Alan Moore - Jerusalem

the long treks out of Northampton and across the lanes and fields to London, from the Boroughs into shining Lambeth, wet after the rain. He knows a trick that will compress the journey, telescoping his fond farewells to Louisa at their Fort Street doorstep into his footsore arrival on the angel pavements there south of the Thames. Detaching himself from his usual perspective on the solid, trudging world of three dimensions he adopts an altitude from which duration has become a thing of feet and inches. His wife’s goodbye wave and her accompanying suspicious frown smear into cobbled lanes, to breweries and brickyards on the edge of town and then to wayside flowers, cowslips, forget-me-nots and such, a floral motif on the county’s crawling wallpaper. The fixed disc of the sun swells up and reddens like a sore eye, staring angry and aggrieved until relieved by the protracted blink of a cloud-cover eyelid, grey and full of tears. The world of form and depth and time is flattened to a single plane as in a map, and the ensuing downpour is reduced to only a metallic texture spattering an area of the diagram. Day tans to night, twice, two thick stripes of purple tar stippled with nail-heads, and then past this point on the unwinding canvas of the days the emerald verge of Watling Street gives way to thick impasto crusts of pigeon-streaked geometry. The finer details of broad avenue and narrow terrace are unfolded from these intricacies to surround him, with flat factories now springing into being at the corners of his glazed sleepwalker gaze and the whole capital become a children’s pop-up novelty. Along Hercules Road’s unspooling length he goes down into the familiar Bedlam reaches of his birthplace, starving hungry and for some forgotten reason suddenly near lame, and it all seems to him to be accomplished in a moment. He gulps down the sixty or so miles in one debilitating, dizzying swallow and slams his drained journey on the Lambeth counter, smacks his lips with relish on the nearest barmaid by way of a celebration. Her mouth is the taut but yielding ribbon of his finish line and yet he stumbles further, stumbling and gasping to her chucking-out time chamber, to the purlieus of her womb, and the unfaithfulness is somehow wrapped around, is an extension of Louisa’s knowing scowl there on the front step. Even while he’s bearing down with the milk-jellies of her thighs against his chest he knows he is remembering this moment from the vantage of a furry eiderdown, an ice-decked cavern in another world long after he and everyone he knows are dead. He has the brief impression of an endlessly reiterated series of his self, an infinite array of wild-eyed men in an apocalyptic state of mutual awareness, waving to each other down a long and narrow hallway that at first he thinks is time itself but realises is another image from another moment as he moans and empties himself into her, into the sweaty linear rush of human circumstance, both of them writhing, pinned like martyrs to the crushing wheel of everything. It is immediately morning. He uncreases from the bed and grows a skin of clothes, grows a new room around him that unwraps into a street, another pub, a few days decorating work in Southwark where the hours are applied in coats, the brush-stroke minutes smoothly melting into one another. There’s a roofing job in Waterloo, dancing with sky and gravity and he looks out across the lead braid of the river to the east where in the distance the bleached skull of the cathedral rises. In its famous gallery he knows that fifty-year-old thunders are still whispering to the faint residual vibrations of his father screaming, going mad, an endless conversation between echoes. Strains to see if he can catch it, overbalances and twirls his arms like windmills then regains his footing in a scripted accident, wobbling there upon the rim of a new century. His heart pounds from the near miss and he shakes a little in the wake of the adrenaline, his mind aware that there was never any danger of a fall and yet his flesh remaining unconvinced, as ever. He breathes down his nose as he descends the ladder into sequence, into filthy history, the rungs transmuting in his clammy fingers to become a buff pay envelope, the slopping glass weight of a pint, a different barmaid’s cunt, her bedroom doorknob and at last the laces of his boots where he kneels fastening them for the walk home to Northampton. Streams flow backwards and almighty storm-fronts crumple and contract to balls of tangerine-wrap tissue before vanishing. A labouring dray horse snorts and shivers, breaks apart into two spinsters riding bicycles who raise their hats in passing. Parasol seeds gathered by the wind are reassembled into puffball clocks before condensing into piss-gold dandelions and then the planet sucks them in through their stem’s milky straw. The planet sucks it all back in eventually, drinks every blade of grass, drinks everyone as he retracts the centipede-length of his form expressed in time from Blackfriars Bridge to Peter’s Church and Marefair, reels his here-and-now along the Roman Road into the Boroughs with leaves ripening and filling out from ragged russet to a sleek viridian as they float up to reattach themselves. He ties the over-shape of his excursion in a tidy bow, greeting Louisa with a kiss on the front step, another woman’s juice still flavouring his lips and all the while he knows

he’s in the frosted ruins of a dream-dive somewhere up above the causes and effects, an eighteen-month-old child wrapped in his scrawny arms, both doing what dead people do instead of sleeping. Overhead, eye-straining ice geometries drip liquid hyperspheres, each carefully-spaced splash and plink in an enhanced acoustic, overlapping with delay and so convening into sparse and accidental music. Night being a fixed location on the endless avenue they rise after what they feel is sufficient rest and spend some time in fashioning a sack of wolfskin, so that they can take most of the Puck’s Hats with them as they travel on towards the gold eruption of a daybreak. Fortified by their respite, the old man runs in loping Muybridge strides, each pace a minute or two long and glaciated hours of floorboard vanishing beneath his dirty feet. The Hat-sack tied about his neck provides a furry saddle where his jockey bounces nude and laughing, making fists around reins of white hair and shrieking down the bore of history. Without constraints of flesh or Downstairs-physics they accelerate to reach a gallop in which the succession of the days becomes a strobe of jet and opal. Sometimes clustered specks flash by and bowl away into the slipstream, other people, other ghosts, but few and far between and never in sufficient numbers to necessitate more than a lazy veer in Snowy and his granddaughter’s blurring trajectory. The phantoms point and stare at the bare patriarch as he streams past them with his shrivelled tackle roiling and a conjoined cherub growing from his shoulders. Thundering, his footfalls measure the blind phases of the moon, pound through the centuries until he can detect a subtle shift of colouration in the passing everscape, cold alabaster gradually suffused with virid notes of thaw. He curbs their terrible momentum, slowing so that every step falls on a Sunday, then upon a splashing molten sunset, then ten minutes past the hour and finally he brings them to a standstill in the strange recovering tropic of the instant. Lifting May’s almost unnoticeable weight over his head he sets her down onto a felt of moss that would seem to have colonised the formerly ice-varnished floorboards thenabouts, and in that newfound temporal vicinity the ancient and the baby stand and look about them. The immense arcade has in these latitudes regained a little of its structure and complexity, suggesting dream-life and therefore an at least partly renewed population in the under-territories. Massively enlarged imaginings of trading posts seem once more to have blossomed at the distant edges of the immense corridor, and towering edifices of yard-in-diameter bamboo, places of worship or — conceivably — academies. Unlike the bleak polar austerity of vision which prevails only some several hundred-year leagues back along the line, however, these appear more intricate and equatorial in their decoration. Feather sprays and stylised monster-masks proliferate. There is a building like a kettledrum as big as a gas-holder, made from tree-bark greatly magnified and covered in a vast swathe of fluorescent snakeskin, with the once-Victorian canopy above partly restored by cable-thick lianas past which white diagrammatic clouds uncrumple on the graded grenadine wash of the sky. Tugging the loose skin of her granddad’s thigh, May points out that the giant trees protruding through the recently defrosted floor-holes are now banyans and the like, a stippling of vermillion flecks upon their high flyover branches that she thinks might be comprised of parrots. Furthermore, she observes that the outsize apertures from which they sprout are now no more rectangular but are arranged in dizzying rows of circles and ellipses, stretching off in the untrammelled distance with long hanging-garden fringes of dank moss and creeper trailing down into, presumably, the mortal huts and shelters of the world beneath. Although in the unchanging climate of Upstairs the pair no more experience an increased warmth than they had felt the cold of the more arctic reaches, they see evidence of a fecund and humid dreamtime everywhere about them. Here and there in saucer-pools between the growths of lichen there are meta-puddles straining for a third dimension, twisting upward in translucent sheets to form a thing of intersecting liquid planes much like the fluid reproduction of a gyroscope before subsiding. Something like a butterfly flaps wearily into the rising higher-mathematic steam on damp and heavy wings, a polythene bag snap and flutter rustling away between schematic fog-drifts of extrapolated vapour. On waxed tureen leaves, plump polyhedral droplets sparkle and display impossible refractive indices, Koh-i-noor perspiration, and eventually from out of the concealing vegetable shadows there emerge the period’s distinctively-adapted spectres: future shades stepped hesitantly from aetheric foliage to engage with these outlandish new arrivals, with these travellers from faraway antiquity, these representatives of an almost forgotten species. With a flinching and uncertain catlike tread, the Second Borough’s new inhabitants approach across the mossy suede, none of them more than three or four feet tall, hairless and gleaming bipeds with engraved or crenulated skins of a profound, light-drinking aubergine. Their voices when they speak are shrill and piping while their language is at first incomprehensible, and yet to Snowy’s mind has an inflection that is not dissimilar