Харуки Мураками - Killing Commendatore

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Killing Commendatore: краткое содержание, описание и аннотация

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The epic new novel from the internationally acclaimed and best-selling author of 1Q84
In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors.
A tour de force of love and loneliness, war and art—as well as a loving homage to The Great Gatsby—Killing Commendatore is a stunning work of imagination from one of our greatest writers.

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An hour and a half later, Menshiki and I finally arrived at dessert (a soufflé) and espresso. A long but fulfilling journey. For the first time, the chef came out of the kitchen and over to the dining table. A tall man, in a white chef’s outfit. In his mid-thirties would be my guess, with a sparse black beard. He greeted me politely.

“The food was amazing,” I told him. “I’ve hardly ever had anything so delicious.”

Those were my honest feelings. I still couldn’t believe that a chef who made such exquisite dishes ran a small, unknown French restaurant near the harbor in Odawara.

“Thank you very much,” he said, smiling brightly. “Mr. Menshiki’s always been very kind to me.”

He bowed and returned to the kitchen.

“I wonder if the Commendatore was satisfied, too?” Menshiki said after the chef had left, a concerned look on his face. He didn’t appear to be playacting. He seemed genuinely concerned.

“I’m sure he is,” I replied with a straight face. “It’s a shame, of course, that he couldn’t enjoy the fabulous meal, but he must have enjoyed the atmosphere.”

“I do hope so.”

Of course I enjoyed it , the Commendatore whispered in my ear.

Menshiki suggested an after-dinner drink, but I declined. I was so full I really couldn’t manage anything else. He had a brandy.

“There was something that I wanted to ask you,” Menshiki said as he slowly swirled the brandy in the oversized glass. “It’s an odd question, and I hope you’re not offended.”

“Feel free to ask me anything.”

He took a small sip of brandy, tasting it. Then quietly laid his glass on the table.

“It’s about the pit in the woods,” Menshiki said. “The other day I spent about an hour in that stone chamber. No flashlight, seated alone at the bottom of the pit. The cover was on top, and rocks on top of that to hold it down. And I told you, ‘Please come back in an hour and get me out of here.’ Correct?”

“That’s right.”

“Why do you think I did that?”

“I have no idea,” I answered honestly.

“I needed to do that,” Menshiki said. “I can’t explain it, but sometimes I need to do that . Be left all alone in a cramped, dark, completely silent space.”

I was silent, waiting for his next words.

Menshiki continued. “Here’s my question to you. During that hour did you ever find yourself, even for a moment, wanting to abandon me in that pit? Tempted to just leave me behind at the bottom of that dark hole?”

I couldn’t grasp what he was getting at. “ Abandon you?”

Menshiki touched his right temple and rubbed it, as if checking out a scar. “This is what I mean. I was at the bottom of that pit, a little less than nine feet deep and six feet across. The ladder had been pulled up. The stones in the wall were all densely laid together, and there was no way to climb up. And the cover was on tight. In mountains like these I could yell at the top of my voice or ring the bell, but no one would ever hear me—though of course you might. In other words, I couldn’t get back to the surface on my own. If you hadn’t come back, I’d have had to stay in the pit forever. Isn’t that so?”

“That could be.”

The fingers of his right hand were still at his temple. He’d stopped rubbing. “What I’d like to know is whether during that hour the thought ever occurred to you, even for a moment, I’ll just leave that man inside the pit. Leave him the way he is . Tell me the truth, it won’t offend me.”

He took his fingers from his temple, reached for the glass of brandy, and again slowly held it up and swirled it. This time, though, he didn’t take a sip. Eyes narrowed, he inhaled the aroma and put the glass back on the table.

“That thought never occurred to me,” I answered honestly. “ Even for a moment. All I thought about was that after an hour I had to take the cover off and get you out of there.”

“Really?”

“One hundred percent.”

“Well, if I had been in your position…” Menshiki said, sounding confessional. His voice was quite calm. “I’m sure I would have thought of that. I definitely would have been tempted to leave you inside that pit forever. I would have thought, This is the chance of a lifetime.”

No words came to me.

Menshiki said, “Down at the bottom of the pit that’s what I was thinking about the whole time. That if I was in your position I would definitely consider it. It’s a strange thing. You were the one on the surface and I was the one at the bottom of the pit, but all that time I was picturing me on the surface and you at the bottom.”

“But if you’d actually abandoned me in the pit I might have starved to death. I might have turned into an actual mummy, ringing a bell. You’re saying you’d be okay with that?”

“It’s just a fantasy. Or delusion, perhaps. Of course I would never actually do that. I was just imagining the scenario. Just mentally playing with the concept of death. So don’t worry. What I mean is, I find it hard to fathom that you didn’t feel the same temptation.”

I said, “Weren’t you afraid, Mr. Menshiki, being down at the bottom of that dark pit all alone? Thinking that I might be tempted to abandon you there?”

Menshiki shook his head. “No, I wasn’t afraid. Deep inside me I may have actually been hoping you would.”

Hoping I would?” I said, surprised. “That I would leave you down in that pit?”

“Exactly.”

“In other words, you were okay with being abandoned down there?”

“Don’t get me wrong, it wasn’t that I was okay with dying. Even I still have some attachment to this life. And starving to death or dying of lack of water aren’t the ways I’d like to go. All I wanted was to try to get closer to death, even if just a little more. I know that boundary is a very fine line.”

I thought about what he said, though I still couldn’t grasp what he meant. I casually glanced over at the Commendatore, still seated on the display shelf. His face was bereft of expression.

Menshiki went on. “When you’re locked up alone in a cramped, dark place, the most frightening thing isn’t death. The most terrifying thought is that I might have to live here forever . Once you think that, the terror makes it hard to breathe. The walls close in on you and the delusion grabs you that you’re going to be crushed. In order to survive, a person has to overcome that fear. Which means conquering yourself. And in order to do that, you need to get as close to death as you possibly can.”

“But there’s a danger to that.”

“Like when Icarus flew close to the sun. It’s not easy to know how close you can go, where that line is. You put your life at risk doing it.”

“But if you avoid approaching it, you can’t overcome fear and conquer yourself.”

“Precisely. If you can’t do that, you can’t take yourself to the next level,” Menshiki said. He seemed to be considering something. And then suddenly—at least it seemed sudden to me—he stood up, went over to the window, and looked out.

“It’s still raining a little, but not so hard. Do you mind going out on the deck? There’s something I want to show you.”

We walked up the steps from the dining room to the living room and then out to the deck. It was a large deck, with a Mediterranean tiled floor. We went over to the wooden railing and gazed out at the valley. It was like a tourist lookout, and we were afforded a view of the entire valley. A fine rain was still falling, more like mist at this point. The lights were still on in people’s homes across the valley. It was the same valley, but viewed from the opposite side like this, the scenery looked transformed.

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