Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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May turned left into Fort Street where there was no cobbled road, just flagstones wall to wall. Although she knew it bent round to the right at its far point and ran along the back of Moat Street, sloping down into Bath Row, her home street always looked like a dead end where vehicles couldn’t go, that led nowhere of very much importance anyway. Her daughter was now bouncing up and down with shrill excitement in May’s freckled arms, the child having by this point recognised the dear, familiar row down which they walked. May clacked on over the rough tilting slabs and past her mam and dad’s house, number ten. Gaslight was shining from their passageway out through cracks round the poorly hung front door; the parlour dark, empty save ornaments.

Johnny and Cora and her mam and dad would at this time of night most likely be round the tea-table in the living room, having their bread and jam and bit of cake. She went on to her own house, number twelve, and opened its unlocked door with one hand, not putting May down ’til she was inside. She lit the mantle first, then lit a fire, sticking her daughter into the high chair while she went to retrieve the potted meat from the tin safe atop the cellar stairs. She made the baby’s tea and served it up after she’d carefully trimmed off all the crusts. Little May slowly ate her sandwiches, taking her time, making a lot of mess, while her mam took the opportunity to do a nice liver and onion roll, then put it in the stove for her and Tom.

The evening nigh on flew by after that. Tom got home from the brewery where he worked, his Friday night pay-packet in his hand, in time to say goodnight to little May before she got took off upstairs to bed, up the apples and pears to Uncle Ned. Next her and Tom had dinner by themselves, then chatted until they retired as well. They cuddled once the candle was blown out, then May asked Tom to pull her nightgown up and get on top so he could put it in. It was their favourite time, a Friday night. No need to get up early the next day, when with a bit of luck their little girl would sleep in long enough for May and Tom to have another fuck when they woke up. Beneath her man, May hardly spared a thought for that chap by Vint’s Palace earlier on.

By Saturday, their daughter’s cough was back and it seemed like she had a job to breathe. They called old Forbes out, Sunday afternoon, when they’d meant to be walking in the park. The doctor turned up, as he always did, moaning about them spoiling his weekend, then shut up after he’d seen little May. The child’s skin had took on a yellow cast which they’d both hoped they were imagining.

He said their baby had diphtheria.

The wagon from the top of Scarletwell was summoned. Little May was placed aboard and off it went, windows of leaded glass placed too high up its sides to see in through. The hooves and coach-wheels hardly made a sound, rolling away down the uncobbled lane as the one ray of light that lit May’s heart was taken off inside the fever cart.

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The second time that Mrs. Gibbs called round she had a different coloured apron on, black where the previous one was pristine white. When May recalled it afterwards she thought that it had had a decorated hem, Egyptian beetles in viridian embroidered there instead of butterflies. That was just her imagination, though. The apron was an unadorned plain black.

May was sat by herself in the front room. The half-sized coffin, resting on two chairs like a mesmerist’s audience volunteer, was by the window at the room’s far end. Her baby’s sleeping face looked grey, suffused by dusty light decanted through the nets. She’d no doubt look all right when she woke up. Oh, stop it, May thought to herself. Just stop. Then she began to shake and cry again.

The cruellest thing was that they’d brought her home. After a week May’s child had been sent back to Fort Street from the remote fever camp, so May and Tom had thought she’d be all right. But what did they know of diphtheria? They couldn’t even say it properly and called it ‘Dip’ like everybody else. They didn’t know that it came in two parts, or that most people got over the first only to have the next stage take them off. Weakened by the onset of the disease, they’d got no fight left when it stopped their hearts. Especially young children, so they said. Especially, May thought, the ones whose mams had kept their little boys and girls too clean. Whose mams had been concerned lest people say that they weren’t fit to take care of a child, and then gone on to prove those people right.

It was her fault. She knew it was her fault. She’d been too proud. Pride came before a fall, that’s what they said, and sure enough it did. May felt as if she’d fell out of her life, the lovely life she’d had two weeks before. She’d fell out of her dreams, her hopes. She’d fell out of the woman that she thought she was into this dreadful moment and this room, the coffin and that bloody noisy clock.

“Oh, my poor little darling. My poor lamb. I’m here, my love. Mam’s here. You’ll be all right. I shan’t let anything bad …” May trailed off. She didn’t know what she’d been going to say, hated the sound of her own useless voice making a promise she’d already broke. All of the times she’d comforted her child and told her she’d always look after her, sworn sacred oaths like every mother does then let her daughter down so wretchedly. Said she’d always be there for little May but didn’t even know, now, where ‘there’ was. Just eighteen months, that’s all they’d had with her; that was as long as they’d kept her alive. They’d joined that tragic and exclusive club folk whispered sympathetically about and yet preferred to keep their distance from, as though May were in quarantine for grief.

She wasn’t even thinking, sitting there. Thoughts wouldn’t stick together anymore, led nowhere that she was prepared to go. What filled her was a wordless, shapeless hurt, and the enormity of that small box.

There were black holes burnt in the hearthside rug that she’d not noticed, prior to today. The wicker footstool was unravelling. Why was it such hard work to keep things new?

The door being as usual on the latch, May didn’t hear the deathmonger come in. She just glanced up from studying the rug and Mrs. Gibbs was stood beside the chair, her apron showing up the dust flecks like the powdered, folded wings of a black moth. It was as if the previous eighteen months had never happened, as though Mrs. Gibbs had never even truly left the house that first time. There’d just been a change of light, a change of apron, butterflies all gone, embroidered summer’s day replaced by night. It was a ‘spot the difference’ picture game. The baby had been switched on May as well. Her lovely copper cub had disappeared and in its place was just this hard blonde doll. And May herself, that was another change. She wasn’t who she’d been when she gave birth.

In fact, upon closer inspection May realised that the whole picture was now wrong, with nothing else but differences to spot. Only the deathmonger remained the same, although she’d put on a new pinafore. Her cheeks, like Christmas stocking tangerines, weren’t changed a bit, nor her expression which could mean whatever you supposed it meant.

“Hello again, my dear,” said Mrs. Gibbs.

May’s “hello” in reply was made from lead. It left her lips and thudded on the mat, a lump of language, blunt and colourless, from which no conversation could be built. The deathmonger stepped round it and went on.

“If you don’t feel like talking, dear, then don’t. Not lest you need to but you don’t know how, in which case you can tell me all you want. I’m not your family, and I’m not your judge.”

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