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Amos Oz: Where the Jackals Howl

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Amos Oz Where the Jackals Howl

Where the Jackals Howl: краткое содержание, описание и аннотация

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Amos Oz's first book: a disturbing and beautiful collection of short stories about kibbutz life. Written in the '60s, these eight stories convey the tension and intensity of feeling in the founding period of Israel, a brand-new state with an age-old history.

Amos Oz: другие книги автора


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Matityahu Damkov’s lips broadened into a smile.

“I won’t come to you again, not ever, And I don’t want your paints. You’re dangerous. You’re as ugly as a monkey. And you’re mad.”

“I can tell you about your mother, if you want to hear. And if you want to hate and curse, then it’s her you should hate, not me.”

The girl turned hurriedly to the window, flung it open with a desperate movement and leaned out into the empty night. Now she’s going to scream, thought Matityahu Damkov in alarm, she’ll scream and the opportunity won’t come again. Blood filled his eyes. He swooped upon her, clapped his hand over her mouth, dragged her back inside the room, buried his lips in her hair, probed with his lips for her ear, found it, and told her.

9

SHARP WAVES of chill autumn air clung to the outer walls of the houses, seeking entry. From the yard on the slope of the hill came the sounds of cattle lowing and herdsmen cursing. A cow having difficulty giving birth perhaps, the big torch throwing light on the blood and the mire. Matityahu Damkov knelt on the floor and gathered up the paints and the brushes that his guest had left scattered there. Galila still stood beside the open window, her back to the room and her face to the darkness. Then she spoke, still with her back to the man.

“It’s doubtful,” she said. “It’s almost impossible, it isn’t even logical, it can’t be proved, and it’s crazy. Absolutely.”

Matityahu Damkov stared at her back with his mongoloid eyes. Now his ugliness was complete, a concentrated, penetrating ugliness.

“I won’t force you. Please. I shall say nothing. Perhaps just laugh to myself quietly. For all I care you can be Sashka’s daughter or even Ben-Gurion’s daughter. I shall say nothing. Like my cousin Leon I shall say nothing. He loved his Christian son and never said I love you, only when this son of his had killed eleven policemen and himself did he remember to tell him in his grave, I love you. Please.”

Suddenly, without warning, Galila burst into laughter:

“You fool, you little fool, look at me, I’m blond, look!”

Matityahu said nothing.

“I’m not yours, I’m sure of it because I’m blond, I’m not yours or Leon’s either, I’m blond and it’s all right! Come on!”

The man leaped at her, panting, groaning, groping his way blindly. In his rush he overturned the coffee table, he shuddered violently and the girl shuddered with him.

And then she recoiled from him, fled to the far wall. He pushed aside the coffee table. He kicked it. His eyes were shot with blood, and a sound like gargling came from his lips. She suddenly remembered her mother’s face and the trembling of her lips and her tears, and she pushed the man from her with a dreamy hand. As if struck, they both retreated, staring at each other, eyes wide open.

“Father,” said Galila in surprise, as if waking on the first morning of winter at the end of a long summer, looking outside and saying, rain.

10

THE SUN rises without dignity in our part of the world. With a cheap sentimentality it appears over the peaks of the eastern mountains and touches our lands with tentative rays. No glory, no complicated tricks of light. A purely conventional beauty, more like a picture postcard than a real landscape.

But this will be one of the last sunrises. Autumn will soon be here. A few more days and we shall wake in the morning to the sound of rain. There may be hail too. The sun will rise behind a screen of dirty gray clouds. Early risers will wrap themselves in overcoats and emerge from their houses fortified against the daggers of the wind.

The path of the seasons is well trodden. Autumn, winter, spring, summer, autumn. Things are as they have always been. Whoever seeks a fixed point in the current of time and the seasons would do well to listen to the sounds of the night that never change. They come to us from out there.

1963

Nomad and Viper

1

THE FAMINE brought them.

They fled north from the horrors of famine, together with their dusty flocks. From September to April the desert had not known a moment’s relief from drought. The loess was pounded to dust. Famine had spread through the nomads’ encampments and wrought havoc among their flocks.

The military authorities gave the situation their urgent attention. Despite certain hesitations, they decided to open the roads leading north to the Bedouins. A whole population — men, women, and children — could not simply be abandoned to the horrors of starvation.

Dark, sinuous, and wiry, the desert tribesmen trickled along the dirt paths, and with them came their emaciated flocks. They meandered along gullies hidden from town dwellers’ eyes. A persistent stream pressed northward, circling the scattered settlements, staring wide-eyed at the sights of the settled land. The dark flocks spread into the fields of golden stubble, tearing and chewing with strong, vengeful teeth. The nomads’ bearing was stealthy and subdued; they shrank from watchful eyes. They took pains to avoid encounters. Tried to conceal their presence.

If you passed them on a noisy tractor and set billows of dust loose on them, they would courteously gather their scattered flocks and give you a wide passage, wider by far than was necessary. They stared at you from a distance, frozen like statues. The scorching atmosphere blurred their appearance and gave a uniform look to their features: a shepherd with his staff, a woman with her babes, an old man with his eyes sunk deep in their sockets. Some were half-blind, or perhaps feigned half-blindness from some vague alms-gathering motive. Inscrutable to the likes of you.

How unlike our well-tended sheep were their miserable specimens: knots of small, skinny beasts huddling into a dark, seething mass, silent and subdued, humble as their dumb keepers.

The camels alone spurn meekness. From atop tall necks they fix you with tired eyes brimming with scornful sorrow. The wisdom of age seems to lurk in their eyes, and a nameless tremor runs often through their skin.

Sometimes you manage to catch them unawares. Crossing a field on foot, you may suddenly happen on an indolent flock standing motionless, noon-struck, their feet apparently rooted in the parched soil. Among them lies the shepherd, fast asleep, dark as a block of basalt. You approach and cover him with a harsh shadow. You are startled to find his eyes wide open. He bares most of his teeth in a placatory smile. Some of them are gleaming, others decayed. His smell hits you. You grimace. Your grimace hits him like a punch in the face. Daintily he picks himself up, trunk erect, shoulders hunched. You fix him with a cold blue eye. He broadens his smile and utters a guttural syllable. His garb is a compromise: a short, patched European jacket over a white desert robe. He cocks his head to one side. An appeased gleam crosses his face. If you do not upbraid him, he suddenly extends his left hand and asks for a cigarette in rapid Hebrew. His voice has a silken quality, like that of a shy woman. If your mood is generous, you put a cigarette to your lips and toss another into his wrinkled palm. To your surprise, he snatches a gilt lighter from the recesses of his robe and offers a furtive flame. The smile never leaves his lips. His smile lasts too long, is unconvincing. A flash of sunlight darts off the thick gold ring adorning his finger and pierces your squinting eyes.

Eventually you turn your back on the nomad and continue on your way. After a hundred, two hundred paces, you may turn your head and see him standing just as he was, his gaze stabbing your back. You could swear that he is still smiling, that he will go on smiling for a long while to come.

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