Charles Bukowski - The Captain Is Out to Lunch

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"I am not in a contest. I never wanted fame or money. I wanted to get the word down the way I wanted it, that's all. And I had to get the words down or be overcome by something worse than death." So writes the late Charles Bukowski in his entry for 6/23/92 (12:34 AM). The Captain Is Out To Lunch And The Sailors Have Taken Over The Ship, a delightful, posthumous gathering of excerpts from Bukowski notebooks, is loaded with such direct ruminations about writing, death, money, humanity, and how the author located meaning and value in his daily life and work. Richly illustrated with gritty drawings by Robert Crumb, Bukowski's legions of readers will want to add this prose volume to their collections. Autograph seekers, race track habitués and the dull thud of the nags ("I go to the track almost reluctantly. I am too idiotic to figure out any other place to go...I guess getting my ass out of here forces me to look at Humanity and when you look at Humanity you've GOT to react." p.66), Hollywood types, classical music and classy authors, poets and poseurs, all subjects frequently addressed by Bukowski over the course of his long, productive career, shape the book's contents. One observes Bukowski at home, going to the mall with wife Linda, driving the LA freeways, at his computer mulling over what does and doesn't add up. Charles Bukowski scrapped and fought for his rewards and, as "The Captain Is Out To Lunch" makes indelibly clear, it was honest writing and its publication, not money or fame, that empowered him. Ultimately he achieved acclaim and a fair measure of financial success, after establishing a beneficial relationship with John Martin of Black Sparrow Press, a committed independent publisher who enabled him to reach a world-wide audience of readers. They valued his work during his lifetime and continue to anticipate the thinning stream of books still coming out several years after his death.

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There have been some bad moments. I remember one night after typing a good 4 hours or so, I felt I had had some astonishing luck when – I hit something or other – there was a flash of blue light and the many pages of writing vanished. I tried everything to get them back. They were simply gone. Yes, I had it set on „Save-all,“ it still didn't matter. This had happened at other times but not with so many pages. Let me tell you, it is one hell of a hell of a horrible feeling when the pages vanish. Come think of it now, I have lost 3 or 4 pages at other times on my novel. A whole chapter. What I did then was simply rewrite the whole damn thing. When you do this, you lose something, little highlights that don't return but you gain something too because as you rewrite you skip some parts that didn't quite please you and you add some parts that are better. So? Well, it's a long night then. The birds are up. The wife and the cats think you've gone mad.

I consulted some computer experts about the „blue flash“ but none of them could tell me anything. I've found out that most computer experts aren't very expert. Confounding things happen that just aren't in the book. Now that I know more about computers I think I know one thing that might have brought the work back from the „blue flash“…

The worst night was when I sat down to the computer and it went completely crazy, sending out bombs, weird loud sounds, moments of darkness, deathly blackness, I worked and worked and worked but could do nothing. Then I noticed what looked like liquid that had hardened on the screen and around the slot near the „brain,“ the slot where you inserted the disks. One of my cats had sprayed the machine. I had to take it down to the computer shop. The mechanic was out and a salesman removed a portion of the „brain,“ a yellow liquid splashed on his white shirt and he screamed „cat spray!“ Poor guy. Poor guy. Anyhow, I left the computer. Nothing in the warranty covered cat spray. They had to take practically all the guts out of the „brain.“ It ook them 8 days to fix it. During that time I went back to my typewriter. It was like trying to break rock with my hands. I had to learn to type all over again. I had to get good and drunk to get the flow. And again, it was one night to write it and another night to straighten it out. But I was glad the typer was there. We had been toghether over 5 decades and had some great times. When I got the computer back it was with some sadness that I returned the old typer to its place in the corner. But I went back to the computer and the words flew like crazy birds. And there were no longer any blue flashes and pages that vanished. Things were even better. That cat spraying the machine fixed everything up. Only now, when I leave the computer I cover it with a large each towel and close the door.

Yes, it's been my most productive year. Wine gets better if it's properly aged.

I'm not in contest with anybody, have no thoughts about immortality, don't give a damn about it. It's the ACTION while you're alive. The gate springing open in the sunlight, the horses plunging through the light, all the jocks, brave little devils in their bright silks, going for it, doing it. The glory is in the motion and the dare. Death be damned. It's today and today and today. Yes.

12/9/91 1:18 AM

The tide ebbs. I sit and stare at a paper clip for 5 minutes. Yesterday, coming in on the freeway, it was evening going into darkness. There was a light fog. Christmas was coming like a harpoon. Suddenly I noticed that I was driving almost alone. Then in the road I saw a large bumper attached to a piece of grill. I avoided it in time, then looked to my right. There was a pile-up of cars, 4 or 5 cars but there was silence, no movement, nobody around, no fire, no smoke, no headlights. I was going too fast to see if there were people in the cars. Then, at once, evening became night. Sometimes there is no warning. Things occur in seconds. Everything changes. You're alive. You're dead. And things move on.

We are paper thin. We exist on luck amid the percentages, temporarily. And that's the best part and the worse part, the temporal factor. And there's nothing you can do about it. You can sit on top of a mountain and meditate for decades and it's not going to alter. You can alter yourself into acceptability but maybe that's wrong too. Maybe we think too much. Feel more, think less.

All the cars in that pile-up seemed to be gray. Odd.

I like the way philosophers break down the concepts and theories which have preceded them. It's been going on for centuries. No, that's not the way, they say. This is the way. It goes on and on and seems very sensible, this onwardness. The main problem for the philosophers is that they must humanize their language, make it more accessible, then the thoughts light up better, are more intersting still. I think that they are learning this. Simplicity is the key.

In writing you must slide along. The words can be crippled and choppy but if they slide along then a certain delight lights up everything. Careful writing is deathly writing. I think Sherwood Anderson was one of the best at playing with words as if they were rocks, or bits of food to be eaten. He PAINTED his words on paper. And they were so simple that you felt rushes of light, doors openin, walls glistening. You could see rugs and shoes and fingers. He had the words. Delightful. Yet, they were like bullets too. They could take you right out. Sherwood Anderson knew something, he had the instinct. Hemingway tried too hard. You could feel the had work in his writing. They were hard blocks stuck together. And Anderson could laugh while he was telling you something serious. Hemingway could never laugh. Anybody who writes standing up at 6 a.m. in the morning has no sense of humor. He wants to defeat something.

Tired tonight. Damn, I don't get enough sleep. I would love to sleep until noon but with the first post at 12:30, add the drive and getting your figures ready, I have to leave here about 11 a.m., before the mailman gets here. And I'm seldom asleep until 2 a.m. or so. Get up a couple of times to piss. One of the cats awakens me at 6 a.m. on the dot, morning after morning, he's got to go out. Then too, the lonelyhearts like to phone before 10 a.m. I don't answer, the machine takes the message. I mean, my sleep is broken. But if this is all I have to bitch about then I'm in grand shape.

No horses for the next 2 days. I won't be up until noon tomorrow and I'l feel like a powerhouse, ten years younger. Hell, that's to laugh – ten years younger would make me 61, you call that a break? Let me cry, let me cry.

It's 1 a.m. Why don't I stop now and get some sleep?

1/18/92 11:59 PM

Well, I move back and forth between the novel and the poem and the racetrack and I'm still alive. There isn't much going on at the track, I'm just struck with humanity and there I am. Then there's the freeway, to get there and back. The freeway always reminds you of what most people are. It's a competitive society. They want you to lose so they can win. It's inbred and much of it comes out on the freeway. The slow drivers want to block you, the fast drivers want to get around you. I hold it at 70 so I pass and am passed. The fast drivers I don't mind. I get out of their way and let them go. It's the slow ones who are the irritant, those who do 55 in the fast lane. And sometimes you can get boxed in. And you see enough of the head and the neck of the driver ahead of you to take a reading. The reading is that this person is asleep at the sould and at the same time embittered, gross, cruel and stupid.

I hear a voice now saying to me, „You are stupid to think like that. You are stupid one.“ There are always those who will defend the subnormals in society because they don't realize it is that they too are subnormal. We have a subnormal society and that's why they act as they do and do to each other what they do. But that's their business and I don't mind it except that I have to live with them.

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