Alan Moore - Jerusalem

He meant to say something along the lines of “Who are you,” or “What’s been done to me,” but what came out instead was “You who,” followed almost instantly by “Worlds bent under me.” Alarmed, he raised his fingers to his lips and felt around to make sure that his mouth was working properly. Lifting his arm to do so, Michael noticed that he was no longer leaving picture-copies every time he moved. Perhaps that only happened in the floaty place he’d just that moment been fished out of, but right then Michael was more concerned about the rubbish he was coming out with when he tried to talk.

The girl stood looking at him in amusement with her head cocked on one side, her wide lips pressed together in a thin line so that she could keep from laughing. Michael made a fresh attempt to ask her where they were and what had happened to him.

“Ware whee are, wore ’way? And throttles happy tune me?”

Though the stream of nonsense was no less upsetting, Michael was astonished to discover that he almost understood himself. He’d asked her where they were as he’d intended to, but all the words had come out changed and twisted round, with different meaning tucked into their crevices. He thought that what he’d said translated roughly to “Where are we, in this place where I feel so aware, that makes we want to shout whee, but which makes me wary, looking all run-down and worn away, the way it does? And what has happened to me? I was happy where I was, but fear I may have throttled on a Tune that has choked off my joyous song.” It sounded a bit posh and weedy put like that, but he supposed that it contained the feelings he was trying to convey.

The smirking urchin could contain her mirth no longer and laughed in his face, loudly, though not unkindly. Minute beads of opal spittle, each with all the world reflected in it, hurtled from her mouth to break against his nose. Amazingly, the girl seemed to at least have caught the gist of what he’d meant to say, and when her giggles had subsided she made what he took for a sincere attempt to answer all his questions as directly as she could.

“Yoo hoo to you as well. I’m Phyllis Painter. I’m boss of the gang.”

Those weren’t the exact words she used, and there were corkscrew syllables that made him think of “gasbag” and “bass gong”, perhaps a reference to how much she talked or how deep, for a girl, her voice was, but he could make out what she was saying without difficulty. Clearly, she’d got her mouth under more control than Michael had his own. She went on and he listened, both intently and admiringly.

“What’s ’appened is the world’s bent under yer and out yer’ve fell like everybody does. Yer’ve chuckled on a sweet.” This seemed to say that he had throttled or had choked to death as he’d suspected, though with comical associations as if neither death nor choking could be taken very seriously round here. The girl continued.

“So I tugged yer ayt the jewellery and now ’ere we are Upstairs. We’re in Mansoul. Mansoul’s the Second Borough. Do yer want to join me gang or don’t yer?”

Michael comprehended almost none of this except the last part. He jumped back from her like he’d been stung. His spirited refusal of her offer was spoiled only by not being in a proper language.

“Know eye doughnut! Late me grow black square eyewash be four!”

She laughed again, less loudly and, he thought, not quite so kind.

“Ha! You ent found yer Lucy-lips yet. That’s why what yer saying clangs out wrong. Just give it linger and yer’ll soon be spooking properly. But as for where you wizzle be before, there ent no go-back. Life’s behind yer now.”

She nodded past him, and it sank in that her last remark had been intended as more than a turn of phrase. She’d meant his life was currently behind him. With his neck-hairs tingling as they lifted, Michael swivelled carefully to look at it.

He found that he’d been standing with his back turned to the very edge of the huge, square-shaped tank he’d been dragged up from, with a worrying drop beneath him at his slipper-heels. The area he was looking at, while not much bigger than the children’s boating lake he’d seen once at the park, was certainly much deeper, to the point where Michael couldn’t tell exactly how far down it went. The great flat pool was filled up to its brim with the same wobbly, half-set glass that he had lately been suspended in. The surface was still quivering slightly, no doubt from the violent jerk with which he’d been pulled out.

As Michael peered down through the shuddering substance he could make out still forms that extended through the glazed depths, motionless and twisted trunks of intricately textured gemstone that were wound around each other as they stretched across the space beneath. He thought it might look a bit like a coral garden, though he hadn’t really got a clear idea of what those words actually meant. The interwoven strands with all their branches and their surfaces seemed to be made of something you could see through, like a hard, clear wax. These frilly, tangling cables had no colour of their own, but you could look inside them to where lights of every shade swam back and forth. He could distinguish at least three of the long convoluted tubes, each with its own specific inner hue, as they snaked in amongst each other through the rubbery fathoms trembling far below, like an ice-statue of a gorgeous knot.

The thickest and most well-developed of the stems, lit from inside by a predominantly greenish glow, was the one Michael thought looked nicest, though he couldn’t have told anyone precisely why. It had a peaceful quality about it, with the sculpted emerald bough stretched right across the massive box of shivering light, from where it entered through a tall rectangle in the vat’s far wall, then coiled around the monster fish-tank prettily towards him before curving off to Michael’s left and exiting his field of vision through another looming aperture.

He thought it was an interesting coincidence that both these openings were in the same relation to each other as the doors that led out from their living room down Andrew’s Road into the kitchen and the passageway, although these entrances were vastly bigger, more like those you’d find in a cathedral or perhaps a pyramid. As he looked closer with his improved eyes he saw that there was even a black tunnel cut low down into the right-side wall halfway along, in the precise location that their fireplace would be if it were huger and if he were staring down at it from a position up above.

While he was pondering this unlikely similarity he noticed that his favourite frond, the green one, had a rippling and attractive ruff along one side up near the top, resembling a stripe of fanning mushroom gills. At the point where the complicated cable of translucent jade bent to the left, which was the point where it was also nearest him, he had the opportunity to view these gills side-on and realised with a jolt that he was looking at an endless row of duplicated human ears. Only when Michael saw that every one was wearing an identical facsimile of his mum Doreen’s favourite clip-on button earrings did he understand at last what he’d been gawping at.

The jelly-flooded chamber, weird as any undiscovered planet, was in fact their dear, familiar living room but somehow swollen up to a terrific size. The luminous, contorted crystal shafts laced through it were the bodies of his family, but with their shapes repeated and projected through the chandelier-like treacle of their atmosphere, the way that Michael’s arms and legs had looked when he himself was floundering in the viscous emptiness. The difference was that these extended figures were immobile, and the images that they were made from didn’t promptly fade out of existence in the way that his spare limbs had done. It was as though while people were still living they were really frozen motionless, immersed in the congealed blancmange of time, and simply thought that they were moving, when in truth it was just their awareness fluttering along the pre-existing tunnel of their lifetime as a ball of coloured light. Apparently, only when people died, as Michael seemed to have just done, were they released from the containing amber and allowed to rise up spluttering and splashing through the aspic of the hours.