Charles Buck: The Tempering

"Nothin' don't nuver come ter pass hyarabouts!"

The boy perched disconsolately on the rotting fence threw forth his lament aloud to the laurelled silences of the mountain sides and the emptiness of space.

"Every doggone day's jest identical with all ther balance – save only thet hit's wuss!"

He sat with his back turned on the only signs of human life within the circle of his vision; unless one called the twisting creek-bed at his front, which served that pocket of the Kentucky Cumberlands as a highway, a human manifestation.

There behind him a log-cabin breathed smokily through its mud-daubed chimney; a pioneer habitation in every crude line and characteristic. On the door hung, drying, the odorous pelt of a "varmint." Against the wall leaned a rickety spinning wheel.

To all that, which he hated, he kept his stiff back turned, but his ears had no defence against the cracked falsetto of an aged voice crooning a ballad that the pioneers had brought across the ridges from tide-water … a ballad whose phrasing was quaintly redolent of antiquity.

The boy kicked his broganned heels and snorted. His clothes were homespun and home sewed and his touselled shock of red-brown hair cropped out from under a coon skin cap. His given name was Boone and his life was as hobbled by pioneer restrictions as was that of the greater Boone – but with a difference.

The overland argonauts who had set their feet and faces westward across these same mountains bore on their memories the stimulating image of all that they had left behind and carried before their eyes the alluring hope of what they were to find.

This Boone, whose eyes, set in a freckled face, were as blue as overhead skies and deep with a fathomless discontent, had neither past nor future to contemplate – only a consuming hunger for a life less desolate. That of his people was unaltered – save for a lapse into piteous human lethargy – from the days when the other Boone had come on moccasined feet to win the West – for they were the offspring of the stranded; the heirs of the lost.

Over all the high, hunched steepness of the ranges, Autumn had wandered with a palette of high colour and a brush of frost, splashing out the summer's sun-burned green with champagne yellow, burgundy-red and claret-crimson. To the nostrils, too, there floated with the thistledown, hints of bursting ripe fox-grapes and apples ready for the cider press.

Countless other times Boone had sat here on this top-rail in his hodden-gray clothes and his slate-gray despair, making the same plaint, and knowing that only a miracle would ever bring around the road's turning anything less commonplace than a yoke of oxen or a native as drab as the mule he straddled.

Yet as the boy capped his lamentation with a sigh that seemed to struggle up from the depths of his being, a breeze whispered along the mountain sides; the crisp leaves stirred to a tinkle like low laughter and there materialized a horseman who was in no wise to be confused with ordinary travellers in these parts. Boone Wellver caught his breath in a gasp of surprise and interest, and a low whistle sounded between his white teeth.

"Lord o' Mercy," breathed the urchin, "hit's a furriner! Now I wonder who is he?"

The stranger was mounted on a mule whose long ears flapped dejectedly and whose shamble had in it the flinch of galled withers, but the man in the saddle sat as if he had a charger under him – and it was this indefinable declaration of bearing that the boy saw and which, at first glance, fired his imagination.

The traveller's face was bronzed and the moustache and imperial, trimmed in the fashion of the Third Napoleon's court, were only beginning to lose their sandy colour under a dominance of gray.

The eyes – though now they were weary with travel and something more fundamental, too, than physical fatigue – were luminous of quality and a singularly clear gray of colour. They were such eyes as could be dogged and stern as flint or deep and bafflingly gentle like mossy waters.

Covering the bony flanks of the mule and bulging grotesquely to port and starboard, hung capacious canvas saddle pockets – and as the stranger drew rein the boy's eyes dwelt with candid inquisitiveness upon them. Out of the cavernous maw of one of these receptacles protruded the corner of a tin dispatch box and fastened to a cantle ring behind the saddle was a long, slender object in a water-proof covering laced at the top.

At sight of that, Boone's eyes livened yet more, for he recognized the shrouded shape though it was a thing almost as foreign to his world as starlight is to the floor of the sea. Once he had been to Marlin Town on a troubled Court day when a detachment of militia had stood guard in the square to overawe warring factions and avert bloodshed. Their failure to do so is another story, but their commanding officer had worn a sabre, and now with a stirring excitement the boy divined that, this "qu'ar contraption" dangling at the newcomer's back was nothing less portentous than a sword!

Straightway the drab curtain of life's unrelief was rent for Boone Wellver, and shot through with gleaming filaments of wonderment and imaginative speculation. Here, of a sudden, came Romance on horseback, and what matter that the horse was a mule?

"Son," he said in a kindly manner, "I'm bound for Cyrus Spradling's house, and I begin to suspect that I must have lost my way. How about it?"

Boone did not immediately reply. He merely poured out of his wide and innocent blue eyes a scrutiny as inquisitorial as though he had been stationed here on picket duty and were vested with full authority to halt whomsoever approached.

While the newcomer sat, waiting in his saddle, Boone Wellver vaulted lightly down from fence rail to gravel roadway and, standing there as slim yet as sturdy as a hickory sapling, raised one hand towards the mule's flank, but arrested it midway as he inquired, "Thet critter o' yourn – hit don't foller kickin', does hit?"

"Stand clear of its heels," cautioned the man hastily. "I've known this beast only since morning – but as acquaintance ripens, admiration wanes. What's your name?"

"Boone Wellver. What's yourn?"

"Mine is Victor McCalloway. Does your father live near here?"

"Hain't got no daddy."

"Your mother, then?"

"Hain't got no mammy nuther."

The stranger gazed down from his saddle with interested eyes, and under the steadiness of his scrutiny Boone was smitten with an abrupt self-consciousness.

"Don't you belong to any one at all?" The question was put slowly, but the reply came with prompt and prideful certitude.

"I'm my own man. I dwells with a passel of old granny folks an' gray-heads, though." Having so enlightened his questioner, he added with a ring of pride, as though having confessed the unflattering truth about his immediate household, he was entitled to boast a little of more distant connections:

"Asa Gregory's my fust cousin by blood. I reckon ye've done heered tell of him, hain't ye?"

Across the face of Victor McCalloway flitted the ghost of a satirical smile, which he speedily repressed.

"Yes," he said briefly with non-committal gravity, "I've heard of him."

To the outer world from which McCalloway came few mountain names had percolated, attended by notability. A hermit people they are and unheralded beyond their own environment – yet now and then the reputation of one of them will not be denied. So the newspaper columns had given Asa Gregory space, headlines even, linking to his name such appositives as "mountain desperado" and "feud-killer."

When he had shot old John Carr to death in the highway, such unstinted publicity had been accorded to his acts – such shudder-provoking fulness of detail – that Asa had found in it a very embarrassment of fame.