overcheerful, overcareful supplicant who wanted desperately to keep this woman at his side. His voice had softened, matching hers. He tried and didn’t quite manage to sound as uncompromisingly logical. He could feel his body change, just from being close to her, within her odor range. Close enough already to have brushed her hand with his and for their shoulders to have collided several times. He might risk a friendly parting kiss, he thought, like comrades do, but that was far more daunting than the kidnapping even. He found that he was almost dancing as he walked. He must have seemed childishly exuberant to her, to anyone who spotted him, but he’d never experienced such escalating changes in his mood and did not know how to restrain himself. His stride had lengthened and his arms were swinging loosely He let his knuckles brush her skirt, her fabric and his skin producing startling ecstasies. She didn’t seem to mind.

“Like what? What hasn’t Scholla got?” she asked. “The man’s got everything.”

“He hasn’t got a sense of humor. And he isn’t young,” Lix said. “We have. We are.”

Again, he’d earned some smiles from Freda — though he was too besotted and disarmed to glimpse in these approving and addictive smiles something he would only be able to articulate once their affair had ended and was in jagged pieces, that he could never be exactly the irresistible, magnetic target of her desires. She was the target of her own desire. She was entirely dazzled by herself. Who wouldn’t be if they were her? The most successful people are most dazzled by themselves. In seeking love, accepting it, she was polishing a mirror, all the better to see herself. The best that Lix could hope for was the opportunity to provide Freda’s arm — and her reputation for flying in the face of convention — with a compliant accessory. There were, he would have thought, less satisfying roles in life.

WHAT FREDA AND her four admirers planned over the next few weeks (once Lix had been installed on Freda’s arm, her new man-friend, her latest cobelligerent) was eventually, as Lix had hoped and engineered, far removed from honest kidnapping and shows of force. Little more than just a prank. This was not 1968. It was instead the playful year of Laxity. They were not Baader-Meinhof or the Red Brigades. Still, they could pretend they were. That was the whole point, wasn’t it? To truly play the part, to cast themselves as dangerous, but then, if it backfired, to declare themselves little more than kids, excited students overstepping the mark. Only Youth and Humor attempting politics.

They met in different bars each night, swathed by secrecy and smoke, huddled around their glasses and their cups like five improbable bullion robbers, to finalize their tactics, fired up by cigarettes and alcohol. They were as furtive as possible and theatrically well behaved in public. They never spoke about their “mission” on the phone. They had code words: “the posse” and “the prey.” They took no notes. They kept no minutes of their meetings. They had to memorize their allocated roles, their spoken lines, their stage directions. They were the antiheroes in a film and like the antiheroes in a film they felt adorable. Excitement made them better-looking than they’d ever been before, and better students, actually

The language student’s task, in this unlikely plot, was to “look absolutely safe” in her disguise (which meant, in her case, no boots and jeans, no hand-rolled cigarettes, no sappho-sappho shirt, but the camouflage of glasses, makeup, and a stage wig) and then to stop the chairman as he passed the rank of recessed external elevators in the narrowest part of the campus concourse on his way to his foundation stone and his brief duty with a trowel. All dignitaries walked that route; it was the only one not begging for repairs, the only one with winter flower beds and murals, and — perfectly, for RoCoCo’s purposes — the only one where visitors would have to walk in single file.