Irwin Shaw - Short Stories - Five Decades
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- Название:Short Stories: Five Decades
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- Издательство:Open Road Media
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- Год:2013
- ISBN:нет данных
- Рейтинг книги:5 / 5. Голосов: 1
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There was silence in the room. His father went over to the window again and looked out at the snow falling in a soft blurred curtain outside. “I knew,” his father said quietly, “that it couldn’t just have been for the skis.”
In the end, his father won out. His mother wanted to go to the police and get them to try to find the man, even though his father pointed out that there were perhaps ten thousand skiers in the town for the holidays, a good percentage of them German-speaking and blue-eyed, and trainloads arriving and departing five times a day. Robert’s father was sure that the man had left the very night Robert had broken his leg, although all during the rest of his stay in the town, Mr. Rosenthal prowled along the snowy streets and in and out of bars searching among the faces for one that answered Robert’s description of the man on the mountain. But he said it would do no good to go to the police and might do harm, because once the story got out there would be plenty of people to complain that this was just another hysterical Jewish fantasy of invented injury. “There’re plenty of Nazis in Switzerland, of all nationalities,” Robert’s father told his mother, in the course of an argument that lasted weeks, “and this will just give them more ammunition, they’ll be able to say, ‘See, wherever the Jews go they start trouble.’”
Robert’s mother, who was made of sterner stuff than her husband, and who had relatives in Germany who smuggled out disturbing letters to her, wanted justice at any cost, but after a while even she saw the hopelessness of pushing the matter any further. Four weeks after the accident, when Robert could finally be moved, as she sat beside her son in the ambulance that was to take them both to Geneva and then on to Paris, she said, in a dead voice, holding Robert’s hand, “Soon, we must leave Europe. I cannot stand to live any more on a continent where things like this are permitted to happen.”
Much later, during the war, after Mr. Rosenthal had died in Occupied France and Robert and his mother and sister were in America, a friend of Robert’s, who had also done a lot of skiing in Europe, heard the story of the man in the white cap, and told Robert he was almost sure he recognized the man from the description Robert gave of him. It was a ski instructor from Garmisch, or maybe from Obersdorf or Freudenstadt, who had a couple of rich Austrian clients with whom he toured each winter from one ski station to another. The friend didn’t know the man’s name, and the one time Robert had been in Garmisch, it had been with French troops in the closing days of the war, and of course nobody was skiing then.
Now the man was standing just three feet from him, his face, on the other side of the pretty Italian woman, framed by straight black lines of skis, his eyes looking coolly, with insolent amusement, but without recognition, at Robert, from under the almost albino eyelashes. He was approaching fifty now and his face was fleshy but hard and healthy, with a thin, set mouth that gave a sense of control and self-discipline to his expression.
Robert hated him. He hated him for the attempted murder of a fourteen-year-old boy in 1938; he hated him for the acts that he must have condoned or collaborated in during the war; he hated him for his father’s disappearance and his mother’s exile; he hated him for what he had said about the pretty little American girl in the lambskin hat; he hated him for the confident impudence of his glance and the healthy, untouched robustness of his face and neck; he hated him because he could look directly into the eyes of a man he had tried to kill and not recognize him; he hated him because he was here, bringing the idea of death and shamefully unconsummated vengeance into this silvery holiday bubble climbing the placid air of a kindly, welcoming country.
And most of all he hated the man in the white cap because the man betrayed and made a sour joke of the precariously achieved peace that Robert had built for himself, with his wife, his children, his job, his comfortable, easygoing, generously forgetful Americanism, since the war.
The German deprived him of his sense of normalcy. Living with a wife and three children in a clean, cheerful house was not normal; having your name in the telephone directory was not normal; lifting your hat to your neighbor and paying your bills was not normal; obeying the law and depending upon the protection of the police was not normal. The German sent him back through the years to an older and truer normality—murder, blood, flight, conspiracy, pillage, and ruins. For a while Robert had deceived himself into believing that the nature of everyday could change. The German in the crowded cabin had now put him to rights. Meeting the German had been an accident, but the accident had revealed what was permanent and nonaccidental in his life and the life of the people around him.
Mac was saying something to him, and the girl in the lambskin hat was singing an American song in a soft, small voice, but he didn’t hear what Mac was saying and the words of the song made no sense to him. He had turned away from looking at the German and was looking at the steep stone face of the mountain, now almost obscured by a swirling cloud, and he was trying to figure out how he could get rid of Mac, escape the young Americans, follow the German, get him alone, and kill him.
He had no intention of making it a duel. He did not intend to give the man a chance to fight for his life. It was punishment he was after, not a symbol of honor. He remembered other stories of men who had been in concentration camps during the war who had suddenly confronted their torturers later on and had turned them in to the authorities and had the satisfaction of witnessing their execution. But whom could he turn the German over to—the Swiss police? For what crime that would fit into what criminal code?
Or he could do what an ex-prisoner had done in Budapest three or four years after the war, when he had met one of his jailers on a bridge over the Danube and had simply picked the man up and thrown him into the water and watched him drown. The ex-prisoner had explained who he was and who the drowned man was and had been let off and had been treated as a hero. But Switzerland was not Hungary, the Danube was far away, the war had finished a long time ago.
No, what he had to do was follow the man, stay with him, surprise him alone somewhere on the slopes, contrive a murder that would look like an accident, be out of the country before anyone asked any questions, divulge nothing to anyone, leave the body, if possible, in an isolated place where the snow would cover it and where it would not be found till the farmers drove their herds high up into the mountains for the summer pasturage. And he had to do it swiftly, before the man realized that he was the object of any special attention on Robert’s part, before he started to wonder about the American on his tracks, before the process of memory began its work and the face of the skinny fourteen-year-old boy on the dark mountain in 1938 began to emerge from the avenging face of the grown man.
Robert had never killed a man. During the war, he had been assigned by the American Army as part of a liaison team to a French division, and while he had been shot at often enough, he had never fired a gun after arriving in Europe. When the war was over, he had been secretly thankful that he had been spared the necessity of killing. Now he understood—he was not to be spared; his war was not over.
“Say, Robert …” It was Mac’s voice finally breaking through into his consciousness. “What’s the matter? I’ve been talking to you for thirty seconds and you haven’t heard a word I said. Are you sick? You look awfully queer, lad.”
“I’m all right,” Robert said. “I have a little headache. That’s all. Maybe I’d better eat something, get something warm to drink. You go ahead down by yourself.”
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