Эд Макбейн - Mothers and Daughters

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Mothers and Daughters: краткое содержание, описание и аннотация

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The four books that make up this novel — Amanda, Gillian, Julia and Kate — span three generations and nearly thirty years of time. Except that Kate is Amanda’s niece, none of these women is related, but their lives cross and recross, linked by Julia’s son David.
Julia Regan belongs to the “older” generation in the sense that her son David was old enough to fight in the war. That he ended the war in the stockade was due more to his mother than to himself, and the book devoted to Julia shows what sort of woman she was — why, having gone to Italy before the war with an ailing sister, she constantly put off her return to her family — and why, therefore, David is the man he is.
Unsure of himself and bitter (for good reason) David finds solace in Gillian, who had been Amanda’s room-mate in college during the war. He loses her because he does not know what he wants from life. Gillian is an enchanting character who knows very well what she wants: she is determined to become an actress. In spite of the extreme tenderness and beauty of her love affair with David (and Evan Hunter has caught exactly the gaieties and misunderstandings of two young people very much in love, when a heightened awareness lifts the ordinary into the extraordinary and the beautiful into the sublime) she is not prepared to continue indefinitely an unmarried liaison, and she leaves him. When, eleven years later and still unmarried, she finally tastes success, the taste is of ashes, and she wonders whether the price has not been too high.
Amanda is considerably less sure of herself than Gillian, though foe a time it looks as if her music will bring her achievement. But she has in her too much of her sexually cold mother to be passionate in love or in her music. She marries Matthew who is a lawyer, and, without children of their own, they bring up her sister’s child, Kate, who, in the last book, is growing up out of childhood into womanhood — with a crop of difficulties of her own.
Unlike all his earlies novels (except in extreme readability) Mothers and Daughters is not an exposure of social evils, but a searching and sympathetic study of people.

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She did not say anything. She waited. She waited breathlessly for him to speak again. She thought for a moment the connection had been broken. She heard him sigh. She could visualize him lying in the dark, in a hotel room in Rome.

“Kate, will you meet me at the airport?” he asked.

“Yes,” she said instantly.

“Will you?”

“Yes, yes.”

“There are things I want to... to talk about, Kate.”

“Yes, I’ll be there. Yes, David.”

“If the plane is late or anything...”

“I’ll wait.”

“Please wait.”

“David, you don’t know how long,” she said, and her voice broke curiously.

“Nine-fifteen,” he said. “Pan-American. It’s flight one-one-five.”

“Yes, hurry. Come safely, hurry, hurry!

“Kate?”

“Yes?”

“I won’t be able to sleep.”

“Sleep,” she said. “You must sleep, David.”

“Kate?”

“Yes?”

“You’ll be there?”

“Oh, David, if I have to walk!”

“I’ll see you tomorrow.”

“Yes, tomorrow.”

“Good night, Kate.”

“Good night, my—”

The connection was broken. She put the receiver back onto the cradle and stood staring at the phone. When she went into the dining room again, Matthew asked, “Was that David Regan?”

“Yes,” Kate said. She sat opposite her mother.

“Isn’t he in Rome?” Bobby asked.

“Yes. He’s coming home tomorrow.” Kate paused. She looked directly at Amanda and said, “I’m meeting him at Idlewild.”

Matthew put down his fork. “David? David Regan? You’re meeting him at Idlewild?”

“Yes.”

“Why?” Matthew asked.

“Because he wants me to,” Kate said, and again she looked at Amanda. Matthew saw the glance and felt peculiarly excluded. Bobby seemed about to say something, and then judiciously closed his mouth. Picking up his fork, Matthew looked at his wife and his daughter, and said nothing.

“How do you propose getting to Idlewild?” Amanda asked. “You’re not allowed to drive outside Connecticut.”

“I hadn’t thought of that,” Kate said. “I’ll take a cab.”

There was a moment’s silence at the table. Matthew’s fork accidentally clinked against his plate.

“I’ll drive you, if you like,” Amanda said.

“Thank you, Mother,” Kate answered. “I can take a cab.”

Amanda raised her eyes to Kate’s. Very softly, she said, “It’s a long trip, Kate, to make alone. You might want someone to talk to.” She paused for a moment, as if what she had to say now was very difficult. But when the words finally left her lips, they were really quite simple. “I’d like to go along with you, daughter,” she said.

Matthew watched them silently as they faced each other across the table. Amanda smiled tentatively and extended her open hand to Kate. Kate hesitated a moment, and then took the hand wordlessly, her eyes never leaving Amanda’s face. He had the feeling something passed between them in that moment, something almost tangible passed between them as Kate took Amanda’s hand in her own, a love, an understanding, something he could not quite fathom, something like...

He shook his head.

Something like a legacy, he had thought.

“Eat your potatoes, son,” he said.

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