J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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"I ought to get my hair done." Charlotte took his arm happily, almost embracing Laing. "What exactly are we celebrating?"

The question surprised Laing. He held Charlotte's shoulder, as if protecting her. "God only knows-nothing to do with fun and games."

One of the invitations had come from Richard Wilder. Instantly, both he and Charlotte declined.

"Why did we refuse?" Charlotte asked, her hand still on the receiver. "He was expecting us to say no."

"The Wilders live on the and floor," Laing explained. "Things are rather rowdy down there…"

"Robert, that's a rationalization."

Behind Charlotte, as she spoke, her television set was showing the newsreel of an attempted prison break-out. The sound had been turned down, and the silent images of crouching warders and police, and the tiers of barricaded cells, nickered between her legs. Everyone in the high-rise, Laing reflected, watched television with the sound down. The same images glowed through his neighbours' doorways when he returned to his apartment. For the first time,people were leaving their front doors ajar and moving casually in and out of each other's apartments.

However, these intimacies did not extend beyond each resident's immediate floor. Elsewhere the polarization of the building proceeded apace. Finding that he had run out of liquor, Laing took the elevator down to the loth-floor concourse. As he expected, there was a heavy run on alcohol, and long lines of impatient residents stood outside the liquor store. Seeing his sister Alice near the counter, Laing tried to enlist her help. Without hesitating, she turned him down, and promptly launched into a vigorous denunciation of the tomfoolery that afternoon. In some way she clearly associated Laing with the lower-floor tenants responsible, identifying him with Richard Wilder and his rowdies.

As Laing waited to be served, what resembled a punitive expedition from the upper floors caused a fracas in the swimming-pool. A party of residents from the top three floors arrived in a belligerent mood. Among them was the actress whose Afghan hound had drowned in the pool. She and her companions began by fooling about in the water, drinking champagne on a rubber raft against the swimming-pool rules and splashing people leaving the changing cubicles. After a futile attempt to intercede, the elderly attendant gave up and retreated to his booth behind the diving-boards.

The elevators were full of aggressive pushing and heaving. The signal buttons behaved erratically, and the elevator shafts drummed as people pounded impatiently on the doors. On their way to a party on the 27th floor Laing and Charlotte were jostled when their elevator was carried down to the 3rd floor by a trio of drunken pilots. Bottles in hand, they had been trying for half an hour to reach the 10th floor. Seizing Charlotte good-humouredly around the waist, one of the pilots almost dragged her off to the small projection theatre beside the school which had previously been used for showing children's films. The theatre was now screening a private programme of blue movies, including one apparently made on the premises with locally recruited performers.

At the party on the 27th floor, given by Adrian Talbot, an effeminate but likeable psychiatrist at the medical school, Laing began to relax for the first time that day. He noticed immediately that all the guests were drawn from the apartments nearby. Their faces and voices were reassuringly familiar. In a sense, as he remarked to Talbot, they constituted the members of a village.

"Perhaps a clan would be more exact," Talbot commented. "The population of this apartment block is nowhere near so homogeneous as it looks at first sight. We'll soon be refusing to speak to anyone outside our own enclave." He added, "My car had its windscreen smashed this afternoon by a falling bottle. Could I move it back to where you people are?" As a qualified physician, Talbot was entitled to park in the ranks closest to the building. Laing, perhaps anticipating the dangers of proximity, had never made use of this concession. The psychiatrist's request was instantly granted by his fellow residents, an appeal to solidarity that no member of his clan could deny.

The party was one of the most successful Laing had attended. Unlike the majority of parties in the high-rise, at which well-bred guests stood about exchanging professional small-talk before excusing themselves, this one had real buoyancy, an atmosphere of true excitement. Within half an hour almost all the women were drunk, a yardstick Laing had long used to measure the success of a party.

When he complimented Talbot the psychiatrist was non-committal. "There's a quickening pulse in the air, all right, but has it anything to do with good humour or fellow-feeling? Rather the opposite, I'd guess."

"You're not concerned?"

"For some reason, less than I should be-but that's true of us all."

These agreeably expressed remarks cautioned Laing. Listening to the animated conversations around him, he was struck by the full extent of the antagonisms being expressed, the hostility directed at people who lived in other sections of the high-rise. The malicious humour, the eagerness to believe any piece of gossip and any tall story about the shiftlessness of the lower-floor tenants, or the arrogance of the upper-floor, had all the intensity of racial prejudice.

But as Talbot had pointed out, Laing found himself unworried by all this. He even took a certain crude pleasure in joining in the gossip, and in watching the usually circumspect Charlotte Melville put down several more than two drinks too many. At least it was a means by which they could reach each other.

However, as the party broke up a small but unpleasant episode took place outside the elevator doors in the 27th-floor lobby. Although it was after ten o'clock, the entire building was alive with noise. Residents were barging in and out of each other's apartments, shouting down the staircases like children refusing to go to bed. Confused by the endless button-punching, the elevators had come to a halt, and gangs of impatient passengers packed the lobbies. Although their next destination, a party given by a lexicographer on the 26th floor, was only one storey below them, everyone leaving Talbot's party was determined not to use the stairs. Even Charlotte, face flushed and tottering happily on Laing's arm, joined in the wild surge across the elevator lobby and drummed on the doors with her strong fists.

When at last an elevator arrived, the doors opened to reveal a solitary passenger, a thin-shouldered and neurasthenic young masseuse who lived with her mother on the 5th floor. Laing immediately recognized her as one of the "vagrants", of whom there were many in the high-rise, bored apartment-bound housewives and stay-at-home adult daughters who spent a large part of their time riding the elevators and wandering the long corridors of the vast building, migrating endlessly in search of change or excitement.

Alarmed by the drunken crowd reeling towards her, the young woman snapped out of her reverie and pressed a button at random. A derisory hoot went up from the swaying guests. Within seconds she was pulled from the elevator and put through a mock-playful grilling. A statistician's over-excited wife shouted at the hapless girl in a shrill voice, pushed a strong arm through the front rank of interrogators and slapped her face.

Pulling himself away from Charlotte, Laing stepped forward. The crowd's mood was unpleasant but difficult to take seriously. His neighbours were like a group of unrehearsed extras playing a lynch scene.

"Come on-I'll see you to the stairs." Holding the young woman by her thin shoulders, he tried to steer her towards the door, but there was a chorus of sceptical shouts. The women among the guests pushed aside their husbands and began to punch the girl on the arms and chest.

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