Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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The more she reassured him that there was a natural explanation for her knowing his childhood address, the eerier the incident of their chance meeting struck him. This surprisingly imposing woman had been born within a month of him and lived perhaps two hundred yards from him while he was growing up. Now here they both were, sixty miles and twenty years away from where they’d started out, stood at one of a hundred corners in one of a hundred towns. It made him think again about his previously held opinions as regards predestination, and if people ever really had an inkling of the path ahead of them. He could see now that it was actually two separate questions that required two different answers. Yes, he thought that probably there was a pattern in how things occurred that had been drafted out beforehand, or at least it sometimes seemed there was, but then again he also thought that if there were such a design it would be far too big and too outlandish to be read or understood, so no one could predict how all its curlicues were going to be resolved, except by accident. You might as well attempt to forecast all the shapes a purple sunset-cloud would make before it burned away, or which cart would give way to which when they met at the crossroads’ corners. It was all too complicated to make sense of it, whatever all the prophets and the tea-leaf readers might pretend. He shook his head, replying to her, muttering something inadequate about it being a small world.

The lovely baby was now squirming restlessly, and Oatsie was afraid her mother would use this excuse to take her home and end their conversation, but she asked instead what he was he was doing at the Palace of Varieties, or the Vint Palace as she seemingly insisted upon calling it. He told her how he generally did a bit of this, a bit of that, but how tonight he was appearing with Fred Karno’s Mumming Birds as the Inebriate. She said it sounded proper funny, and said how she’d always thought it would be nice to be someone who worked in entertainment.

“Mind you, it’s our kid, our Johnny. ’E’s the one who’s always going on about the stage. This is me youngest brother. Reckons that ’e’s gunna end up in theatre or else playin’ music in a band, but ’e’s all talk. ’E wunt ’ave lessons, wouldn’t even if we could afford ’em. Too much like ’ard work.”

He nodded in response, watching a milk cart headed back towards its depot at the bottom of the street, downhill behind her. From where he was standing it appeared about an inch high, dragged by its disconsolate and shrunken mare along the girl’s right shoulder, losing itself in the autumn forest of her hair for quite some time before it re-emerged upon her left and then slunk wearily from sight.

“Well, if your brother doesn’t want to put the hours in, he won’t get too far as a performer. Mind you, he could still make money as a manager or impresario, and then he could be as bone idle as he liked.”

She laughed at this, and said she’d pass on the advice. He took advantage of the pause to ask her why she’d called the venue the Vint Palace.

“Oh, it’s ’ad lots of names over the years. Our dad’s ’ad family in Northampton ever since I can remember, always going back and forth from here to Lambeth, so ’e’s kept up with the changes. It began as the Alhambra Music Hall, from what ’e said, and then they changed it to the Grand Variety around the time what I was born. Accordin’ to our dad there was a bad patch sometime after then, when it weren’t even a theatre for a while. For getting on five years it weren’t the same place one month to the next. It was a greengrocer’s and then it was a place where they sold bikes. It was a pub they called the Crow before that moved across the street to be the Crow and Horseshoe, and I can remember when I was a little girl ten years back and it was a coffee house. All the free-thinkers as they called ’em used to go in there, and they were some right ’Erberts, I can tell yer. Anyway, the year the Queen died, that was when they done it up and christened it the Palace of Varieties. Old Mr. Vint, he bought the place a year ago, but still ain’t ’ad the sign changed.”

Oatsie nodded, looking at the old establishment in a new light. Because he’d come here as a Lancashire Lad all those years ago and it was a variety hall then, he had assumed that it had been one ever since, that it had always been one and, in every likelihood, it always would be. The young woman’s casual listing of the purposes to which the premises had been put in the meantime made him feel uncomfortable, although he couldn’t put his finger on the reason why. Oatsie supposed it was because the world he’d been brought up in, horrible and suffocating as he’d reckoned it, at least stayed where it was from one year, often from one century, unto the next. Even this shabby corner of Northampton here, a place about as run down as the Lambeth he’d been born to, you could see most of the buildings standing round you were still housing the same businesses they’d housed a hundred years before, even if names and management were different now. That’s why the girl’s account of the hall’s changing fortunes had unsettled him, because the story was a relatively rare one still, although you heard more like it every week. What should it all be like, he wondered, if these here-today-and-gone-tomorrow fleapits came to be the rule, not the exception? If he were to come back here in, say, forty years time and found it was a place that sold, he didn’t know, electric guns or something like that, and no longer a variety hall? Perhaps by then there wouldn’t even be variety halls. Well, that was an exaggeration, obviously, but it was how May’s off-hand narrative had made him feel, uneasy with the way that things were going these days, in the modern world. He changed the subject, asking her about herself instead.

“You sound as if you know the place, gal, anyway. How long is it you’ve lived here now?”

She cast her eyes up thoughtfully at scraps of lilac cirrus on a field of deepening blue, while her astonishingly well-behaved and patient offspring sucked a gleaming thumb and stared, it seemed indifferently, at Oatsie.

“Ninety-five, I think it was, when I was six we come up ’ere, although our dad, ’e’s always goin’ back and forth, to get the work. ’E walks it, the old bugger, all the way to London and then back. Many’s the time when we’ve not seen ’im for six weeks, not ’ide nor ’air, then ’e comes waltzing in ’alf-cut with presents, little bits and bobs for everybody. No, it’s not a bad old place. This bit round ’ere’s a lot like Lambeth, ’ow the people are. Sometimes I ’ardly feel as if we’ve moved.”

Some of the narrow shops across the other side of Horseshoe Street were putting lights on now, a dim glow tinged with green around its edges that crept out between the sparse and shadowy displays in their front windows. Lowering her gaze from up among the chimneybreasts, the elder May looked proudly down now at the younger, cradled in her sturdy, tiger-lily arms.

“I think I’m ’ere for good. I ’ope I am, at any rate, and ’ope the little ’un shall be, too. They’re a straightforward lot round these parts, in the main, and there’s some real old characters. It’s where I met me chap, my Tom, and we got wed up at the Guildhall. All ’is people, they’re all local, all the Warrens, and we’ve lots of family up ’ere on the Vernall side as well. No, it’s all right, Northampton is. They do a good pork pie, and there’s some lovely parks, Victoria, Abington, and Beckett’s. That’s where I’ve just took this one, down by the river there. We saw the swans and went out on the island, didn’t we, me duck?”

This was directed at the baby, who was finally beginning to show signs of restlessness. Her mother stuck out her own lower lip and turned her brows up at a tragic angle, mimicking her daughter’s glum expression.

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