J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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Almost within arm's reach, the immaculate figure of a well-to-do art dealer was squaring up to Laing, the lapels of his dinner-jacket flexing like an over-worked bellows. On either side of him were the middle-aged wives of a stock-exchange jobber and a society photographer, staring distastefully at Laing's white sports-clothes and sneakers.

Laing picked up his rackets case and towel bag, but his way to the staircase was blocked by the people around him. The entire cocktail party had moved along the roof, and the waiter now stood alone between the bar and the buffet tables.

Laing leaned against the parapet, for the first time conscious of the immense distance to the ground below. He was encircled by a heavily breathing group of his fellow residents, so close that he could smell the medley of expensive scents and after-shaves. He was curious as to what exactly they were going to do, but at the same time was aware that at any moment a meaningless act of violence might occur.

"Dr Laing… Ladies, would you release the doctor?" At what seemed the last moment, a familiar figure with adroit hands and a soft walk called out reassuringly. Laing recognized the jeweller whose hysterical wife he had briefly examined during the power failure. As he greeted Laing the guests casually dispersed, like a group of extras switched to another scene. Without thinking, they strolled back to their drinks and canapés.

"Was it fortunate that I arrived?" The jeweller peered at Laing, as if puzzled by his presence in this private domain. "You're here to play squash with Anthony Royal? I'm afraid he's decided to decline." He added, as much to himself as to Laing, "My wife should have been here. She was treated appallingly, you know-they were like animals…"

Slightly shaken, Laing accompanied him to the stairway. He looked back at the cocktail party, with its well-bred guests, uncertain whether he had imagined the imminent attack on him. After all, what could they have actually done-hardly tossed him over the edge?

As he pondered this, he noticed a familiar pale-haired figure in a white safari-jacket standing with one hand on the callisthenics machine in the penthouse overlooking the northern end of the roof. Resting at his feet was Royal's alsatian with its arctic coat, without doubt the premier dog in the high-rise. Making no attempt to hide himself, Anthony Royal was watching Laing with a thoughtful gaze. As always, his expression was an uneasy mixture of arrogance and defensiveness, as if he were all too aware of the built-in flaws of this huge building he had helped to design, but was determined to outstare any criticism, even at the price of theatrical gestures such as the alsatian and his white-hunter's jacket. Although he was over fifty, his shoulder-length fair hair made him look uncannily youthful, as if the cooler air at these great heights had somehow preserved him from the ordinary processes of ageing. His bony forehead, still marked by the scars of his accident, was tilted to one side, and he seemed to be checking that an experiment he had set up had now been concluded.

Laing raised one hand and signalled to him as the jeweller ushered him briskly below, but Royal made no reply. Why had he not cancelled their squash game by telephone? For a moment Laing was certain that Royal had deliberately let him come up to the roof, knowing that the party was in progress, simply out of interest in the guests' reactions and behaviour.

The next morning Laing rose early, eager to get on. He felt fresh and clear-headed, but without realizing why he decided to take the day off. Promptly at nine, after pacing about for two hours, he telephoned his secretary at the medical school and postponed that afternoon's supervision. When she expressed regret at Laing's illness he brushed this aside. "It's all right, I'm not ill. Something important has come up."

What? Puzzled by his own behaviour, Laing wandered around the small apartment. Charlotte Melville was also at home. She was dressed for the office in a formal business suit, but made no attempt to leave. She invited Laing over for coffee, but when he arrived an hour later she absent-mindedly handed him a glass of sherry. His visit, Laing soon discovered, was a pretext for him to examine her son. The boy was playing in his room, but according to Charlotte was not feeling well enough to go to the junior school on the 10th floor. Annoyingly, the young sister of an airline pilot's wife on the 1st floor had declined to baby-sit.

"It's a nuisance, she's usually only too keen. I've relied on her for months. She sounded rather vague on the phone, as if she was being evasive…"

Laing listened sympathetically, wondering whether he should volunteer to look after the child. But there was no hint of this in Charlotte's voice. Playing with the boy, Laing realized that there was nothing wrong with him. Lively as ever, he asked his mother if he could go to his 3rd-floor playgroup that afternoon. Without thinking, she refused. Laing watched her with growing interest. Like himself, Charlotte was waiting for something to happen.

They did not have long to wait. In the early afternoon the first of a fresh series of provocations took place between the rival floors, setting in motion again the dormant machinery of disruption and hostility. The incidents were trivial enough, but Laing knew already that they reflected deep-rooted antagonisms that were breaking through the surface of life within the high-rise at more and more points. Many of the factors involved had long been obvious-complaints about noise and the abuse of the building's facilities, rivalries over the better-sited apartments (those away from elevator lobbies and the service shafts, with their eternal rumbling). There was even a certain petty envy of the more attractive women who were supposed to inhabit the upper floors, a widely held belief that Laing had enjoyed testing. During the electricity blackout the eighteen-year-old wife of a fashion photographer on the 38th floor had been assaulted in the hairdressing salon by an unknown woman. Presumably in retaliation, three air-hostesses from the 2nd floor were aggressively jostled by ta party of marauding top-floor matrons led by the strong-shouldered wife of the jeweller.

Watching from Charlotte's balcony, Laing waited as the first of these incidents took place. Standing there with a pretty woman, a drink in one hand, he felt pleasantly light-headed. Below them, on the 9th floor, a children's party was in full swing. The parents made no attempt to restrain their offspring, in effect urging them to make as much noise as possible. Within half an hour, fuelled by a constant flow of alcohol, the parents took over from their children. Charlotte laughed openly as soft drinks were poured on to the cars below, drenching the windscreens and roofs of the expensive limousines and sports saloons in the front ranks.

These lively proceedings were watched by hundreds of residents who had come out on to their balconies. Playing up to their audience, the parents egged on their children. The party was soon out of control. Drunken children tottered about helplessly. High above them, on the 37th floor, a woman barrister began to shout angrily, outraged by the damage to her open-topped sports-car, whose black leather seats were covered with melting ice-cream.

A pleasant carnival atmosphere reigned. At least it made a change, Laing felt, from the formal behaviour of the high-rise. Despite themselves, he and Charlotte joined in the laughter and applause as if they were spectators at an impromptu amateur circus.

A remarkable number of parties were being held that evening. Usually, few parties took place other than at weekends, but on this Wednesday evening everyone was involved in one revel or another. Telephones rang continuously, and Charlotte and Laing were invited to no less than six separate parties.

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