J.G. Ballard - Cocaine Nights

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Cocaine Nights: краткое содержание, описание и аннотация

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There’s something wrong with Estrella Del Mar, the lazy, sun-drenched retirement haven on Spain’s Costa Del Sol. Lately this sleepy hamlet, home to hordes of well-heeled, well-fattened British and French expatriates, has come alive with activity and culture; the previously passive, isolated residents have begun staging boat races, tennis competitions, revivals of Harold Pinter plays, and lavish parties. At night the once vacant streets are now teeming with activity, bars and cafes packed with revelers, the sidewalks crowded with people en route from one event to the next.
Outward appearances suggest the wholesale adoption of a new ethos of high-spirited, well-controlled collective exuberance. But there’s the matter of the fire: The house and household of an aged, wealthy industrialist has gone up in flames, claiming five lives, while virtually the entire town stood and watched. There’s the matter of the petty crime, the burglaries, muggings, and auto thefts which have begun to nibble away at the edges of Estrella Del Mar’s security despite the guardhouses and surveillance cameras. There’s the matter of the new, flourishing trade in drugs and pornography. And there’s the matter of Frank Prentice, who sits in Marbella jail awaiting trial for arson and five counts of murder, and who, despite being clearly innocent, has happily confessed.
It is up to Charles Prentice, Frank’s brother, to peel away the onionlike layers of denial and deceit which hide the rather ugly truth about this seaside idyll, its residents, and the horrific crime which brought him here. But as is usually the case in a J.G. Ballard book, the truth comes with a price tag attached, and likely without any easing of discomfort for his principal characters.
Cocaine Nights marks a partial return on Ballard’s part to the provocative, highly-successful mid-career methodology employed in novels such as Crash and High Rise: after establishing himself as a science fiction guru in the 1960s, Ballard stylistically shifted gears towards an unnerving, futuristic variant on social realism in the 1970s. Both Crash and High Rise were what-if novels, posing questions as to what the likely results would be if our collective fascination with such things as speed, violence, status, power, and sex were carried just a little bit further: How insane, how brutal could our world become if we really cut loose?
Cocaine Nights asks a question better suited to the ’90s, the age of gated communities and infrared home security systems: Does absolute security guarantee isolation and cultural death? Conversely, is a measure of crime an essential ingredient in a vibrant, living, properly functioning social system? Is it true, as a character asserts, that “Crime and creativity go together, always have done,” and that “total security is a disease of deprivation”? Suffice to say that the answers presented in Nights will be anathema to moral absolutists; the world of Ballard’s fiction, like life in the hyperkinetic, relativistic 1990s, abounds with uncomfortable grey areas.
On the surface, Cocaine Nights is a whodunit and a race against time, but as it proceeds – and as preconceived conceptions of good and evil begin to dissolve – it evolves into a thoughtful, faintly frightening look at under-examined aspects of 1990s western society. As is his wont, Ballard confronts his readers with some faintly outlandish hypotheses unlikely to be embraced by many, but which nonetheless serve to provoke both thought and a bit of paranoia; it’s a method that Ballard has developed and refined on his own, and as usual, it propels his novel along marvellously.
Cocaine Nights doesn’t have either the broad sweep or brute impact of the landmark Crash, but it retains enough social relevance and low-key creepiness to more than satisfy Ballardphiles. As is often the case in Ballard’s alternate reality, it’s a given that his most appealing, human characters turn out to be the most twisted, and that even the most normal of events turn out to be governed by a perverse, malformed logic; that this logic turns out to be grounded in sound sociological and psychological principles is its most horrific feature.
David B. Livingstone

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I needed to become part of Estrella de Mar, sit in its bars and restaurants, join its clubs and societies, and feel the shadow of the gutted mansion fall across my shoulders in the evening. I needed to live in Frank's apartment, sleep in his bed and shower in his bathroom, insinuate myself into his dreams as they hovered on the night air above his pillow, faithfully waiting for him to return.

An hour later I had packed my suitcases and settled my account. As I drove from the Los Monteros Hotel for the last time I decided that I would stay on in Spain for at least another month, cancel my future assignments and transfer enough funds from my London bank to keep me going. Already I felt a curious complicity in the crime I was trying to solve, as if not only Frank's claims to guilt were being questioned but my own. Twenty minutes later, when I turned off the Malaga highway and took the slip-road to Estrella de Mar I sensed that I was going back to my true home.

Across the Avenida Santa Monica, a hundred yards from the gates of the Club Nautico, was a small late-night bar that drew its clientele from off-duty chauffeurs and the engine-fitters and deckhands who worked at the marina boatyard. Above it was a billboard advertising Toro cigarettes, a coarse, high-nicotine brand. I drew up at the kerb and gazed at the proud black bull lowering his horns at any would-be smoker.

For years I had tried to start smoking again, but without any success. In my twenties a cigarette had always calmed the nerves or filled a conversational pause, but I had given up smoking after a bout of pneumonia, and the social taboos were now so strong that I could never even bring myself to place an unlit cigarette in my mouth. Yet in Estrella de Mar the constraints of the new puritanism seemed less intense. I left the engine running and opened the door, deciding to buy a packet of Toros and test the powers of my will against a narrow-minded social convention.

Two young women in familiar micro-skirts and satin bustiers emerged from an alley beside the bar. Their high heels tapped the pavement, and they moved towards me with an easy swagger, assuming that I was waiting for them to accost me. I sat at the steering wheel, admiring their tough but relaxed charm. The prostitutes of Estrella de Mar had a confidence all their own, and were unconcerned by the possible presence of the vice police, so unlike the streetwalkers elsewhere in the world, with their illiterate, edgy minds, their pocked skins and weak ankles.

Tempted by these two young women, who might conceivably know something about the Hollinger fire, I waited for them to reach me. But as they stepped into the light I recognized their faces, and realized that their naked bodies would offer nothing in the way of surprise. I had already watched them from the balcony of Frank's apartment, lying on the chairs beside the pool as they gossiped over their fashion magazines and waited for their husbands, partners in a travel agency in the Paseo Miramar.

I closed my door and rolled along the kerb towards the women, who thrust out their thighs and breasts like department store demonstrators offering a free tasting of a new delicacy. When I drove past them they waved to my rear lights and retreated to a dark doorway beside the bar.

I sat in the car park at the Club Nautico, and listened to the unending beat of music from the disco. Were the two women game-playing, trying to excite their husbands, like latter-day versions of Marie Antoinette and her ladies in waiting, though posing as prostitutes rather than milkmaids? Or were they the real thing? It struck me that the residents of Estrella de Mar might not be as prosperous as they seemed.

On the hill-slopes below the club a security alarm sounded, drilling like a metal cicada at the night. The answering siren of the volunteer security patrol wailed among the palms, a banshee floating above the darkened villas. The sleep of Estrella de Mar was quickened by anonymous crimes. I thought of the favelas in Rio, the violent shanty communities on the heights above the city. They reminded the sleeping rich in their luxury apartments of an even more elemental world than money. Yet I had slept my deepest sleep of all in Rio.

The disco doors opened and strobe music poured into the night. Two men, at first sight off-duty Spanish waiters, backed away from the glare when a young couple ran to their car. The men hovered by an ornamental flower-bed, as if ready to relieve themselves on the cannas, hands deep in the pockets of their reefer jackets, feet moving in the restless quick-step of dealers waiting for their clients.

The pool terrace was deserted, the choppy water settling itself for the night. I carried my suitcases to the doors of the elevator, which was stationary on the third floor. The corridor led to Frank's apartment, two locked administration offices and the club's library. No one, not even in Estrella de Mar, borrowed a book after midnight. I waited for the elevator, stepped out on to the third-floor landing and gazed through the glass doors at the shelves of forgotten best-sellers and the racked copies of the Wall Street Journal and the Financial Times.

Outside Frank's apartment the deep pile of the carpet, raked by a maid's vacuum-cleaner that morning, was bruised by heel marks. As I opened the door a light seemed to dim somewhere beyond the bedroom, the faint afterglow of a dying bulb. The beam of the Marbella lighthouse swept the peninsula, flaring over the rooftops of Estrella de Mar. Carrying my cases, I quietly closed the door behind me and set the security catch. Cloaks of moonlight lay over the furniture like dust-sheets. A faint scent hung on the air, an effeminate aftershave of the kind favoured by David Hennessy.

I walked into the dining room, listening to my footsteps as they dogged me across the parquet flooring. The whisky decanters stood on the blackwood sideboard, a favourite of my mother's that Frank had shipped to Spain. In the darkness I felt the crystal necks of the decanters. One stopper was loose, the glass bung still damp. I tasted the sweet Orkney malt, trying to tune my ears to the silent apartment.

The maid had tidied the bedroom, turning down the bed as if in preparation for Frank's arrival. Carried away by her thoughts of Frank, she had rested on his bed, pressing her head into the pillow as she allowed her memories to play across the ceiling.

I lowered my cases to the floor and smoothed the pillow before stepping into the bathroom. I searched the wall for the light-switch and by mistake opened the medicine cabinet. In the mirror I saw someone emerge from the balcony and enter the bedroom behind me, pausing on the way to the sitting room.

'Hennessy…?' Tired of this charade, I left the bathroom and moved through the shadows towards the bed. 'Switch on a light, old chap. We'll be able to see ourselves playing the fool.'

The intruder collided with a suitcase, stumbled and fell across the bed. A skirt flared and a woman's thighs flashed in the moonlight. A coil of thick black hair scattered itself over the pillow, and a scent of sweat and panic filled the room. I bent down and held the woman's shoulders, trying to lift her on to her feet, but a hard fist punched me below the breastbone. Winded, I slumped on to the bed as she thrust herself away from me. I reached out and seized her hips, pulled her on to the pillows and pinned her hands to the headboard, but she wrenched herself from me and knocked the bedside lamp to the floor.

'Leave me alone!' She struck my hands away, and I saw a strong chin and fierce teeth in the sweeping beam of the lighthouse. 'I told you – I won't play that game any more!'

I released her and sat on the bed, rubbing the bruised pit of my stomach. Setting the lamp on the bedside table, I straightened the shade and switched on the bulb.

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