Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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“Where do we go after this?” May’s voice sounds almost petulant. The reformed fiend and Master Builder shrug as one, as if to point out that the answer’s obvious. Gradually,

Snowy understands. He isn’t breathing. That’s because all of the oxygen he needs is to be had from the placenta. Squirming in his mother Anne’s spasming birth canal, forgetting everything,

he moves along the lightless channel carrying the infant with him and knows that, inevitably,

he is going back to where he started.

CORNERED

to judge, that’s what keeps going round and round with me well I suppose you could say I believe that everyone should have the benefit of what’s the phrase, I worry sometimes when I can’t remember things, benefit of the doubt, there, everyone should have it well not everybody obviously not some of them round here, with them what they should have it’s more doubt of the benefit in my opinion you take her, the one with stripy hair Bath Street St. Peter’s House I think she lives you see her on Crane Hill up from the Super Sausage black girl well not black mixed race, from what I hear she’s on the lot the benefits the crack the game part of the pond-life the Monk’s Pond-life I should say I mean it’s not her fault up to a point and if you’re from a disadvantaged background then statistically it’s like predestination how you end up but I still think and perhaps I’m just old fashioned but I still think everybody has to take responsibility for their behaviour obviously sometimes there’s extenuating circumstances we’ve all done things that we didn’t want to when there wasn’t any other choice although some people I’m not saying it’s their fault but they don’t try to help themselves they just biodegrade until they end up like old bubblegum that’s on the pavement year in year out in the end you barely notice it’s another social residue part of a natural process people like that and I don’t mean ordinary decent working people, people like the Super Sausage girl are unavoidable bacteria and if you like the street’s a gut it cleans itself, the lifestyle, it gets rid of them eventually where was I

oh benefit of the doubt yes I remember it should be extended, I think, to those of a certain I don’t want to say class that’s not me and anyway that’s been made into such a loaded term, but of a certain standing in the town let’s say a kind of public figure I suppose you’d call it, getting things done nearly forty years and always always on the people’s side it comes with being from a Labour background and I’ve never been a champagne socialist a Mateus Rosé socialist at one time possibly, that I’ll admit to, though I’ve always had a common touch at least that’s what the wife says no I’m only joking what I’m saying is, I’m part of this community been living down here all these years bit of a local landmark you might say close to his roots and I think people most people respect that when I’m seen out and about like now they smile and nod and recognise me from the paper and I think I’m generally appreciated but of course there’s always one or two

it’s quite a nice night not what you’d call summery but better than it has been Mandy’s out walking the thin blue line with her police friends what with one thing and another it’s not often these days that we’re home at the same time I often say we’re like those couples that you used to get in weather houses those old novelty barometers we had one up in Scotland when I was a scruffy little muppet although no doubt there’d be those amongst the worthy opposition or in my own party for that matter who’d say that was still the case, no with her being out I didn’t fancy rattling round the place as if I was a dried pea in a cocoa-tin and since I stood down from the council what three years ago to as I put it spend more time at home with Mandy there’s not been so much to do I thought I might as well go for a turn around the block perhaps call in and have a swift half somewhere before wending my way back it’s been a few years since I did that on a Friday night although at one point it was every week we change as we get older in what we can stomach and of course a Friday night in town these days is asking for it really with the way it’s gone these sixteen-year-old numpties, half a dozen theme pubs every street it’s like that Enoch Powell speech only rivers full of vomit and not blood although you get a fair amount of that as well down at the A&E it’s definitely a decline I blame bad government and yes to some extent people themselves they have to take responsibility for what they’ve done but it’s too easy I think saying everything’s the council’s fault what people fail to understand is that our hands are often tied but anyway

in Chalk Lane there’s a moderate breeze but not so as you’d notice really left or right here should I go uphill or down a left will take me up into the Boroughs and that can be well not dangerous but on a Friday night and all of the remaining pubs are either dead or full of people that you wouldn’t want to spend a lot of time with, right it is then and so into Marefair, going downhill, following the path of least resistance

just across the road there the Black Lion looks like it’s on the way out I can remember when it was all bikers not what you’d call threatening but things could be unpleasant around chucking-out time with the noise and everything it’s not fair on the residents a load of half-baked pissheads revving up shouting the odds but anyway they’re gone now long gone and we’re rid of one more obstacle stood in the way of Castle Ward getting the new development and I suppose you could say the new people that it needs to be a different place a decent neighbourhood to move up in the world not that we’d ever sell that’s not what it’s about it’s an attachment to the district, not for how it is but how it could be living down here all these years of course it’s not our only property but it’s the one that we’re identified with part of our brand if you like I mean the oldest most historic part of town we’d lived here years before I’d heard more than the barest outline, to be honest I was never all that interested but when you find out about some of it well it’s fascinating you take Peter’s Church across the road there put up in the first place by King Offa as a chapel for his sons at their baronial hall in Marefair then it’s rebuilt by the Normans in eleven something and hold on what’s that

a teenage boy it looks like floppy brown hair jeans and trainers with an FCUK shirt on that’s too big for him a lanky streak of piss he’s in St. Peter’s doorway underneath the portico and shovelling something up into his arms as if he’s in a hurry it’s a sleeping bag, he’s dossing at the church the mangy little twat I’ll have a word with Mandy when I see her next oh hey up here he comes stumbling along the path between the flowerbeds out the church gate with his bag like an enormous boneless baby clutched against his scrawny chest and scuttling across the street he’s in a rush alright although I can’t imagine where he’s got to go

“Good evening.”

not a word straight past me and away up Pike Lane Pikey Lane somebody’s changed it to and frankly you can see why though I’ve never liked the term myself well it’s derogatory isn’t it, you know something about the way he ran at me across Marefair like that I felt a bit weird for a second not quite déjà vu but it reminded me of something though I don’t know what it can have been did someone run at me like that across a street before or oh wait I know what it was it was that dream I had I put it down to dodgy seafood at the time when was it eighteen months, two years ago, I was in Marefair in the dream as well but it was night I couldn’t find my shirt or trousers and had I gone outside in my pants and vest to look for them I can’t remember but I know the street looked different in the moonlight was there any moon the dreamlight anyway there were all buildings from the present jumbled up with places that were knocked down years ago and there was that damp creepy atmosphere the Boroughs seemed to have when we were first moved in and in the dream I was just starting to feel a bit anxious and self-conscious about being out in just my underwear when I saw somebody across the street this old chap with a trilby covering his bald head and he ran, he ran at me across the road exactly like that boy just now but he’d got it was horrible he’d got dozens of arms and where his face was it was just a lot of eyes and mouths all screaming at me screaming like he hated me I don’t know what I’d done to make him hate me like that but I woke up in a sweat with my heart going and there wasn’t anybody there it’s just this place with nightmares in its timbers like old farts trapped under bedsheets in my bones I’m still a Marxist to the core I don’t believe in ghosts

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