J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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Laing remembered a minor but unpleasant incident that had taken place the previous afternoon on the loth-floor shopping concourse. As he waited to cash a cheque at the bank an altercation was going on outside the doors of the swimming-pool. A group of children, still wet from the water, were backing away from the imposing figure of a cost-accountant from the 17th floor. Facing him in this unequal contest was Helen Wilder. Her husband's pugnacity had long since drained any self-confidence from her. Nervously trying to control the children, she listened stoically to the accountant's reprimand, now and then making some weak retort.

Leaving the bank counter, Laing walked towards them, past the crowded check-out points of the supermarket and the lines of women under the driers in the hair-dressing salon. As he stood beside Mrs Wilder, waiting until she recognized him, he gathered that the accountant was complaining that her children, not for the first time, had been urinating in the pool.

Laing briefly interceded, but the accountant slammed away through the swing doors, confident that he had sufficiently intimidated Mrs Wilder to drive her brood of children away for ever.

"Thanks for taking my side-Richard was supposed to be here." She picked a damp thread of hair out of her eyes. "It's becoming impossible-we arrange set hours for the children but the adults come anyway." She took Laing's arm and squinted nervously across the crowded concourse. "Do you mind walking me back to the elevator? It must sound rather paranoid, but I'm becoming obsessed with the idea that one day we'll be physically attacked…" She shuddered under her damp towel as she propelled the children forward. "It's almost as if these aren't the people who really live here."

During the afternoon Laing found himself thinking of this last remark of Helen Wilder's. Absurd though it sounded, the statement had a certain truth. Now and then his neighbours, the orthodontic surgeon and his wife, stepped on to their balcony and frowned at Laing, as if disapproving of the relaxed way in which he lay back in his reclining chair. Laing tried to visualize their life together, their hobbies, conversation, sexual acts. It was difficult to imagine any kind of domestic reality, as if the Steeles were a pair of secret agents unconvincingly trying to establish a marital role. By contrast, Wilder was real enough, but hardly belonged to the high-rise.

Laing lay back on his balcony, watching the dusk fall across the facades of the adjacent blocks. Their size appeared to vary according to the play of light over their surfaces. Sometimes, when he returned home in the evening from the medical school, he was convinced that the high-rise had managed to extend itself during the day. Lifted on its concrete legs, the forty-storey block appeared to be even higher, as if a group of off-duty construction workers from the television studios had casually added another floor. The five apartment buildings on the eastern perimeter of the mile-square project together formed a massive palisade that by dusk had already plunged the suburban streets behind them into darkness.

The high-rises seemed almost to challenge the sun itself-Anthony Royal and the architects who had designed the complex could not have foreseen the drama of confrontation each morning between these concrete slabs and the rising sun. It was only fitting that the sun first appeared between the legs of the apartment blocks, raising itself over the horizon as if nervous of waking this line of giants. During the morning, from his office on the top floor of the medical school, Laing would watch their shadows swing across the parking-lots and empty plazas of the project, sluice-gates opening to admit the day. For all his reservations, Laing was the first to concede that these huge buildings had won their attempt to colonize the sky.

Soon after nine o'clock that evening, an electrical failure temporarily blacked out the 9th, 10th and 11th floors. Looking back on this episode, Laing was surprised by the degree of confusion during the fifteen minutes of the blackout. Some two hundred people were present on the 10th floor concourse, and many were injured in the stampede for the elevators and staircases. A number of absurd but unpleasant altercations broke out in the darkness between those who wanted to descend to their apartments on the lower levels and the residents from the upper floors who insisted on escaping upwards into the cooler heights of the building. During the blackout two of the twenty elevators were put out of action. The air-conditioning had been switched off, and a woman passenger trapped in an elevator between the 10th and nth floors became hysterical, possibly the victim of a minor sexual assault-the restoration of light in due course revealed its crop of illicit liaisons flourishing in the benevolent conditions of total darkness like a voracious plant species.

Laing was on his way to the gymnasium when the power failed. Uneager to join the mêlée on the concourse, he waited in a deserted classroom of the junior school. Sitting alone at one of the children's miniature desks, surrounded by the dim outlines of their good-humoured drawings pinned to the walls, he listened to their parents scuffling and shouting in the elevator lobby. When the lights returned he walked out among the startled residents, and did his best to calm everyone down. He supervised the transfer of the hysterical woman passenger from the elevator to a lobby sofa. The heavy-boned wife of a jeweller on the 40th floor, she clung powerfully to Laing's arm, only releasing him when her husband appeared.

As the crowd of residents dispersed, their fingers punching the elevator destination buttons, Laing noticed that two children had sheltered during the blackout in another of the classrooms. They were standing now in the entrance to the swimming-pool, backing away defensively from the tall figure of the 17th-floor cost-accountant. This self-appointed guardian of the water held a long-handled pool skimmer like a bizarre weapon.

Angrily, Laing ran forward. But the children were not being driven from the pool. They stepped aside when Laing approached. The accountant stood by the water's edge, awkwardly reaching the skimmer across the calm surface. At the deep end three swimmers, who had been treading water during the entire blackout, were clambering over the side. One of them, he noticed without thinking, was Richard Wilder. Laing took the handle of the skimmer. As the children watched, he helped the accountant extend it across the water.

Floating in the centre of the pool was the drowned body of an Afghan hound.

2. Party Time

During these days after the drowning of the dog, the air of over-excitement within the high-rise gradually settled itself, but to Dr Laing this comparative calm was all the more ominous. The swimming-pool on the 10th floor remained deserted, partly, Laing assumed, because everyone felt that the water was contaminated by the dead Afghan. An almost palpable miasma hung over the slack water, as if the spirit of the drowned beast was gathering to itself all the forces of revenge and retribution present within the building.

On his way to the medical school a few mornings after the incident, Laing looked in at the 10th-floor concourse. After booking a squash court for his weekly game that evening with Anthony Royal, he walked towards the entrance of the swimming-pool. He remembered the panic and stampede during the blackout. By contrast, the shopping mall was now almost empty, a single customer ordering his wines at the liquor store. Laing pushed back the swing doors and strolled around the pool. The changing cubicles were closed, the curtains drawn across the shower stalls. The official attendant, a retired physical-training instructor, was absent from his booth behind the diving-boards. Evidently the profanation of his water had been too much for him.

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