Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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“You look lost, little boy. Oh dear, oh dear. We can’t have that, now, can we?”

The man’s voice was worryingly deep and creaked like some great prehistoric monster opening its wings. Michael decided that he’d better act as if this were a normal conversation with somebody who was offering directions. Noticing that on his right were more of the high windows that he’d seen when in the corridor, he feigned an interest in them with a voice that was embarrassingly high and piping after the man’s grown-up growl.

“That’s right. I’m lost. Can you see in those windows for me so that I’ll know where I am?”

The bearded fellow frowned in puzzlement, then did as he’d been asked and glanced in through the windows that looked out onto the balcony. Having thus satisfied himself, he once more turned to study Michael.

“Looks like it’s the needlework-room that’s upstairs at Spring Lane School, only a fair bit bigger. I hang out round here because I’m very fond of handicraft. It’s one of my great specialities. I’m also rather good at sums.”

He cocked his curly, bushy head upon one side so that his hat-brim tipped down at a slant and sucked once more upon his pipe, a grey fog brimming from his fleshy lips as he opened his mouth to speak.

“But you don’t quite add up to anything that I’m familiar with. Come, little chap. Tell me your name.”

Michael was not completely certain he should trust this stranger with his name, but couldn’t think of a convincing alias in time. Besides, if he was found out in a lie he might get into trouble.

“My fame’s Michael Warren.”

The tall man took a step back with his mismatched eyes widening in what seemed to be honest surprise. The trailing triangles of cloth that formed his coat suddenly fluttered upward to reveal the red silk lining of their undersides so that he looked as though he had been briefly set on fire, although Michael had felt no gust of wind. With an increasing sense that all of this was going badly wrong, he understood that it had not been breeze that moved the old man’s coat, but more an action like a peacock ruffling its feathers in display. Except that this would mean the two-toned scraps of cloth were part of him.

You’re Michael Warren? You’re the one to blame for all this trouble?”

What? Michael was stunned, both that his name was known up here and that already he had been accused of something which, from how it sounded, was quite serious. Briefly, he thought of trying to run away before the man could grab him and subject him to some punishment for his unknown transgression, but the big bloke just threw back his head and started laughing heartily, which rather took the wind from Michael’s sails. If he’d caused trouble like the tattered man had said, how was that funny?

Breaking off his gale of laughter for a moment, he gazed down at Michael with what looked like dangerous amusement flashing in his jade and garnet eyes.

“Wait ’til I tell the lads. They’ll be in fits. Oh, this is good. This is extremely good.”

He once again began to roar with mirth, but this time, when he tipped his head back in a guttural and hearty guffaw his broad leather hat slipped off to hang down on his shoulders by the cord that he had knotted underneath his chin.

The man had horns. Brown-white like dirty ivory they poked up from the curls and ringlets of his hairline, thick, stubby protuberances only a few inches long. This was the time, Michael decided, to start crying. He looked up at the horned apparition with tears welling in his eyes, and when he spoke it was with an accusing snivel, sounding wounded by the mean trick that the man had played upon him.

“You’re the devil.”

This seemed to choke off the coarse, uproarious laughter. The man looked at Michael with his eyebrows raised in almost comical bemusement, as if he was dreadfully surprised that Michael should have ever thought that he was anybody else.

“Well … yes. Yes, I suppose I am.”

He crouched down on his haunches until his unnerving gaze was level with that of the little boy, who stood there rooted to the spot with fear. The horned man leaned his head a little closer in to Michael with a lazy smile and narrowed his jewelled eyes inquisitively.

“Why? Where did you think you were?”

AN ASMODEUS FLIGHT

The devil couldn’t call to mind the last time he’d enjoyed himself as much as this. This was a great laugh in the greatest sense of the word great: great like a war, a white shark or the Wall of China. Oh, my sweethearts in damnation, this was priceless.

There he’d been, just leaning on somebody’s old dream of a balcony and puffing on his favourite pipe. This was the one he’d whittled from the spicy, madness-seasoned spirit of an eighteenth-century French diabolist. He fancied that it made his best tobacco taste of Paris, sexual intercourse and murder, somewhere between meat and liquorice.

Anyway, there he’d been, loafing around above the Attics of the Breath, close to the crux of Angle-land, when up had come this builder, Master Builder mind you, with a split lip and a shiner like he’d just been in a fight. I mean, the devil thought, how often do you get an opportunity to take the piss on such a sewer-draining scale as that?

“My dear boy! Have we walked into a pearly gate?” Not too bad for an opening remark, all things considered, dripping as it was with obviously false concern, as if enquiring on the health of an obnoxious nephew you transparently despised. The thing with builders, Master Builders in this instance, was that while they were quite capable of levelling a city or a dynasty, they hated being patronised.

The Master Builder — the white-haired one who’d made something of a name for himself playing billiards; held his cue in one hand at that very moment, for that matter — stopped and turned to see who was addressing him. Scowled like a fondled choirboy when he found out, naturally; that thing the builders did to make their eyes flash a split second before they incinerated you. My word, he was in a bad mood, was Mighty Whitey.

To be honest, this made a refreshing change from the unasked-for pity and the bottomless forgiveness that was usually in their gaze. Builders would order you at snooker cue-point to inhabit depths that were unspeakable, lower than those endured by syphilitic tyrants, and then add insult to injury by forgiving you. It was a treat to come across one in the throes of a demeaning temper tantrum. The rich possibilities for some inflammatory satire made the devil’s ball-sack creep.

The builder, sorry, Master Builder, sounded entertainingly slow-witted, with his speech slurred by the swollen lip as he replied.

“Murck naught mye shamfall strate, thyou dungcurst thorng …”

It was the same profound, exploded rubbish all the builders talked, the strangely resonant and blazing words reverberating off to whisper in the extra set of corners that there were up here. Delightfully, however, even phrases of world-ending awesome fury, spoken through a split lip, were quite funny.

Unaware that everything he said sounded hilariously punch-drunk, the indignant Master Builder had gone on to justify his woebegone condition by explaining that he’d just been in a fight with one of his best mates over a game of snooker. It seemed that this chum had wilfully endangered a specific ball that everyone had known the white-haired Master Builder had his sights on. Technically this was permitted, but was thought of as appalling form. As was invariably the case this ball had got a human name attached to it, but it was somebody the devil hadn’t heard of. Not at that point, anyway.

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