Amos Oz - Fima

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Fima: краткое содержание, описание и аннотация

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Fima lives in Jerusalem, but feels that he is in Jerusalem by mistake, that he ought to be somewhere else. In the course of his life he has had several love affairs, several ideas, has written a book of poems that aroused some expectations, has thought about the purpose of the universe and where the country has lost its way, has spun a detailed fantasy about founding a new political movement, has felt longings of one sort or another, and the constant desire to open a new chapter. And here he is now, in his early fifties, in this shabby flat on a gloomy wet morning, engaged in a humiliating struggle to release the corner of his shirt from the zipper of his fly. With rare wit, intimate knowledge of the human heart, and his usual storytelling mastery, Amos Oz portrays a man — and a generation that dreams noble dreams but does nothing.

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Suddenly, as though translating her revulsion into fury, Yael snatched the soapy sponge and the frying pan he was holding.

"That's it. I've had enough of this farce. I'm fed up with the lot of you. Coming in here, washing the dishes, trying to make me feel sorry for you all the time. I can't feel sorry for you. I don't want to be a mother to you all. That child, he's always scheming for something, though I really don't know what he's missing in life, what we haven't bought him, a video, an Atari, a compact disc player, a trip to America every year, and next week he's even getting his own private TV in his room. You'd think we're bringing up a prince here. And then you come around all the time, driving him crazy and making me feel guilty, asking what sort of parents we are, and filling Dimi's head with the same sick birds that are fluttering inside yours. I've had it up to here. Don't come here anymore, Fima. You pretend you're living alone, but you're always clinging to other people. And I'm just the opposite; everybody clings to me, when the only thing I want really is to be alone. Go away now, Efraim. I have nothing to give to you or to anyone. And I wouldn't even if I did. Why should I? I don't owe anyone anything. And I have no claims on anyone. Teddy is always a hundred percent okay. Never just ninety-nine. He's like a year-planner that tells you what you have to do, and when you've done it, you wipe it out and write more things to do. This morning he offered to rewire the flat to a three-phase system as a birthday present for me. Have you ever heard of a husband giving his wife a three-phase system for her birthday? And Dimi waters the houseplants morning and evening, morning and evening till they die, and Teddy buys new ones, and they get drowned too. Dimi can even handle the vacuum cleaner; once Teddy showed him how. He vacuums everything, even the pictures and mirrors. Even our feet. There's no stopping him. You remember my father, dear devoted comrade Naftali Tsvi Levin, founding member of the historic settlement of Yavne'el? He's an old pioneer now, he's eighty-three and completely gaga. He sits in the old people's home in Afula staring at the wall all day, and if ever you ask him a question, like how are you feeling, what's new, what do you need, who are you, who am I, where does it hurt, he invariably replies with the same three-word question: 'In what sense?' He says it with a Yiddish lilt. Those three words are all he has left from the Bible, the Talmud, the Midrash, the Hasidic tales, the Haskalah, Bialik, and Buber, and all the other Jewish sources he knew by heart once. I'm telling you, Efraim, soon I too will have only three words left. Not 'In what sense?' but 'Leave me alone.' Leave me alone, Efraim. I'm not your mother. 1 have a project that's been dragging on for years now because a whole bunch of toddlers have been tugging at my sleeves to wipe their noses. Once, when I was little, my father the pioneer told me to remember that men are really the weaker sex. It was a joke of his. Well, shall I tell you something, now that I've missed my hairdresser's appointment because of you? If I knew then what I know now, I'd have joined a nunnery. Or married a jet engine. I'd have passed on the weaker sex, with great pleasure. Give them a finger, they want your whole hand. Give them your whole hand, they won't even want the finger anymore. Just sit quietly over there, make the coffee, and don't interrupt. Don't draw attention to yourself. Do the washing and the ironing, provide sex, and shut up. Give them a rest from you, and after a week they're crawling back on all fours. What exactly did you want from me today, Efraim? A little early-morning screw in memory of the good old days? The fact is you don't even want that , any of you. Ten percent lust and ninety percent playacting. You turn up here when you imagine Teddy's out, loaded with flowers and fine phrases, an expert at comforting orphans and widows, hoping that this time I'll finally take pity on you and go to bed with you for a quarter of an hour. As a bribe to make you go away. I slept with you for five years, and all you ever wanted, ninety percent of the time, was to get it over with, empty yourself, wipe up, turn on the light, and continue reading your newspaper. Go now, Efraim. I'm a woman of forty-nine, and you're no spring chicken yourself. That story's over. There's no replay. I got a child by you and you didn't want it. So, like a good girl, I murdered it so as not to mess up your poetic destiny. Why do you keep coming back to mess me up, and everyone else too? What more do you want from me? Is it my fault you squandered everything you had, and everything you might have had, and what you found in Greece? Is it my fault that life goes by and time gnaws at everything? Is it my fault that we all die a little every day? What more do you want from me?"

Fima stood up, chastened and humble, muttered an apology, started to look for his coat, and suddenly said shyly:

"It's February, Yael: it'll be your birthday soon. I've forgotten. Perhaps you've already had it? I don't remember the date. I don't even have a three-phase system to give you."

"It's Friday, February 16, 1989. The time is 11:10 A.M. So what?"

"You said we all want something from you and you have nothing more to give."

"Surprise, surprise: so you've managed to take in half a sentence after all."

"But the fact is, I don't want anything from you, Yael. On the contrary, I want to find something that will give you a little pleasure."

"You have nothing to give. Your hands are empty. In any case, don't you worry about my pleasure. It so happens I have a real feast every day, or nearly every day. At work, at my drawing board, or in the wind tunnel. That's my life. That's the only place where I really exist a little. Maybe you ought to start doing something, Efraim. That's the whole of your problem: you don't do anything. You just read the papers and get worked up. Why don't you give private lessons, volunteer for civil defense, do some translating, give lectures to soldiers about the meaning of Jewish ethics."

"Somebody, I think it was Schopenhauer, wrote that the intellect divides everything up, whereas intuition restores the oneness that was lost. But I'm telling you, Yael, that our farce doesn't divide into two but, as Rabin always says, into three. Schopenhauer and the rest of them ignore the Third State. Wait, don't interrupt. Just give me two minutes to explain it to you."

But then he fell silent, even though this time Yael had not interrupted him.

He said:

"I'll give you everything I have. I know it's not much."

"You have nothing, Effy. Just the scraps you shnorr from the rest of us."

"Will you come back to me? You and Dimi? We can go to Greece."

"And live on nectar and ambrosia?"

"I'll get a job. I'll work as a salesman for my father's firm. A night watchman. A waiter even."

"Sure, a waiter. You'll drop everything."

"Or else we could go and live in Yavne'el, the three of us. On your parents' old farm. We can grow flowers in hothouses, like your sister and her husband. And we'll get the fruit orchard going again. Baruch will give us some money, and little by little we'll bring the ruins back to life. We'll have a model farm. During the day Dimi and I will look after the livestock. We'll build a study for you with computers, a drawing board. And a wind tunnel, if you'll explain what that is. In the evening, toward sunset, we'll go and see to the orchard together. The three of us. As it begins to get dark, we'll collect honey from the beehives. If you really want to take Teddy with you, I won't object. We'll have a little commune. We'll live without lies, and without the faintest shadow of spite. You'll see: Dimi will develop and really start to flourish. And you and I…"

"Yes, of course, you'll get up at half past four every morning, with your boots and your mattock and your hoe, a song in your heart and a plant in your hand, to drain the swamps and conquer the wasteland single-handed."

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