Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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“It’s nothin’ need concern yer. You just ’urry up and come with us … and don’t look back in case the watcher’s peerin’ ayt their window and they see yer face.”

This last bit sounded like an over-clever afterthought, which meant it sounded like a lie, or as though Phyllis had some other reason why she didn’t want him to turn round. Together with the way that the Dead Dead Gang crowded in about him as if shielding something from his sight, her blustering tone made Michael more convinced than ever that something was wrong. In mounting panic, he pulled free from Phyllis’s tight grip upon his arm and wheeled around so that he could look back towards the house near Scarletwell Street’s bottom corner, from which they had just escaped. What could there be about the place that was so dreadful no one wanted him to see it?

Looking solemn, Reggie and Drowned Marjorie fell back to either side so that Michael could gaze between them at the building they’d so recently vacated. It stood silent, with a weak light filtering through the curtains pulled across its downstairs window. If you didn’t count the fact that it seemed bigger, like two houses knocked together into one, then other than the detail of it being situated in a space where Michael knew an empty yard had been in 1959, it looked completely normal. There was nothing odd or terrible about the residence itself that he could see. It was just everything except the house that was all odd and wrong and terrible, that was all gone.

The terraced row along St. Andrew’s Road between Spring Lane and Scarletwell, where Michael and his family and all their neighbours lived, had vanished. There was just the bottom fence and hedges of Spring Lane School’s playing fields and then another patch of empty grass before you reached the pavement and the road immediately beyond. Save for a few small trees the double-sized house near the corner stood alone on the benighted fringe of ground, a single eye-tooth still remaining when the jaw itself had rotted down to nothing. From where Michael stood amongst the other phantom children, halfway over Scarletwell Street, he could see the little meadow on the other side of Andrew’s Road, which nestled at the foot of Spencer Bridge … or rather, he could see the place the meadow had been, the last time he’d looked. Save for a bordering fringe of trees there were now only rows of giant lorries hulking in the dark, much bigger than the vegetable truck that the man next door had tried to take him off to hospital inside. These each looked like two tanks piled up on top of one another, or perhaps a mobile branch of Woolworth’s. Spaced out along the main road into the twinkling blackness of the distance there were things that looked like streetlights in a dream, impossibly tall metal stems each flowering at the top into two separate oblong lamps. The sickliness Michael had noticed in the lighting earlier seemed concentrated round these lanterns in unhealthy halos, which suggested that they were its source. Their wan rays fell upon the slumbering trucks and on the glistening tarmac of the empty roadway, on the whispering carpet that had grown across the floorboards of his missing birthplace, his evaporated street. The place he’d lived. The place he’d died.

This was what Phyllis and the others hadn’t wanted him to see. His holy ground, except for the one single household that incongruously remained, had been razed flat. His devastated wail could be heard blocks away by those who weren’t alive, despite the stagnant sonic currents of the ghost-seam. Filled with endless loss the wrenching cry unlaced the night, splitting the dead world end to end, while all around the living Boroughs slept on unaware and dreamed the troubled husks of its disgraceful future.

FLATLAND

Reginald James Fowler was the beautifully-written name upon the only two certificates he’d ever been awarded, which were the same two that everyone got, just for turning up.

He’d been called Reggie Bowler ever since Miss Tibbs had got his name wrong, reading out the register on his first day at school. The actual hat had come much later, and he’d only started wearing it to fit in with the name. He’d found it, with his much-too-big, perpetually-damp overcoat, amongst the rubbish on the burial ground near Doddridge Church, when he’d been sleeping there just after his twelfth birthday. He’d already had the dream by then, of Miss Tibbs holding up a book called The Dead Dead Gang with an overcoat-and-bowler-sporting urchin in gold inlay on its front, but when he’d come across those articles of clothing in real life this premonition was forgotten and was quite the furthest thing from Reggie’s mind. He’d just been overjoyed to find the free apparel, the first bit of luck he’d had since losing both his parents.

At the time he’d tried to jolly himself up by looking on the hat and coat as presents, kidding himself that his dad had come back and had left them there for him, hung on the brambles growing in the crook of a stone wall already peppered green with age. If he was honest with himself he knew the garments were more likely those of an old man named Mallard, who’d lived in Long Gardens off Chalk Lane and who had killed himself in a depression. Probably his son, who’d very soon thereafter taken up employment as a slaughter-man in London, had got sick of looking at the suicide’s old clothes and thrown them out. That would have been, by Reggie’s reckoning, around ’Seventy-one or two, about a year before the bad frost that had finally seen Reggie off.

There’d been a lot of people do away with themselves in the Boroughs down the years. Old Mallard only stuck in Reggie’s memory because he’d been a man, when nearly all the others had been female. It was harder for the women, or at least that’s what he’d heard their husbands tell each other over beer in a pub garden, if the subject should arise.

“It’s something that’s in them old houses,” was the general opinion. “For the chaps it’s not so bad, because they’re out to work. The women, though, they’re left indoors with it and they can’t get away.”

He’d often wondered, in his idle moments, what “it” was. If it was something somehow “in” the houses, then it could be damp or dry-rot, some miasmal presence seeping from the beams and brickwork that could make a person so ill that they’d want to take their life, although he’d never heard of such a thing. Besides, the way that grown-up fellows talked about the matter, nodding solemnly over their pints of watery pale ale, had given Reggie the impression they’d been speaking of a living creature, something that had wandered in one day to take up residence and then refused to leave. Something so upsetting and so miserable that you’d be better dead than stuck at home with it, trying to do your housework with it sitting in the corner wriggling and clicking, looking at you with its knowing little black eyes. Reggie always pictured “it” as a giant earwig, although part of him knew full well it was only ordinary despair.

This was the nesting horror that had done for Reggie’s mother, so he thought about it quite a lot. She’d tried to kill herself so many times that by her third try even she could see the funny side. Her first attempt had been at drowning, in the Nene where it ran through Foot Meadow, but the river wasn’t deep enough at that point to accommodate her and she’d given up. Next she’d jumped from the bedroom window of their house in Gas Street, which resulted only in a pair of broken ankles. On the third occasion she’d tried kneeling with her head inside the oven, but the gas ran out before she’d finished and she didn’t have a penny for the meter. It was that, being too poor to even gas herself, which in the end made Reggie’s mother laugh about her troubles. So surprised were Reggie and his dad to see her chuckling again that they’d joined in, laughing along with her there in the freezing kitchen, with its windows open to dispel the rubbery and acrid fumes. Reggie himself had giggled most, although he hadn’t really understood the situation and was only laughing because everybody else was. Also, he supposed that he’d guffawed out of relief and gratitude, convinced that a dark chapter of his family’s story was now over.

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