Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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I have to laugh a lot again when I look back. We both knew so little, and with many things I knew more than he did. I knew what stemware was and Lew had never heard of it. But after I mentioned I wanted stemware, he made sure I had it for our first apartment. It came from a guy named Rocky, an Italian peddler of sorts he had made friends with somewhere, an "anything you need?" kind of entrepreneur. He was always dressed to kill, even when he dropped by the junkshop, a fashion plate with brilliantined hair. Our first car too came from Rocky, a used one. Rocky: "What do you need?" Lew: "A car." Rocky: "What make?" Lew: "A Chevy. Blue. Aqua, she wants." Rocky: "When?" Lew: "March of this year." In March it was there. That was 1947, and the car was a '45. Also the stemware, which Rocky had never heard of either, and I still have the image of the shy glance he gave me and the scratch of a head, with his fingers pushing back his generous mop of wavy hair. But no other sign that he did not know the product. Who did back then? But delivered the next week in partitioned paper leaf-each piece wrapped in a brownish tissue paper-came the two boxes, marked Woolworth's. No charge. A wedding gift from Rocky. Wow! I still have some pieces, I've kept them. And now it's almost fifty years later and Wow! once more, because Rocky pops back out of nowhere and turns out to be the partner on that piece of land in California who Lew said I could trust. They'd been in touch all those years, and Lew never said boo.

"Why didn't you ever tell me?" I had to ask.

"He's been in jail," said Lew.

Do people still make friendships that strong? Lew was hungry, always hungry, and filled with ambition, and always something of a foreigner in the world he saw around him that he wanted to be a part of, never stopped wanting to be in and own. He could have gone to college too, and he could have done as well as anyone else, because he learned fast, but he didn't want to take the time. His mother liked me too-they all did-because I was the only one who wrapped her presents in gift wrap and ribbons. I would sit and spend time with her, even though we could not talk much to each other. I didn't understand much Yiddish and that's about all she spoke, and soon she had what the doctors called hardening of the arteries of the head and was probably Alzheimer's disease, and she hardly ever made sense to anyone. Today it seems we'll all get Alzheimer's disease if we don't die of cancer first. There was Glenda, there was Lew.

"My father too," said Sam. "And don't forget about strokes."

"I don't forget. My mother had one."

"So did mine, finally," said Sam.

I would sit with Lew's mother anyway. My trick was to always answer yes. Every once in a while a no was required, and I could tell by shakes of the head and a kind of muttering that I had said the wrong thing, and when that didn't work and there was still no understanding, I smiled and said, "Maybe."

Lew learned fast enough, and when he struck out with the big oil company with his metered heating oil plan, he saw there were people he could not make headway with and places he would not be able to go, and we were smart enough to stick inside our limits. He never even tried joining the Gentile golf club, even when we had enough friends there to probably get in. He got a bigger kick out of inviting them as guests to ours. We both learned fast, and when we had money for two cars, we had two cars. And when the foreign cars came into fashion and were better than ours, we had two of those too.

No synthetic fibers for Lew, no imitations, ever. Cotton shirts made to order, as long as the cotton did not come from Egypt. Egypt was another pulse tingler for him after the wars with Israel. Custom-tailored suits from a shop named Sills even before anyone knew that John Kennedy was having his suits made there too. And most important: manicures, manicures! He never tired of manicures. I'm sure that came from the dirt from the junkshop, and then in the prison camp. We passed the time that way at the end, when he couldn't even watch television anymore. I gave him pedicures too, and he'd just lie back and grin. We used to do that a lot after we were married; it was something between us. I told the nurses at the hospital to work on his fingernails when they wanted to keep him happy, and they did, the staff nurses too, "He died laughing, you know," I said to Sam.

"He did?"

"It's true. At least, that's what they told me." I'd said it on purpose that way, and Sammy popped with surprise. "He died laughing at you."

"What for?"

"Your letter," I said, and I laughed a little. "I'm glad you sent us that long letter about your trip."

"You asked me to."

I'm glad I did. I read it to him in parts when it came to the house and we both laughed about it a lot. Then he'd read it again himself. He took it along into the hospital when he knew he was going in for the last time, and he would read it aloud to the nurses. At night he might have the night nurse read it aloud back to him. The nurses adored him up there, I swear they did, not like those cranky, snobby ones here in New York. He was always asking them about themselves and telling them how good they looked, the married ones with children and the old ones too. He knew how to jolly them along and to say the right things when they had problems. "Mary, tell your husband he'd better watch out, because as soon as I get just a little bit better, you're going to have to start meeting me after work and on your days off too, and he'd better start learning to make dinner for himself. And breakfast too, because some mornings when he wakes up you won't be there."

"Agnes, here's what we'll do. Tomorrow, I'll check out. You'll pick me up in your Honda at five, we'll go out for drinks and dinner at the Motel on the Mountain. Bring enough along with you in case you want to stay out all night."

"Agnes, don't laugh," I'd say too, because I'd be sitting right there. "He means it. I've seen him work before, and he always gets his way. That's how come I'm with him." It was really a nice, full trip Sam laid out for us in his letter.

" New Zealand, Australia, Singapore amp;" I praised him. "And with Hawaii, Fiji, Bali, and Tahiti thrown in? Did you really mean all that?"

"Most of it. Not Fiji, Bali, or Tahiti. That was put in for you two." i "Well, it worked. He got a big kick out of imagining you in those places. 'Poor Sammy,' is what he said to the night nurse, while she was reading it back to him again on that last night. He died at night, you know, and they phoned me in the morning, and those were just about his last words, Sam. 'Just when he needs me most, I have to be laid up in the hospital. Here the poor guy is going off without us on a trip around the world, and he still hasn't learned how to pick up a girl.' "

BOOK ELEVEN

32 Wedding

The four thousand pounds of best-grade caviar were divided by automated machines into portions of one eighth of an ounce for the five hundred and twelve thousand canapes that, with flutes of imported champagne, were on hand for distribution by the twelve hundred waiters to the thirty-five hundred very close friends of Regina and Milo Minderbinder and Olivia and Christopher Maxon, as well as to a handful of acquaintances of the bride and the groom. The excess was premeditated for the attention of the media. Some of the surplus was reserved for the staff. The remainder was transported that same night by refrigerated trucks to the outlying shelters in the suburbs and New Jersey into which the homeless and other denizens of the bus terminal had been rounded up and concentrated temporarily for that day and night. The bedraggled beggars and prostitutes and drug dealers thus dislodged were replaced by trained performers representing them whose impersonations were judged more authentic and tolerable than the originals they were supplanting.

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