Jeffery Deaver - Captivated - A Colter Shaw Short Story

HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollins Publishers 2019

Copyright © Gunner Publications, LLC 2019

Cover design by Claire Ward © HarperCollins Publishers Ltd 2019

Cover photographs © Shutterstock.com

Jeffery Deaver asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Ebook Edition © MARCH 2019 © ISBN: 9780008346898

Version: 2019-02-12

Contents

Cover

Title Page Captivated A Colter Shaw Short Story Jeffery Deaver

Copyright Copyright Copyright Thursday, August 30 Friday, August 31 Keep Reading … About the Author Also by Jeffery Deaver About the Publisher HarperCollins Publishers 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain by HarperCollins Publishers 2019 Copyright © Gunner Publications, LLC 2019 Cover design by Claire Ward © HarperCollins Publishers Ltd 2019 Cover photographs © Shutterstock.com Jeffery Deaver asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books Ebook Edition © MARCH 2019 © ISBN: 9780008346898 Version: 2019-02-12

Thursday, August 30

Friday, August 31

Keep Reading …

About the Author

Also by Jeffery Deaver

About the Publisher

“She’s been gone for a month. And two days.”

The man’s troubled expression suggested that he could easily have added the number of hours.

“No contact with you at all?”

“None.” The voice stumbled. He cleared his throat. “No, sir.”

The two men were sitting in an Asian fusion restaurant—self-billed as such, though to Colter Shaw it resembled any other Chinese place. He was having wonton soup, concocted with homemade chicken stock, Shaw believed. It was good. The man across from him in the booth was ringed by a parapet of bowls and plates—some tofu thing, sauces, soup, egg roll and rice. One of the lunchtime combos. The man had taken two bites of the rice and set down his chopsticks.

“I know—in my soul—I know she’s in danger. Somebody’s kidnapped her. We have to do something !” He tugged at the collar of his gray suit jacket. Brooks Brothers, Shaw had seen when the front flaps parted. The cuffs were frayed. Matthews’s shirt was white, the collar yellowing where it met his neck, and was a size too large. His tie was bold green and he sported a matching pocket square. A big gold ring encircled the middle finger of his right hand.

“You’ve gone to the police?” Shaw asked, his voice a monotone, in contrast to Ron Matthews’s oscillating timbre.

“Yes, of course. I called them a day after she didn’t come home. I was worried it was too soon. But the detective said there’s no waiting period or anything.”

In most states you can report somebody missing ten minutes after they don’t show up. But unless it’s a child or there’s evidence of a crime (the standard police term really is the quaintly Sherlockian “foul play”), the authorities don’t jump on board right away.

Matthews confirmed that this was true in his case. “They weren’t gung ho, you know. There are a lot of missing persons, he told me.”

Thousands upon thousands, Shaw knew.

“He asked—you’re probably going to ask me the same thing—if she’d been in touch with anybody . And, yeah, Evie called a friend the same day she was due home. She said she’d decided to travel for a while. She needed to get away. I had to be honest with the cop.”

Always a good plan.

Well, usually.

“But I think the kidnapper forced her to call her friend, to make sure the police weren’t involved. She didn’t call me because the kidnapper would think I’d know something was wrong. And I would. Evie and me, we have this …” Matthews ran his hand through his thick salt-and-pepper hair. “I’d just know she was in trouble.”

Shaw took a sip of pungent Tsingtao beer. Another spoonful of soup.

Matthews had been sniping furtive glances at him since the businessman had joined Shaw here. He did so again, taking in Shaw’s short blond hair, lying close to the scalp, his broad but compact build, just shy of six feet. An oval face, complexion light. Eyes blue with gray influence. A few women had said he resembled this or that actor, usually some action-movie hero. Most of them he’d never heard of, since, growing up, he’d seen only two or three movies or TV shows a year—and then not until he was ten or eleven. Now, that sort of entertainment was not a major part of his life.

The clothing he now wore was his usual when on the job: jeans, dress shirt open at the collar—today’s was navy blue—and a dark-checkered sports coat. Respectful, to put offerors and witnesses at ease. On his feet, black Ecco slip-ons. Which were comfortable. And offered good traction. Just in case.

The businessman, of course, was interested in teasing more out of Colter Shaw than just his appearance. But all he got in this department, for the time being, was straight posture, constant eye contact, no smiles or frowns, no small talk, just undistracted attention to every word Matthews said. The message was the intended one: I’m listening and I’m taking the situation very seriously . Matthews seemed to relax into confidence. Like most offerors, he didn’t get that Shaw was sizing him up too.