Amos Oz - Fima

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Fima: краткое содержание, описание и аннотация

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Fima lives in Jerusalem, but feels that he is in Jerusalem by mistake, that he ought to be somewhere else. In the course of his life he has had several love affairs, several ideas, has written a book of poems that aroused some expectations, has thought about the purpose of the universe and where the country has lost its way, has spun a detailed fantasy about founding a new political movement, has felt longings of one sort or another, and the constant desire to open a new chapter. And here he is now, in his early fifties, in this shabby flat on a gloomy wet morning, engaged in a humiliating struggle to release the corner of his shirt from the zipper of his fly. With rare wit, intimate knowledge of the human heart, and his usual storytelling mastery, Amos Oz portrays a man — and a generation that dreams noble dreams but does nothing.

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Fima silently obeyed. He got up and found his coat, drank the remains of his second coffee, which had gone cold like its predecessor. She told me to go into town and buy an aquarium and some tropical fish for Dimi, he thought, so that's what I'll do. On his way out he managed to close the door behind him so carefully that it did not make the slightest sound. Then, as he walked northward, the same silence continued in the street and in his thoughts. He walked slowly the whole length of Hehalutz Street, to his own surprise trying to whistle the tune of the old song about the man they called Johnny Guitar. There, he said to himself, you could say that everything's lost or you could say that nothing's lost, and the two things are definitely not mutually exclusive. The situation seemed strange yet wonderful: he had not slept with his wife, yet he felt no lack in his body but, rather, the opposite, an exhilaration, an elation, a fulfillment, as though in some mysterious way there really had been deep and accurate intercourse between them. And as if in that intercourse with her he had finally begotten his son, his only son.

But in what sense?

The question seemed meaningless. In a senseless sense. So what.

When he reached Herzl Street, the fine rain reminded him that he had left his cap behind at Yael's, on the edge of the kitchen table. But he was not anxious, because he knew he would return. He still had to explain to her and to Dimi, and why not to Ted too, the secret of the Third State. But not now. Not today. There was no hurry. Even when he thought of Yoezer and the other reasonable, sane people who would live in Jerusalem instead of us a hundred years from now, he felt no anguish, but, on the contrary, a sort of shy inner smile. What's the matter? What's the hurry? Let them wait. Let them wait quietly for their turn. We definitely haven't concluded our business here yet. It's a slow business, a rotten business, there's no denying it, but one way or another we still haven't said our last word.

He boarded the first bus that stopped, without bothering to check its number or its destination. He sat down behind the driver and hummed to himself, shamelessly out of tune, the song about Johnny Guitar. He saw no reason to get off before the terminus, which happened to be Prophet Samuel Street. Despite the cold and the wind, Fima was in very good form.

29. BEFORE THE SABBATH

HE WAS SO HAPPY THAT HE DID NOT FEEL HUNGRY, DESPITE HAVING eaten nothing since the early morning, apart from the biscuits he nibbled in Yael's kitchen. When he got off the bus, the rain had stopped. Among the wisps of dirty cloud, islands of blue were shining. For some reason it seemed that the clouds were standing still and the blue islands were floating westward. And he felt that this blueness was aimed at him and was calling him to follow.

Fima began walking up Ezekiel Street. The first two lines of the song about Johnny Guitar were still resounding in his chest. But how did the song go on? Where in the world did Johnny end up? Where is he playing now?

There was a Sabbath eve smell in the Bukharian Quarter, even though it was still only half past twelve. Fima attempted to identify the components of this thick smell which reminded him of his childhood and of that fine excitement that used to course through him and through Jerusalem as the Sabbath approached. The smell sometimes began to fill the world even on Thursday afternoon, with the washing and the scrubbing and the cooking. The maid used to cook stuffed chicken's necks sewn up with a needle and thread. His mother would make a plum compote that was as sweet and sticky as glue. And sweet stewed carrots, and gefilte fish, and pies, or a strudel, or pastries filled with raisins. And all kinds of jams and marmalades, one of which was called varyennye in Russian. Vividly there came back to Fima, as he walked, the smell and appearance of the wine-colored borscht, a semisolid soup with blobs of fat floating on the surface like gold rings, which he used to fish for with a spoon when he was little.

And every Friday his mother would wait for him precisely at midday at the gate of his school, with her blond plait framing her head like a wreath and a brown tortoiseshell comb planted at her golden nape. They would go together to do the last-minute shopping in Mahane Yehuda Market, he with his satchel on his back and she clutching her wicker shopping basket, a sapphire ring gleaming on her finger. The smells of the market, sharp, savory Oriental smells, filled them both with childish glee. As though they were conspiring secretly against the heavy Ashkenazic sweetness of the pics at home and the cloying carrot and the strudel and the compote and the sticky jams. And indeed, his father disliked these Friday raids on the market. He grumbled sardonically that the child ought to be doing his homework or improving his body with exercises, and in any case they paid a fortune to have a maid, whose job it was to do the shopping, and surely one could buy everything nearby in Rehavia, so there was no need to drag the child among those filthy stalls with foul liquids swilling on the pavement. The Levant was swarming with germs, and all those pungent spices with their clamorous smells were nothing but a camouflage for filth. He made a joke of his wife's attraction to the enchantments of the Thousand and One Nights, and what he termed her weekly quest for Ali Baba. Fima trembled inwardly at the recollection of the illicit thrill of helping his mother to choose from among various kinds of black olives, with their almost indecent smell and their sharp, dizzying taste. Sometimes he noticed the smoldering look one of the stall holders fixed on his mother, and although he was too young to know its meaning, he could faintly feel, as in a dream, an echo of a tremor that ran through his mother's body and seemed to overflow into his own. He could hear her voice now, in the distance. Look what they've done to you, stupid. But this time he answered cheerfully, Never mind, you'll see that I still haven't said my last word.

On their way home after the market he always insisted on carrying the basket. His other arm he linked in hers. They always had lunch on Fridays in a little vegetarian restaurant on King George Street, a red-curtained establishment that made him think of abroad as he knew it from the cinema. It was run by a refugee couple, Mr. and Mrs. Danzig, a charming pair who looked so alike, they might have been brother and sister. As indeed, Fima thought, perhaps they were. Who could tell? Their gentle manners brought a smile to his mother's face like a beam of light. Fima felt a pang of longing as he recalled it. At the end of their meal, Mrs. Danzig always placed two exact squares of almond chocolate in front of Fima. And she would say with a smile:

"That is for gutt-boy who didn't leave anything on his plate."

She pronounced "gutt-boy" without an article, as though it were his name. As for Mr. Danzig, he was a round man with one cheek that was like raw butcher's meat: Fima did not know if he had a chronic skin disease or a strange birthmark, or if it was a mysterious trace of an extensive burn. Mr. Danzig would intone a verse, like a ritual, at the end of those Friday lunches:

"Efraim iss a lovely child,

He finish all his dinner;

So now he vill be strong and vild,

And in our town the vinner—

Vot town?"

Fima's role in this ceremony was to reply:

"Jerusalem!"

But once, he rebelled and perversely answered: "Danzig!" which he knew from his father's stamp collection and also from the heavy German adas that he used to browse in for hours on end, spread-eagled on the carpet in a corner of the salon, especially on winter evenings. This reply made Mr. Danzig smile wistfully and say something that ended with " mein Kind ." Meanwhile his mother's eyes for some reason filled with tears, and she suddenly squeezed Fima's head to her bosom and covered his face with a volley of quick kisses.

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