Джеймс Кейн - The Moth

Здесь есть возможность читать онлайн «Джеймс Кейн - The Moth» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 1948, Издательство: Alfred A. Knopf, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Moth: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Moth»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

In The Moth James M. Cain has produced a novel of broad dimensions which will delight and surprise his vast following. It is his largest canvas. His background is the United States from coast to coast. His period spans the last quarter-century. His characters are as diverse as a cross section of the American people. In their story he at last reveals the promise of happiness for a man and his woman.
The Moth is the story of John Dillon. It begins in the days when he amazed church congregations with the beauty of his boyish soprano. His rapid development into manhood and his subsequent career are striped with violence and passion.
As a young man Dillon fell in love with a very young girl. Accused of leading her astray, he fled his home, losing himself in depression America. He experienced the life of a panhandler and hobo, the terror of a thief, the aching weariness of a fruit-picker, the pride of a successful oilman. He encountered a selfish and beautiful woman. After action in World War II, he was invalided to this country, where at last he found the girl whose image had never left him.
The tremendous pace and swift action of Dillon s existence are related in that tightly packed style for which Cain is famous. But the brutality of much of his life is relieved on the unforgettable occasions when-signifying for him what was fine and good — the luna moth appeared before him. It is this symbol which gives us both the title and the theme of James ML Cain’s most important novel.

The Moth — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Moth», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“How many eggs in a shad?”

“Millions, you think?”

“I saw at least that many.”

“What happened to their sisters?”

“... How do you mean, Buck?”

“You ever see any girls on the road?”

“Well, I heard stories.”

“Yeah, we know about those two bums in a boxcar, come one, come all everybody welcome. But I’m talking about those other girls, in homes that were just as hard put to it to feed them as they were to feed their brothers. What happened to them?”

“Well, I’ll bite. What?”

“How would I know? Except what I think.”

“Which is?”

“They stayed home.”

“Well?”

“I’ve cussed out the goddam country, tonight I stole a car, and I’m getting ready to do more. But a country that lets a million good-for-nothing tomatoes sit around home till things get better, just because they’re girls — well, somebody thought something of them.”

“You couldn’t mean the country’s O.K., could you?”

“Somebody took care of them.”

Around nine forty we slipped back to town, and the radios and juke boxes and orchestras were beginning to hit it up, though not loud like they would later. We checked on Hosey, and there he was, exactly where he was supposed to be, by the sycamore tree, in the shadow of a little real-estate office near the sidewalk. We drove past and waved, so he’d know we were there. We turned the corner, went past the station, checked the manager was at his desk, inside, doing paper work. Nobody else was around. We went down the street two blocks, cut our lights, turned around. Then we rolled back toward the station and parked facing it, maybe a hundred feet away. He didn’t look up. A car drove up and a guy got out, in the white pants and peaked cap all the managers wore, and a black sweater. The man inside went out and they seemed to be counting money. Then they opened the drawer Hosey had spotted, and put something inside. The guy in the black sweater drove off. The other one went back to his desk. “O.K., Buck, get out your matches.”

“There’s no matches in this.”

“I said get them out. We draw for it.”

“Every job we’ve pulled, you’ve done the dangerous part. This job, I’m doing it. I’ve got the gun, right here in my pocket, so we don’t have to do any shifting, and—”

“Cut the argument!”

“Then cut it yourself.”

He started the motor, snapped on the lights, and pulled out from the curb. In two seconds we were rolling into the station, beside a pump. The manager came out and spoke to Buck: “Yes sir? What can I do for you?”

“If I’m not too late for some gas—”

“We’re open. Fill her up?”

“That’ll be fine.”

The car was almost empty, so he’d be some little time. Buck and I got out and went in the men’s room, Buck leading the way. I kind of relaxed on one hip and walked with a limp, so I could fudge three or four inches on my height. Inside, I passed over the money he’d need when the time came to pay. He went out. A wild idea flashed through my head. From somewhere I could remember those descriptions of wanted persons, saying they were “light” or “dark” or whatever. I lit a match, charred it, and blacked my eyebrows. Then I took a piece of paper, wadded it up, and jammed it in my mouth, between the front teeth and the gum, the way Denny and I had done with cotton, for the pro football pictures. In the mirror I didn’t know myself. Instead of being light I was dark, and I had a buck-tooth look that was somebody else, not me. I slouched out again and the manager barely looked at me. Buck had his back to me. I climbed in, took the wheel, and started the motor. Buck said: “O.K., what do I owe you?”

“Two fifty-five.”

Buck passed over the five, the manager went to his cash drawer, and opened it. Inside, from where I sat, I could see thick piles of bills, in their compartments, bulged up high. He picked up two bills and some change, turned and was looking into the.38. “Step back... Put your hands on your chest and keep them there. Not high, we don’t want a gallery. That’s it. Now take it easy, don’t get excited, and—”

When it started I don’t know, but it seemed I’d been hearing it for years in some kind of a dream, this whistle of Hosey’s. Then, off in the night, a shot sounded. Buck twitched, went three feet in the air, then came down like he had turned into a sack of meal. I went out of there like a bat out of hell. Somewhere I saw Hosey, his face white, running toward me to jump in. I didn’t even slow down. Next thing I knew I was out of town, whether two miles or ten I couldn’t tell you, waiting at a grade crossing while a freight went by. All of a sudden I cut the motor, left the key in the ignition, and jumped out. That freight, brother, wasn’t meant to be boarded by anything on two feet. I mean, it was going fast. But it was headed west, that was all I wanted to know. I raced beside it, grabbed a handhold, hit the side of the car. I waved my foot around, found a step, pulled myself up. I was on a boxcar. I felt something funny in my mouth. The paper was still there. I hooked it out with my finger. Then I rubbed my eyebrows off. All I could think of was the miles that were clicking by, between me and what was lying there in a Las Vegas filling station, that had once been my pal, and the other one, that was still my pal, or wanted to be, but that knew something to tell on me.

Up ahead, I could see the brakeman coming. I didn’t move. When he got to me I waved. “Hiya, big boy.”

“Hiya.”

18

For three days I sat around the Midnight Mission in Los Angeles, washing dishes for my grub and sleeping in their main dormitory. But it kept worrying me, spending nights with other guys. I was afraid I might talk in my sleep. I picked up a buck or two on some parking lot and moved to a little hotel over on Sixth Street, fifty cents a night and no questions asked. For the first time since I’d been on the road I signed in under my own name, because I wanted it in black and white I was in California, not Nevada. I kept talking to the clerk like he must remember me, and saying how glad I was to be back in Los Angeles from up in Fresno. It turned out he was new there. But then something happened that helped quite a lot. A guy came downstairs, carrying a vacuum cleaner, and telling how well he’d cleaned the upper halls, and the clerk said fine, he’d mark him paid right now. So he did. It was just an old-fashioned register, where guys signed their names, or F.D. Roosevelt, or whatever, with their address, if they had one. On the right-hand side was the room number, and beside this was marked “pd.” Soon as I handed over my fifty cents I was marked “pd.” But if this guy was working for his bed, and all they did about it was mark him “pd.” too, that meant there was no cross-check on cash, and that meant, if a name was there, a few days back, this clerk wouldn’t know if the face behind the name had been there or not. I watched my chance, then went to the register and began turning pages. I found July 10, the day we held up the station. The page was full up, solid. I looked at July 9. It was full. But on July 8 there was a blank line. I picked up the pen and wrote “Jack Dillon, City.” Then beside that I wrote a room number, and then with my thumb I smudged it. Then beside it I wrote “pd. pd. pd. pd.” All that time I watched the clerk. He went right on with what he was doing. I went up to my room, lay down, and felt better. It wasn’t much of an alibi, but it was some kind of alibi.

I felt better, but not much better. By day, I tramped around to every garage, shop, and filling station I could find, trying to land a job, and now and then picking up a buck fixing flats. If things had been bad before, they were as bad now as they could get. By night I worked on my clothes with spot remover, then pressed them under the mattress, trying to get myself in some kind of shape in case a chance would come. But it all spelled Skid Row, and sooner or later I knew Hosey would come along, or I’d bump into him in some soup kitchen, and what that would lead to I didn’t know. Maybe he was harmless, but I was afraid of him. So pretty soon, when I got two parking jobs in a row, and had five dollars I could call my own, I made up my mind to blow. Where I didn’t know, but I marched myself up to the bus depot at the corner and bought me a ticket for some town down the line.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Moth»

Представляем Вашему вниманию похожие книги на «The Moth» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Moth»

Обсуждение, отзывы о книге «The Moth» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x