Donna Tartt - The Goldfinch

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The Goldfinch: краткое содержание, описание и аннотация

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A young boy in New York City, Theo Decker, miraculously survives an accident that takes the life of his mother. Alone and determined to avoid being taken in by the city as an orphan, Theo scrambles between nights in friends’ apartments and on the city streets. He becomes entranced by the one thing that reminds him of his mother, a small, mysteriously captivating painting that soon draws Theo into the art underworld.

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Hobie and Mr. Bracegirdle were chatting in a subdued way—Mr. Bracegirdle was telling Hobie how he’d met my mother, dawning remembrance from Hobie: “Yes! I remember—a foot in less than an hour! My God, I came out of my auction and nothing was moving, I was uptown at the old Parke-Bernet—”

“On Madison across from the Carlyle?”

“Yes—quite a long hoof home.”

“You deal antiques? Down in the Village, Theo says?”

Politely, I sat and listened to their conversation: friends in common, gallery owners and art collectors, the Rakers and the Rehnbergs, the Fawcetts and the Vogels and the Mildebergers and Depews, on to vanished New York landmarks, the closing of Lutèce, La Caravelle, Café des Artistes, what would your mother have thought, Theodore, she loved Café des Artistes. (How did he know that? I wondered.) While I didn’t for an instant believe some of the things my dad, in moments of meanness, had insinuated about my mother, it did appear that Mr. Bracegirdle had known my mother a good deal better than I would have thought. Even the non-legal books on his shelf seemed to suggest a correspondence, an echo of interests between them. Art books: Agnes Martin, Edwin Dickinson. Poetry too, first editions: Ted Berrigan. Frank O’Hara, Meditations in an Emergency. I remembered the day she’d turned up flushed and happy with the exact same edition of Frank O’Hara—which I assumed she’d found at the Strand, since we didn’t have the money for something like that. But when I thought about it, I realized she hadn’t told me where she’d got it.

“Well, Theodore,” said Mr. Bracegirdle, calling me back to myself. Though elderly, he had the calm, well-tanned look of someone who spent a lot of his spare time on the tennis court; the dark pouches under his eyes gave him a genial panda-bear aspect. “You’re old enough that a judge would consider your wishes above all in this matter,” he was saying. “Especially since your guardianship would be uncontested—of course,” he said to Hobie, “we could seek a temporary guardianship for the upcoming interlude, but I don’t think that will be necessary. Clearly this arrangement is in the minor’s best interests, as long as it’s all right with you?”

“That and more,” said Hobie. “I’m happy if he’s happy.”

“You’re fully prepared to act in an informal capacity as Theodore’s adult custodian for the time being?”

“Informal, black tie, whatever’s called for.”

“There’s your schooling to look after as well. We’d spoken of boarding school, as I recall. But that seems a lot to think of now, doesn’t it?” he said, noting the stricken look on my face. “Shipping out as you’ve just arrived, and with the holidays coming up? No need to make any decisions at all at the moment, I shouldn’t think,” he said, with a glance at Hobie. “I should think it would be fine if you just sat out the rest of this term and we can sort it out later. And you know that you can of course call upon me at any time. Day or night.” He was writing a phone number on a business card. “This is my home number, and this is my cell—my, my, that’s a nasty cough you have there!” he said, glancing up—“quite a cough, are you having that looked after, yes? and this is my number out in Bridgehampton. I hope you won’t hesitate to call me for any reason, if you need anything.”

Trying hard, doing my best, to swallow another cough. “Thank you—”

“This is definitely what you want?” He was looking at me keenly with an expression that made me feel like I was on the witness stand. “To be at Mr. Hobart’s for the next few weeks?”

I didn’t like the sound of the next few weeks. “Yes,” I said into my fist, “but—”

“Because—boarding school.” He folded his hands and leaned back in his chair and regarded me. “Almost certainly the best thing for you in the long term but quite frankly, given the situation, I believe I could telephone my friend Sam Ungerer at Buckfield and we could get you up there right now. Something could be arranged. It’s an excellent school. And I think it would be possible to arrange for you to stay in the home of the headmaster or one of the teachers rather than the dormitory, so you could be in more of a family setting, if you thought that would be something you’d like.”

He and Hobie were both looking at me, encouragingly as I thought. I stared at my shoes, not wanting to seem ungrateful but wishing that this line of suggestion would go away.

“Well.” Mr. Bracegirdle and Hobie exchanged a glance—was I wrong to see a hint of resignation and/or disappointment in Hobie’s expression? “As long as this is what you want, and Mr. Hobart’s amenable, I see nothing wrong with this arrangement for the time being. But I do urge you to think about where you’d like to be, Theodore, so we can go ahead and work out something for the next school term or maybe even summer school, if you’d like.”

vii.

картинка 107

TEMPORARY GUARDIANSHIP . IN THE next weeks, I did my best to buckle down and not think too much about what temporary might mean. I’d applied to an early-college program in the city—my reasoning being that it would keep me from being shipped out to the sticks if for some reason things at Hobie’s didn’t work. All day in my room, under a weak lamp, as Popchik snoozed on the carpet by my feet, I spent hunched over test preparation booklets, memorizing dates, proofs, theorems, Latin vocabulary words, so many irregular verbs in Spanish that even in my dreams I looked down the lines of long tables and despaired of keeping them straight.

It was as if I was trying to punish myself—maybe even make things up to my mother—by setting my sights so high. I’d fallen out of the habit of doing schoolwork; it wasn’t exactly as if I’d kept up my studies in Vegas and the sheer amount of material to memorize gave me a feeling of torture, lights turned in the face, not knowing the correct answer, catastrophe if I failed. Rubbing my eyes, trying to keep myself awake with cold showers and iced coffee, I goaded myself on by reminding myself what a good thing I was doing, though my endless cramming felt a lot more like self destruction than any glue-sniffing I’d ever done; and at some bleary point, the work itself became a kind of drug that left me so drained that I could hardly take in my surroundings.

And yet I was grateful for the work because it kept me too mentally bludgeoned to think. The shame that tormented me was all the more corrosive for having no very clear origin: I didn’t know why I felt so tainted, and worthless, and wrong—only that I did, and whenever I looked up from my books I was swamped by slimy waters rushing in from all sides.

Part of it had to do with the painting. I knew nothing good would come of keeping it, and yet I also knew I’d kept it too long to speak up. Confiding in Mr. Bracegirdle was foolhardy. My position was too precarious; he was already champing at the bit to send me to boarding school. And when I thought, as I often did, of confiding in Hobie, I found myself drifting into various theoretical scenarios none of which seemed any more or less probable than the others.

I would give the painting to Hobie and he would say, ‘oh, no big deal’ and somehow (I had problems with this part, the logistics of it) he would take care of it, or phone some people he knew, or have a great idea about what to do, or something, and not care, or be mad, and somehow it would all be fine?

Or: I would give the painting to Hobie and he would call the police.

Or: I would give the painting to Hobie and he would take the painting for himself and then say, ‘what, are you crazy? Painting? I don’t know what you’re talking about.’

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