Харуки Мураками - Killing Commendatore

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Killing Commendatore: краткое содержание, описание и аннотация

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The epic new novel from the internationally acclaimed and best-selling author of 1Q84
In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors.
A tour de force of love and loneliness, war and art—as well as a loving homage to The Great Gatsby—Killing Commendatore is a stunning work of imagination from one of our greatest writers.

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The mansion was huge. She found it impossible to believe that a single person could inhabit such a big space. It must be a lonely life. The concrete walls were thick, and every precaution had been taken to block anyone from gaining entry. True, there was no guard dog (maybe he didn’t like dogs either), but apart from that every antiburglar device under the sun had been employed.

What should be her next step? Nothing came to mind. There was no way to get inside, and no way to breach the wall to get out. Menshiki was home, she knew that. He had pushed the button that opened the gate and taken delivery of the parcel. And he lived there by himself. Once a week, a cleaning service came, but apart from that the house was off-limits to outsiders. That was his basic principle—he had told them that on their visit.

Since she couldn’t gain access to the house, she had to find a place to hide outside. If she kept poking around she might locate a likely spot. After a long search, she finally came across what seemed to be a small storage shed at the far corner of the garden. The door was unlocked. Inside were a bunch of garden tools and stacked bags of fertilizer. She slipped in and sat down on the bags. The shed was far from inviting. But at least the security cameras wouldn’t find her here. And it was unlikely anyone would show up. Sooner or later, things would change. All she could do was wait.

Although she was stuck in one place, she felt full of energy. After her shower that morning, she had noticed swellings on her chest in the mirror. It was an exciting development. Of course, she might be deluding herself. It could just be wishful thinking. She had inspected her chest from a number of angles, and touched it with her hands. There did seem to be two soft protuberances that had not been there before. Her nipples were still tiny (a far cry from her aunt’s, which resembled olive pits), but there was a hint they might be about to sprout.

Mariye passed her time in the storage shed thinking about her budding breasts. She pictured how they might look when they grew. What would it feel like to live your life with really big ones? She imagined strapping on the kind of underwire bra her aunt used. That day was still miles away, however. After all, her periods had only begun that spring.

She was a little thirsty, but she could bear that. She consulted her chunky G-Shock watch. It was five minutes past three. Her painting class was on Fridays, but she’d been planning to skip that anyway. She hadn’t brought her bag of painting supplies with her. Yet her aunt was sure to worry if she didn’t get home by dinnertime. She could come up with a good excuse later.

She seemed to have fallen asleep. It was hard to believe that she could have slept in this place, and under these circumstances. Yet she had managed to drop off without realizing it. It hadn’t been for very long. Ten or fifteen minutes. Maybe less. But a deep sleep, nonetheless. She was disoriented when she awoke, her mind at loose ends. For a moment she didn’t know where she was or what she was doing. It seemed she had been dreaming. A vague dream, something to do with full breasts and milk chocolate. Her mouth was filled with saliva. Then it hit her. I snuck into Menshiki’s, she remembered, and now I’m hiding in his storage shed.

A noise had roused her. A repetitive, mechanical noise. To be more precise, a garage door clattering open. The door of the garage near the entrance. Menshiki was probably in his car and about to head off somewhere. Mariye hurried from the shed and ran around to the front, making as little sound as possible. When the door was fully open the clattering stopped. She heard a car start up, and then the front of Menshiki’s silver Jaguar slowly emerged. Menshiki was sitting in the driver’s seat. The driver’s window was down, and his pure white hair glowed in the afternoon sun. She watched from behind the shrubbery.

Had Menshiki looked to his right, he could have glimpsed her there in the shadows. The shrubs were too small to provide full cover. But his eyes were trained straight ahead. Hands on the wheel, he seemed lost in thought. The Jaguar moved up the driveway, passed around the curve, and disappeared. The remote control–activated metal door began to clatter down again. The second before it closed, Mariye raced from her hiding place and slipped under the door. Like Indiana Jones in Raiders of the Lost Ark . Another reflex action. Without really thinking, she had decided to gain access to the house through the garage. The automatic door hesitated when it sensed her slide underneath, then resumed its descent until it was tightly shut.

Another car was in the garage. A stylish blue convertible with a beige hood, the sports car her aunt had admired on their previous visit. Mariye couldn’t care less about cars, so she’d barely glanced at it then. It had a very long nose, and, here too, the Jaguar crest. Even someone who knew as little about cars as Mariye could tell it was worth a lot of money. A collector’s piece, in all likelihood.

A person could pass into the house through a door in the garage. She tried the knob with some trepidation, but it turned easily. She sighed with relief. Few people would lock a door like that during the day, but Menshiki was such a cautious man she couldn’t be sure. Perhaps something had been on his mind to make him forget. She’d been lucky.

She walked through the door and into the house. Should she take her shoes off or keep them on? In the end, she decided to carry them with her. Leaving them on the doorstep didn’t seem like a good option. The house was hushed when she entered. As if everything in it was holding its breath. Menshiki was gone, and she was positive no one else was there. I’m alone in this huge house, she thought. For the next little while, I am free to go wherever, and do whatever, I want.

Menshiki had given them a basic guided tour on their first visit. She remembered it well enough. The general layout was fixed in her head. She entered the big living room that took up almost the entire first floor. From there, one could go out to the broad deck through a sliding glass door. She hesitated, though. Menshiki might have activated the security system before leaving. If he had, an alarm would go off when she tried to slide it open. A light would flash in the agency’s office. They would phone the house to check. A password would be necessary to end the alert. Mariye stood before the sliding door, black loafers in hand, pondering the situation.

Finally, she reached the conclusion that Menshiki hadn’t set the alarm. The fact that he had left the inner door in the garage unlocked suggested that he wasn’t heading off on a long trip. Odds were he had gone shopping, or was running some sort of errand. Mariye made up her mind. She unlocked the door, slid it open, and waited to see what would happen. No alarm went off, and the security agency did not phone. She heaved a sigh of relief (had security guards found her there she couldn’t have joked her way out of it) and stepped out onto the deck. Putting down her shoes, she went over to the binoculars and removed their plastic cover. They were too heavy to hold, so she tried balancing them on the railing, but that didn’t work very well. Looking around, she noticed what looked like a stand leaning against the wall. It resembled a camera tripod and was the same olive color as the binoculars. The binoculars could be screwed onto the stand. She stuck them together, pulled up the low metal stool left nearby, sat down, and looked through them. Now using the binoculars was easy. Moreover, they were positioned so that she couldn’t be observed from the other side of the valley. This had to be how Menshiki spent much of his time.

She was shocked at how clearly the inside of her house could be seen. Everything was a notch brighter—one of the binoculars’ special features, she assumed. Some of the curtains in the rooms facing the valley hadn’t been drawn. The view within was so distinct she felt she could reach out and touch what she was looking at. A vase of flowers, for example, or even a magazine on the table. Her aunt should be home at this hour. But she couldn’t locate her anywhere.

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