Эд Макбейн - Mothers and Daughters

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Mothers and Daughters: краткое содержание, описание и аннотация

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The four books that make up this novel — Amanda, Gillian, Julia and Kate — span three generations and nearly thirty years of time. Except that Kate is Amanda’s niece, none of these women is related, but their lives cross and recross, linked by Julia’s son David.
Julia Regan belongs to the “older” generation in the sense that her son David was old enough to fight in the war. That he ended the war in the stockade was due more to his mother than to himself, and the book devoted to Julia shows what sort of woman she was — why, having gone to Italy before the war with an ailing sister, she constantly put off her return to her family — and why, therefore, David is the man he is.
Unsure of himself and bitter (for good reason) David finds solace in Gillian, who had been Amanda’s room-mate in college during the war. He loses her because he does not know what he wants from life. Gillian is an enchanting character who knows very well what she wants: she is determined to become an actress. In spite of the extreme tenderness and beauty of her love affair with David (and Evan Hunter has caught exactly the gaieties and misunderstandings of two young people very much in love, when a heightened awareness lifts the ordinary into the extraordinary and the beautiful into the sublime) she is not prepared to continue indefinitely an unmarried liaison, and she leaves him. When, eleven years later and still unmarried, she finally tastes success, the taste is of ashes, and she wonders whether the price has not been too high.
Amanda is considerably less sure of herself than Gillian, though foe a time it looks as if her music will bring her achievement. But she has in her too much of her sexually cold mother to be passionate in love or in her music. She marries Matthew who is a lawyer, and, without children of their own, they bring up her sister’s child, Kate, who, in the last book, is growing up out of childhood into womanhood — with a crop of difficulties of her own.
Unlike all his earlies novels (except in extreme readability) Mothers and Daughters is not an exposure of social evils, but a searching and sympathetic study of people.

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“Yes, it does.”

“Would you like to stop somewhere else? For a nightcap to the nightcap?”

“No,” she said. “But I think we’ve got some liquor in the apartment. We can have a drink there.”

The apartment was in a brownstone on East Sixty-first Street. She unlocked the door, snapped on the lights, and said, “Do you like it?”

“Very nice,” Matthew said. “Your girl friend must be prosperous.”

“Her husband is on Time-Life ,” Kitty said, as if that explained everything. “The liquor cabinet is over there. Isn’t this luxurious?”

“Very.” He walked to the cabinet. “Brandy all right?” he asked.

“Yes, fine.”

He brought her the drink, and they clinked glasses.

“You stare, do you know that?” she said.

“I do?”

“Yes. You were staring at me all day long.”

“I wasn’t aware.”

I was.” She paused. “I’m glad that ensign didn’t show up.”

“I am, too.” He put down his glass and leaned over to kiss her.

“No, not yet,” she said. “Not until I want you so much I can’t bear it.”

“I want you that much now.”

“We’ve got the whole week,” she said. “Let’s not rush it.”

When she took off her clothes later, he grinned at her and said, “You’re out of uniform.”

She giggled and said, “Mmmm, don’t I know it!” She threw her arms wide. “Am I all right?”

“You’re beautiful.”

“Oh, liar, lovely liar. But I do have very good legs. Don’t you think I have good legs?”

“Extraordinary legs.”

“Do you want me very much?”

“Yes.”

“I do, too. Now I do. Now, I really do.” She laughed suddenly and lustily and then said, “I’m glad you’re from Virginia.”

He lay in bed for a long while with his hands behind his head, staring up at the ceiling of the strange apartment. Kitty was asleep beside him, her small spiring breasts pressed against his arm. He felt suddenly lonely. It did not have anything to do with the girl, he knew, or with their practiced love-making. It simply seemed like a very long road all at once. He was twenty-seven years old and in a strange city at Christmastime, and he felt like weeping. “I’m glad you’re from Virginia,” she had said, and those words would remain in his mind long after all memory of her body had departed. He was not a sentimental Southerner. He had severed all ties with Glen City on the day he left for college. But he wondered now how someone whose childhood had been so full of people, so rich with the sounds of life, happened to be alone in a strange town in a strange apartment on Christmas Day, alone with a girl who had touched him deeply when she’d said, “I’m glad you’re from Virginia.”

He could never think of his home without a feeling of tenderness, even though he knew he would never return there. He could remember the big old house with its pale-blue shutters, and the sudden coolness when you stepped inside, and the voices, there were always voices, the Bridges’ home seemed constantly in a state of preparation for some festivity or another. His childhood was a round of family gatherings and celebrations, of holidays shared with laughing relatives, more relatives than he could count, of servants rushing about the house setting the table and preparing food. He could remember the smell of linseed oil, and the sweet smell of magnolias, a Southern cliché, but the house was banked with them and the aroma drifted through the open windows and the blossoms covered the ground like pink-and-white sea shells. He would play with his cousins under the magnolia trees, oh so many cousins, and they would scoop up the fallen petals and let them fall through their fingers while uncles and aunts stood about on the wide front porch in white summer suits and drank from frosted glasses with the pale-blue shutters behind them. Linseed oil, and magnolia blossoms, and the delicate scent of his mother’s lavender, or the crisply laundered smell of her starched linen.

There were aunts to kiss, they always hugged him, and afterward he was embarrassed because they had left lipstick marks on his cheek. Aunt Matilda, who would say, “Matthew, mah dove, you have the devil in your eyes. Sally, keep this boy locked up somewheah!” and his mother would smile delicately, and once she winked at him. Uncle Jeff, who came and went to Arizona, who was a gambler they said, miraculously appearing every Thanksgiving and leaving again after New Year’s Day, who taught Matthew how to keep an ace kicker. Fidgety cousin Birdie, who played the piano, and who always wore something yellow, her frock, her ribbon, her shoes. “I feel naked without a touch of yellow,” she stated. They said she’d married a Yankee in New Orleans, but it hadn’t worked out, she used to play all the popular songs. They would crowd about the piano and sing gustily. “Do you know this one, Birdie?” and her thin fingers would ripple over the keys.

They always seemed to be laughing in that house, and telling stories. The family was like an army he was always glad to see. Grandpa Bridges with his head of snow-white hair, who still wore string bow-ties and who still referred to Northerners as “Carpetbagging bastards,” and who, Matthew knew from his older cousins, kept a high-yeller girl in Hopewell. “You mustn’t smoke, Matthew,” Grandpa Bridges always said, a foul-smelling cigar in his hand. “It is bad for the liver and the lungs. Mind you now, son, I am tellin’ you this for your own good,” his accent so thick you could slice it with a butter knife. “You’re a professional Southerner, Pop,” his mother would say, and Grandpa would wiggle his white eyebrows and answer, “Than which there is nothin’ better, daughter. When will that roast be done, anyways?”

There was always so much to eat, not only the chickens brown and hot from the oven, or the roasts simmering in blood-red juices, or the yams and turnips and bright-green peas and hot muffins, but all the aunts seemed to have their culinary specialties as well. Aunt Christine with her corn bread that you bit into, crusty and golden on the outside and then crumbling in your mouth so soft, the heat escaping in a sudden puff of steam; Aunt Isabel, who made shortcake afloat with strawberries and giant gobs of white whipped cream; Aunt Lo, who brought jars of orange marmalade whenever she came up from Tallahassee; everyone brought something, everyone gave something as if it came direct from the heart to show their love, not as duty-gifts, not the phony presents of fake families. “I hope the meringue is all right, Sally,” Aunt Martha M. would say, and Uncle Rufus would kiss his mother on the cheek and say, “She spent four hours in the kitchen yesterday, Sally, made that house like a blast furnace,” and Aunt Martha M. would say, “Hush, Rufe, you know I love to bake.”

It was a kissing family, and a hugging family, and he loved them all, each and every one of them, even Simmie, who had bad skin and was always lying about his business deals out West. He loved the warmth of the family, and the lore of the family, and its idiosyncrasies, and its shared family intimacies, like having one aunt named Martha M. and another aunt named Martha L. or having two cousins named James and calling one Jimbo and the other Jamey, or calling Grandma Anson “M.D.,” which everybody in the family knew stood for “Mother dear,” but which outsiders did not know. He loved, too, the intrigue of the family, the vast family network stretching as far west as Sacramento and as far north as Allentown, Pennsylvania, and the stories everyone had to tell when the family met.

He could remember sitting under the dining-room table with his cousin Rita one day, a rainy day, the grownups talking and laughing in the living room, the tablecloth covering them like a cave; he could hear the rain lashing at the dining-room window, and the shade rattling. His cousin with her straight black hair and black bangs and blue eyes whispered to him in the darkness, “Well, the reason they took her back from that farm is because the boys were doing things to her, Matty.” His eyes wide, “What kind of things, Rita?” And Rita suddenly blushing, a year older than Matthew who was twelve, “Well, I don’t know if your mother wants you to know about such things yet.”

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