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Ramona Ausubel: Sons and Daughters of Ease and Plenty

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Ramona Ausubel Sons and Daughters of Ease and Plenty

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From the award-winning author of , an imaginative novel about a wealthy New England family in the 1960s and '70s that suddenly loses its fortune — and its bearings. Labor Day, 1976, Martha's Vineyard. Summering at the family beach house along this moneyed coast of New England, Fern and Edgar — married with three children — are happily preparing for a family birthday celebration when they learn that the unimaginable has occurred: There is no more money. More specifically, there's no more money in the estate of Fern's recently deceased parents, which, as the sole source of Fern and Edgar's income, had allowed them to live this beautiful, comfortable life despite their professed anti-money ideals. Quickly, the once-charmed family unravels. In distress and confusion, Fern and Edgar are each tempted away on separate adventures: she on a road trip with a stranger, he on an ill-advised sailing voyage with another woman. The three children are left for days with no guardian whatsoever, in an improvised Neverland helmed by the tender, witty, and resourceful Cricket, age nine. Brimming with humanity and wisdom, humor and bite, and imbued with both the whimsical and the profound, is a story of American wealth, class, family, and mobility, approached by award-winner Ramona Ausubel with a breadth of imagination and understanding that is fresh, surprising, and exciting.

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Ramona Ausubel

Sons and Daughters of Ease and Plenty

For Ned and Hank

I wish I had known you longer

1976

SUMMER FATTENED EVERYBODY UP. The family buttered without reserve; pie seemed to be everywhere. They awoke and slept and awoke in the summerhouse on the island, ate all their meals on the porch while the sun moved across their sky. They looked out at the saltwater cove and watched the sailboats skim and tack across the blue towards the windward beach, littered with the outgrown shells of horseshoe crabs.

Picture the five of them, looking like a family. Fern was happy because they were together all the time. She baked. Not well, but muffins were muffins and they never went uneaten. Edgar wore the clothes he kept at the Vineyard house, which were stiff with salt and faded from sun. At dawn and dusk and six times between he rolled his pants up and stood at the surfline, his feet sinking a little deeper with each wave. Fern wore a kerchief and dug in the garden, trying to make the cucumbers come up. Cricket was always in a sundress with a rainbow on it, the twins in shorts and sailor shirts embroidered with the name of their grandparents’ boat. Fern was a mother and a wife and herself all at once. Edgar rumpled his children’s hair, kissed his wife on the temple, mended the sails and painted the hulls, sailed out in the Sound and bobbed there, pretending the shoreline away.

Edgar loved the eelgrass and the cold water and the thunderstorms so much it was unsayable. He thought that if a poor person told you he loved the eelgrass you would believe him immediately, and how unfair that was if you happened to be rich. As if his feelings were purchased and therefore not true, not a strum he could hear in his ears when he dove from the wet deck of his boat into the Sound, which was the precise cold it had been every summer, and the moon jellies brushed against his legs when he kicked and he held his breath and stayed under as long as he could, submerged in that perfect brine, memorizing for the thousandth time this feeling. That he had a hand-built wooden sailboat made him only able to talk about his swim, his ferocious love for this water, with other people who also had wooden sailboats. Back home, taking his car in for an oil change, he would not be able to answer the question honestly: how was your summer? He would have to abridge, “Beautiful. Water and wind.” He knew that the summerhouse, the sea view, belonged to him because he paid for them, yet it felt like his bloodstream pumped with this place, like the rocks and waves and saltmuck were in him, that he was of them. But money, old money, got all the press.

The children were brown with white, white behinds and they wore anklets of poison ivy blisters. For them the whole point of life was to be wet and dry eight times a day and never clean. As the children understood it, there were places where it was summer all year and they could not believe that their parents had chosen this northerly, four-season land. The parents did not have a good explanation. Only that their kind of people did not live in warm places. They could visit — Edgar’s parents owned an island in the Caribbean — but then they had to go back to New England or Chicago or St. Louis or Kansas City, as if the particular ratio of city to country, winter to summer, brick to grass, was necessary for their species to survive.

In the evenings they rowed to a nearby beach for a supper picnic. Fern with a loaf of not very good homemade bread in a checkered cloth on her lap, the kids leaning over the lip of the rowboat hunting for jellyfish, and all of them in the music of Father’s oars dipping, rising, dripping.

There was always sand in the bed and none of them wanted it to end.

August arrived despite their prayers that it would not. Each swim and sail meant more. At the county fair Will entered a small schooner he had carved and won first place, but Cricket’s blueberry pie and James’s bouquet of flowers went ribbon-less. They rode the Ferris wheel and admired the blue-ribbon piglets and watched the ox-pull. They begged the days to pass more slowly.

On the morning of Edgar’s birthday, the phone rang. It was Fern’s family’s lawyer. She could picture him with his polished mustache and fat-collared jacket, his feet on the desk. She had talked to him once when her parents had died the winter before and he had told her that he was sorry for her loss and would call in some months when the affairs were in order. Now his voice was flatter. “Fern,” he said. “I don’t know how to tell you this.”

“I’m already an orphan,” she said, trying to make a joke. What other news was there?

“There’s no more money.”

There had been so much for so long, the kind of sums that seemed immune to depletion. “How can there be no more money?”

“It was spent. And your father seems to have made some very generous gifts in his last year.”

“Do you mean no money?”

“The eventual sale of the house will pay the taxes.”

Fern found Edgar on the beach scraping barnacles off an old mooring.

“There’s no more money,” she said to him through the wind. “The money is gone.” It was like announcing a death. The long-ago earning of that money — slaves, cotton, rum — and the spending of it, were done. The money had lived its own life, like a relative.

“What do you mean?” Edgar asked.

“Apparently some of my mother’s sculptures are worth something.”

Edgar put the scraper down in the sand, got up and walked towards the water, dove in. He stayed under long enough that Fern thought he might not come back up. She called his name. She dove in too, wearing her dress, which dragged her down. She called him and called him. She spun in circles trying to find the ripples or bubbles that signaled his body. A moment later, Edgar’s head appeared halfway across the cove. He ran his hands over his hair and eyes. He had swum the distance in one breath. Edgar turned and floated on his back, and Fern could hardly see him — his body was just a shadow between air and water.

Edgar remembered going in a limousine with his parents to a fancy holiday party at his father’s downtown Chicago office when he was six. To get there they had to drive through the poorest neighborhoods and he had looked out at those falling-down apartment buildings and the dim lights inside and the trash on the street and at the children and there was Edgar, little Edgar with his tiny tuxedo and his shiny shoes and the small pocketwatch his father had clipped to his belt loop. He was on the inside of the car and the other people were on the outside. Edgar had reached over and rolled the window down a crack and the air that rushed at him was cold and smoky. His father had smacked his hand and reinstated the barrier. He had checked to be sure that the doors were locked. Edgar had felt the wet wool of guilt fall over him. He had looked to his mother to explain fortune, but she had bowed her head and was staring hard at her feet.

Even now that he was grown he could smell the limousine and he could smell the city outside. His had been a wished-for life, something viewed by everyone else from a great distance, and to voice even one experience of difficulty, of loneliness, was not welcome. Being rich had felt to Edgar like treading alone for all of time in a beautiful, bottomless pool. So much, so blue, and nothing to push off from. No grit or sand, no sturdy earth, just his own constant movement to keep above the surface. It was easy to hate riches when they surrounded him, but Edgar did not know how to be any other kind of person. He did not know that in every life the work of want and survival was just as floorless, just as unstopping.

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