Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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But it was only Michael, his youngest son, the underachiever among four adult children in what used to be a family. In addition to Michael there were his daughter, Gillian, a judge in a very low court; Julian, his eldest, another overachiever; and Adrian, who was average and content and was disregarded by the others because he was only average. Michael, unmarried, unsettled, unemployed, and unobjectionable, had stopped by to see what he was doing in the hospital still again and to confess that he was thinking of dropping out of law school because he found the work there no more stimulating than the medical school, business school, art school, graduate school of architecture, and several other graduate schools of assorted character he had been dropping out of after brief trials for as long now, it seemed, as anyone wanted to remember.

"Oh, shit," mourned Yossarian. "I keep pulling strings to get you in, and you keep dropping out."

"I can't help it," Michael said with discouragement. "The more I find out about the practice of law, the more I'm surprised that it isn't illegal."

"That's one of the reasons I gave that up too. How old are you now?"

"I'm not far from forty."

"You still have time."

"I'm not sure if you're joking or not."

"Neither am I," Yossarian told him. "But if you can delay the decision of what you want to do with your life until you're old enough to retire, you will never have to make it."

"I still can't tell if you're joking."

"I'm still not always sure either," Yossarian answered. "Sometimes I mean what I say and don't mean it at the same time. Tell me, my apple of my eye, do you think in my checkered history I ever really wanted to do any of the work I found myself doing?"

"Not even the film scripts?"

"Not really and not for long. That was make-believe and didn't last, and I wasn't that crazy about the finished products there either. Do you think I wanted to go into advertising, or Wall Street, or ever get busy with things like land development or puts and calls? Whoever starts out with a dream to succeed in public relations?"

"Did you really once work for Noodles Cook?"

"Noodles Cook worked for me. Soon after college. Do you think we really wanted to write political speeches, Noodles Cook and I? We wanted to write plays and be published in The New Yorker. Whoever has much choice? We take the best we can get, Michael, not what enraptures us. Even the Prince of Wales."

"That's a hell of a way to live, Dad, isn't it?"

"It's the way we have to."

Michael was silent a minute. "I got scared when I saw that No Visitors sign on your door," he confessed in a mild tone of injury. "Who the hell put it up? I began to think you might really be sick."

"It's my idea of a joke," mumbled Yossarian, who had added to the sign with a brush-point pen the notice that violators would be shot. "It helps keep people out. They just keep popping in all day long without even telephoning. They don't seem to realize that lying around in a hospital all day can be pretty demanding work."

"You never answer your telephone anyway. I bet you're the only patient here with an answering machine. How much longer are you going to stay?"

"Is the mayor still the mayor? The cardinal still the cardinal? Is that prick still in office?"

"What prick?"

"Whatever prick is in office. I want all pricks out."

"You can't stay here that long!" cried Michael. "What the hell are you doing here anyway? You had your annual workup only a couple of months ago. Everyone thinks you're crazy."

"I object. Who does?"

"I do."

"You're crazy."

"We all do."

"I object again. You're all crazy."

"Julian says you could have taken over the whole company a long time ago if you had any ambition and brains."

"He's crazy too. Michael, this time I was scared. I had a vision."

"Of what?"

"It wasn't of taking over M amp; M. I had an aura, or thought I did, and was afraid I was having a seizure or a tumor, and I wasn't sure if I was imagining it or not. When I'm bored I get anxious. I get things like conjunctivitis and athlete's foot. I don't sleep well. You won't believe this, Michael, but when I'm not in love I'm bored, and I'm not in love."

"I can tell," said Michael. "You're not on a diet."

"Is that how you know?"

"It's one of the ways."

"I thought of epilepsy, you know, and of a TIA, a transient ischemic attack, which you don't know about. Then I was afraid of a stroke-everyone should always be afraid of a stroke. Am I talking too much? I had this feeling I was seeing everything twice."

"You mean double?"

"Not that, not yet. The feeling of suspecting that I had gone through everything before. There was hardly anything new for me in the daily news. Every day there seemed to be another political campaign going on or about to start, another election, and when it wasn't that, it was another tennis tournament, or those fucking Olympic Games again. I thought it might be a good idea to come in here and check. Anyway, my brain is sound, my mind is clear. So is my conscience."

"That's all very good."

"Don't be too sure. Great crimes are committed by people whose conscience is clear. And don't forget, my father died of a stroke."

"At ninety-two?"

"Do you think that made him want to jump with joy? Michael, what will you do with yourself? Disturbing my peace of mind is my not knowing where the hell you're going to fit in."

"Now you are talking too much."

"You're the only one in the family I really can talk to, and you won't listen. The others all know this, even your mother, who always wants more alimony. Money does matter, more than almost everything else. Want a sound idea? Get a job now with a company with a good pension plan and a good medical plan, any company and any job, no matter how much you hate it, and stay there until you're too old to continue. That's the only way to live, by preparing to die."

"Oh, shit, Dad, you really believe that?"

"No, I don't, although I think it might be true. But people can't survive on Social Security, and you won't even have that. Even poor Melissa will be better off."

"Who's poor Melissa?"

"That sweetheart of a nurse out there, the one that's attractive and kind of young."

"She's not so attractive and she's older than I am."

"She is?"

"Can't you tell?"

Toward the end of Yossarian's second week in the hospital they hatched the plot that drove him out.

They drove him out with the man from Belgium in the room adjacent to his. The man from Belgium was a financial wise man with the European Economic Community. He was a very sick financial wise man from Belgium and spoke little English, which did not matter much because he had just had part of his rhroat removed and could not speak at all, and understood hardly any English either, which mattered greatly to the nurses and several doctors, who were unable to address him in ways that had meaning. All day and much of the night he had at his bedside his waxen and diminutive Belgian wife in unpressed fashionable clothes, who smoked cigarettes continually and understood no English either and jabbered away at the nurses ceaselessly and hysterically, flying into alarms of shrieking terror each time he groaned or choked or slept or awoke. He had come to this country to be made well, and the doctors had taken out a hunk of his larynx because he certainly would have died had they left it all in. Now it was not so certain he would live. Christ, thought Yossarian, how can he stand it?

Christ, thought Yossarian, how can I?

The man had no way to make his feelings known but to nod or shake his head in reply to insistent questions fired at him by his wife, who had no serviceable way to relay his responses. He was in more dangers and discomforts than Yossarian could tick off on the fingers of both hands. Yossarian ran out of fingers the first time he counted and did not try again. He had grown no new fingers. There was normally such strident commotion in his vicinity that Yossarian could hardly find the time to think about himself. Yossarian worried about the man from Belgium more than he wanted to. He was moving into stress and knew stress was not healthy. People caught cancer under stress. Worrying about his stress put Yossarian under more stress, and he began to feel sorry for himself too.

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