Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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“So, did you get out of that cellar in the end? Ahahaha.”

what cellar what’s he talking about what

“What cellar’s that? I’m sorry, but you’ve lost me.”

there, again, apologising what should you be sorry for it’s him who’s talking rubbish he’s

“The cellar in the dream. Ahahaha! You didn’t like it much.”

the

but

what what is he oh no oh God no that’s no that’s BWOIP BWOIP BWOIP BWOIP no

“What do you m … how do you know about …”

is this a dream, this now, is this the same dream have I not yet woken up or

“Ahaha! It was just like our granddad’s shop in Horsemarket. It was … yiss. Yiss, that’s right. The Sheriff. Ahaha. Sat in ’is wheelbarrer up on the Merruld.”

but how can he know about hang on I’m missing something here the last half of that sentence he’s just turned his head and looked away from me is he deliberately snubbing me or I don’t know but what he said the dream how can he know about my dream or how can I know his whichever way around it is that isn’t how it works that’s wrong it has to be some I don’t know some fluke of probability, mathematics, a coincidence I mean two people having the exact same dream on the same night then meeting the next day I’ll grant you it must be fantastic odds against it but it’s not impossible it doesn’t mean hold on he’s turning back to face me

“Freddy was just saying that you ought to change yer underpants. I’d told ’im earlier what you’d got on and ’e said you was wearing the same thing the time ’e seen yer. Ahaha.”

he’s

he’s oh fuck he’s talking to the empty seat the other side of him somebody told me I remember now somebody said they’d seen him doing that, some other pub, the Fish I think, it must be all the drink sent him like that although then there’s the poetry as well wasn’t it him forever going on about John Clare and everybody knows where John Clare finished up how did he know about my dream the underpants and I’m not liking this how did I end up walking into this I don’t deserve this and

“Who’s Freddy? I don’t …”

laughing throwing back his head I can see every pore in his big nose there’s nothing funny about this, this is that thing the atmosphere around the Boroughs BWOIP BWOIP BWOIP BWOIP are they all mad are they all these people are they all inbred and mad or

“Freddy Allen! Ahaha! Old Freddy Allen! ’E says as ’e saw yer wanderin’ up Marefair in the middle o’ the night wi’ just yer vest and pants on. Ahaha. ’E says ’e run across the road to see if ’e could put the wind up yer. From what ’e’s tellin’ me, you looked as though you’d done it in yer pants. That’s why ’e thought you oughter change ’um. Ahahahaha!”

gulping my pint now trying to shut him out this isn’t happening I’m mishearing him all of this what with the background noise he isn’t saying what I think he’s saying should I just get up and leave say I’m not feeling well it’s true enough oh Christ I want to bolt but I’m stuck up the corner of the bar here with him there’s so many stools and tables between me and the pub door and all these people Friday night it’s filling up I don’t know what to do I don’t know what to say there’s too much going on BWOIP BWOIP BWOIP BWOIP and from the corner of my eye oh God what’s that it’s no it’s nothing cigarette smoke hanging in a wobbly flying carpet made of grey wool just above the picture-rail I thought that it was I don’t know a rush of something dust-balls big as sheep stampeding at our table but it’s only smoke I’m just that rattled oh please stop him laughing it’s

“Ahahaha! Did you see that? ’E just stood up like ’e’d got piles. ’E’s cross because a load o’ little blighters just come in.”

what now oh Jesus get me out of here he’s got me stuck here up this corner and he’s what’s he doing now he isn’t looking at the stool beside him and he’s not looking at me he’s giggling into the smoke oh fuck how many aren’t there here that I don’t know about it’s not

“You can’t come in! Yer under age! What if the landlord asks to see yer death certificates? Ahahaha!”

laughing his head off shouting at thick air nobody paying him the least bit of attention can’t they hear what’s going on they must be used to him a regular or they can’t hear above the BWOIP BWOIP BWOIP BWOIP I don’t know what’s going on myself and for a moment I look off in the direction that he’s staring but there’s nothing there’s just some bloke’s arse and all the smoke and I look back at him and everything about the Boroughs that can make your skin crawl it’s there in his voice his laugh his eyes you can’t tell if he’s sad or happy I’m just gaping at him I’m just

“I don’t understand this. I don’t understand you people.”

listen to yourself “you people” there’s nobody here but him you sound as cracked as he does oh God when he said that bit, running across Marefair to put the wind up me he can’t have meant no that’s just bollocks no people don’t have each other’s dreams I’m not I can’t I just can’t think about it now Benedict Perrit look at him craning his neck and laughing holding one hand to his ear like he’s pretending that he’s eavesdropping on someone or perhaps he’s

“I can’t ’ear ’um. Even when they’re right up next to yer they sound faint, ’ave yer noticed? Ahaha.”

it’s

it’s only this moment just occurred to me that this is just what it would be like this is what ghost stories look like in real life BWOIP BWOIP BWOIP BWOIP in real life there aren’t any ghosts and it’s just somebody who’s mad, and I mean that’s upsetting in itself, it’s somebody who’s mad and otherwise there’s nothing no one there and there’s no ghosts there’s nobody there’s nothing but an

absence

an accusing absence, as if

let me out oh Jesus let me out of here this pub this corner this pissed lunatic tonight how has it gone so wrong so horrible so fast I’m swallowing my pint down necking it and next to me he’s laughing fit to bust his throat’s a lift-cage going up and down stuck between floors why did I come in here it’s like I didn’t have a choice I didn’t have a chance and next to me, what now, he’s pointing through the hanging smoke towards the door he’s

“There they goo! Ahahaha! All ayt the door like ashes up the chimney.”

but the door’s not moved the door’s not open what’s he seeing what’s he seeing in his schizophrenic seizure that I’m not finish my pint and clink the empty glass down on the table

“Benedict, I’m …”

“Ahaha! I know! Yer lookin’ fer a way out, but there’s not one. We’re all stuck ’ere wi’ no end in sight. Blood on the straw and fish guts up the corner. I’m still tryin’ t’get further in. Ahahaha!”

stand up I can’t say anything can’t even say goodbye what can you say, a situation like this, as if there was such a thing as if there was a situation like this struggling around the table with its hard edge juddering against my thighs there isn’t any space to move there isn’t any wiggle-room and all these people packing out the place I didn’t notice them come in “Excuse me … can I just come through, yeah, cheers … excuse me … sorry mate” stop saying that stop calling people mate they’re not your mates there’s no one down here who’s your mate and BWOIP BWOIP BWOIP BWOIP and behind me I can hear him laughing whinnying like a carthorse with the barn on fire I stumble over someone’s feet and hear the word cunt bubbling from the acoustic blur but then I’m finally I’m by the door and pushing at the hard glass through its useless little skirt of lace and then the air outside it’s cold and clean and big the air outside in Regent Square the night slams into me and there I’m free I got away from him I got away from it I got

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