Джеймс Кейн - The Moth

This story touches many parts of the United States, as well as a corner of Europe, alluding to various localities the reader will find familiar, and an occasional public figure. The characters, however, are imaginary, as are the incidents that engage them, and most of the specific settings. They do not represent, and are not intended to represent, actual persons, events, or places; nor have they been drawn, under disguise or in any other way, from the life of the author.

The first thing I remember was a big luna moth. I saw it in Druid Hill Park, which is up the street from our house, in Baltimore, on Mt. Royal Terrace. On cloudy days it’s a little dark out there, and things like fireflies and bats and swallows get their signals crossed up and come out. Well, one day when the sky was about the color of a wet slate shingle, I was over there with Jane, my colored nurse, and this thing began flying around. I followed it quite a while, to a wall and a hedge and a bush, and then I ran off to find Jane so she could see it too. When I got back, there was a boy, I guess ten or twelve years old, but to me then bigger than any Yale guard was, later. He had a stick, and he was whacking at the moth to kill it. Never in my whole life, in a dream or on a battlefield or anywhere, have I felt such horror as I did then. I screamed my head off. When Jane got there she told the boy to stop, but he kept right on whacking. She jerked the stick out of his hands. He kicked at her, and she let him have it on the shins. Then he spit, but I didn’t pay any attention. All I saw was that beautiful green thing, all filled with light, fluttering off through the trees, alive and free. It was a feeling I imagine other people have when they think about God in church. It makes no sense, does it, to say that a few times in my life, when something was happening inside of me, I could tell what it meant by the pale, blue-green, all-filled-with-light color the feeling had?

There’s no law it has to.

The next thing I remember was a Bartlett pear. It was given me by my aunts the first week of school, to take to my teacher, Miss Jonas. A tree was in the backyard, and they got the idea Miss Jonas should have a pear, so my Aunt Sheila went out and picked a big yellow one with a pink cheek on it, and sent me off with it. The school was three blocks away. The second block I smelled the pear. The third block I ate it. When I got to the school I didn’t have it, and began to worry. It was the day we were given cards with our names on them, and I found out I was John, not Jack. That was quite a piece of news, but I didn’t have my mind on it. When I got home there was Aunt Nancy, in a gingham apron and one of my father’s felt hats on, out in the yard raking leaves. She brought me in and sat me down and gave me milk, and then here it came: Had I remembered to tell Miss Jonas I hoped she enjoyed the pear, instead of just handing it to her? And I heard my mouth take over and hand out the damndest line of chatter you could imagine — all about how Miss Jonas had been tickled blue, had said she certainly would enjoy the pear, and especially because there was no tree in her backyard, so it would be a special treat to her, and it sure was swell to be remembered. It got by and it never bounced. And yet under it all was a sense of guilt, maybe the first time I ever felt it, that’s been down under some things I’ve pulled, quite a few of them, a pink, hot-faced sensation as much the color of that pear as my high spots have been the color of the moth.

My aunts had no brogue in their speech, though they were older than my father was, because they grew up in this country, while he stayed in Ireland till he was twenty-four. His father, Francis Dillon, was a stationary engineer, and an uncle in New York had got him a job on a new project just then starting up, a powerhouse to run electric lights on Broadway. So he came across, in 1881, and the two girls came with him. But my grandmother stayed in Derry, where they all came from, as my father wasn’t born yet, and the idea was she’d come later. But that wasn’t how it worked out. Why I don’t know, and my father didn’t. A little interfamily friction may have had something to do with it, or it may have been my grandmother was doing pretty well for herself, and hated to uphook and start over again. Or it may have been there weren’t enough kisses on the end of the letters she got from my grandfather. Anyhow, soon after my grandfather and his daughters moved to Baltimore, she moved from Derry to Dublin, where she opened first a little shop, then later a rooming house off Merriam Square. Of course, the old home was really Londonderry, but in the family it’s always been Derry, as it was in olden times, before the city of London adopted it for some kind of stepchild. The old lady must have done all right, because she put my father through Trinity College, and had just got him started at law when she died. He took that hard, and while her affairs were being settled, the doctors said he should take a sea trip for his health. So he joined some Irish players on their way to the St. Louis Fair. He didn’t turn out to be much of an actor, and left, but on his way back he stopped at Baltimore, and at last the Dillon family met Patrick, whom they had never seen. I guess they went a little nuts and he did. Anyway, he stayed, and it wasn’t long before he was practicing law, with all of them pretty proud of him for being so high-toned. By that time my grandfather had charge of a West Baltimore powerhouse, and as a matter of fact, he lived two or three years after my father got there. Then he died, and my father and his sisters kept house in Walbrook, a suburb, some distance from the house we’re in now. They worshipped him, he did them.

I didn’t worship them, because they didn’t have my respect, but I loved them the way you can only love something you pity. Why they didn’t have my respect was that they were such fools. I guess the pear, and forty-seven hundred other things like it, had something to do with it. They were born gulls, and would fall for anything, so it was romantic and silly and impossible. They were nuts about music, all three of them, but the Old Man didn’t kid himself he was a musician the way they did. Of course, being from the north of Ireland, they were Episcopalians, and Nancy sang in the church choir, up to the time they put the boys in, and closed her eyes and put expression in it. She was small and dumpy and dark, so when she sang We Praise Thee, O God she looked exactly like Slicker, our black cat, when he began yawning around ten o’clock. She always said I had inherited her voice, though how this came about she never explained. I had quite some voice for a little angel between nine and thirteen, and quite some left hook for a little rat of the same age. But what voice she had I couldn’t tell you, because in spite of all the faces she made, I never heard one sound come out of her you could hear above the organ.

Sheila was tall and had brown hair and played the piano, with the stool raised just so and her dresses spread out all around her and the music corners bent to little ears and one hand crossing over the other. But if she ever played a piece through and played it right, I don’t know when it was, and fact of the matter, when I came along as the boy wonder of North Baltimore and had to have somebody to play for me, it speedily became clear, kind of crystal clear, that Sheila wouldn’t do, and it led to quite a few things. At that time she put on an act about not being able to play accompaniments, as though accompaniments were just an unimportant sideline to a big-time pianist, and in her own imagination I think she really thought she was one. But just when and where and how she had done all that important work she never bothered to explain. There was plenty of music in Baltimore as the Peabody Conservatory is there, but she and Nancy and my father were always going up to New York to hear some special brand, and one time, just three or four years after he came over, they got a surprise. The attraction was Mme Luisa Tetrazzini in Lucia, and right after the curtain went up who should come out in a plumed hat but the boy who led the olio in St. Louis. His name was John McCormack.