J.G. Ballard - Cocaine Nights

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Cocaine Nights: краткое содержание, описание и аннотация

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There’s something wrong with Estrella Del Mar, the lazy, sun-drenched retirement haven on Spain’s Costa Del Sol. Lately this sleepy hamlet, home to hordes of well-heeled, well-fattened British and French expatriates, has come alive with activity and culture; the previously passive, isolated residents have begun staging boat races, tennis competitions, revivals of Harold Pinter plays, and lavish parties. At night the once vacant streets are now teeming with activity, bars and cafes packed with revelers, the sidewalks crowded with people en route from one event to the next.
Outward appearances suggest the wholesale adoption of a new ethos of high-spirited, well-controlled collective exuberance. But there’s the matter of the fire: The house and household of an aged, wealthy industrialist has gone up in flames, claiming five lives, while virtually the entire town stood and watched. There’s the matter of the petty crime, the burglaries, muggings, and auto thefts which have begun to nibble away at the edges of Estrella Del Mar’s security despite the guardhouses and surveillance cameras. There’s the matter of the new, flourishing trade in drugs and pornography. And there’s the matter of Frank Prentice, who sits in Marbella jail awaiting trial for arson and five counts of murder, and who, despite being clearly innocent, has happily confessed.
It is up to Charles Prentice, Frank’s brother, to peel away the onionlike layers of denial and deceit which hide the rather ugly truth about this seaside idyll, its residents, and the horrific crime which brought him here. But as is usually the case in a J.G. Ballard book, the truth comes with a price tag attached, and likely without any easing of discomfort for his principal characters.
Cocaine Nights marks a partial return on Ballard’s part to the provocative, highly-successful mid-career methodology employed in novels such as Crash and High Rise: after establishing himself as a science fiction guru in the 1960s, Ballard stylistically shifted gears towards an unnerving, futuristic variant on social realism in the 1970s. Both Crash and High Rise were what-if novels, posing questions as to what the likely results would be if our collective fascination with such things as speed, violence, status, power, and sex were carried just a little bit further: How insane, how brutal could our world become if we really cut loose?
Cocaine Nights asks a question better suited to the ’90s, the age of gated communities and infrared home security systems: Does absolute security guarantee isolation and cultural death? Conversely, is a measure of crime an essential ingredient in a vibrant, living, properly functioning social system? Is it true, as a character asserts, that “Crime and creativity go together, always have done,” and that “total security is a disease of deprivation”? Suffice to say that the answers presented in Nights will be anathema to moral absolutists; the world of Ballard’s fiction, like life in the hyperkinetic, relativistic 1990s, abounds with uncomfortable grey areas.
On the surface, Cocaine Nights is a whodunit and a race against time, but as it proceeds – and as preconceived conceptions of good and evil begin to dissolve – it evolves into a thoughtful, faintly frightening look at under-examined aspects of 1990s western society. As is his wont, Ballard confronts his readers with some faintly outlandish hypotheses unlikely to be embraced by many, but which nonetheless serve to provoke both thought and a bit of paranoia; it’s a method that Ballard has developed and refined on his own, and as usual, it propels his novel along marvellously.
Cocaine Nights doesn’t have either the broad sweep or brute impact of the landmark Crash, but it retains enough social relevance and low-key creepiness to more than satisfy Ballardphiles. As is often the case in Ballard’s alternate reality, it’s a given that his most appealing, human characters turn out to be the most twisted, and that even the most normal of events turn out to be governed by a perverse, malformed logic; that this logic turns out to be grounded in sound sociological and psychological principles is its most horrific feature.
David B. Livingstone

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The Keswick sisters told me that they had attended the Queen's birthday parties for years. They had been standing by the pool when the flames erupted through the bedroom windows, and left with the first stampede of guests to their cars. Anthony Bevis, owner of the Cabo D'Ora Gallery and a close friend of Roger Sansom, claimed that he had tried to force the French window but had been driven back by the exploding tiles that were leaping from the roof. Colin Dew-hurst, manager of a bookshop in the Plaza Iglesias, had helped the Hollingers' chauffeur to carry a ladder from the garage, only to watch the upper rungs catch fire in the intense blaze.

None of them had seen Frank slip into the house with his lethal flagons of ether and petrol, or could conceive of any reason why he might want to kill the Hollingers. I noticed, however, that of the thirty people I questioned not one suggested any other suspect. Something told me that if his friends really believed in Frank's innocence they would have hinted at the identity of the true assassin.

Estrella de Mar seemed a place without shadows, its charms worn as openly as the bare breasts of the women of all ages who sunbathed at the Club Nautico. Secure on their handsome peninsula, the people of the resort were an example of the liberation that follows when continuous sunlight is shone on the British. I could understand why the residents were less than keen for me to write about their private paradise, and already I was beginning to see the town through their eyes. Once I had freed Frank from prison I would buy an apartment of my own and make it my winter base.

In many ways Estrella de Mar was the halcyon county-town England of the mythical 1930s, brought back to life and moved south into the sun. Here there were no gangs of bored teenagers, no deracinated suburbs where neighbours scarcely knew each other and their only civic loyalties were to the nearest hypermarket and DIY store. As everyone never tired of saying, Estrella de Mar was a true community, with schools for the French and British children, a thriving Anglican church and a local council of elected members which met at the Club Nautico. However modestly, a happier twentieth century had rediscovered itself in this corner of the Costa del Sol.

The only shadow cast across its plazas and avenues was the fire at the Hollinger house. In the late afternoon, when the sun moved behind the peninsula and set off towards Gibraltar, the silhouette of the gutted mansion crept along the palm-lined streets, darkening the pavements and the walls of the villas below, silently wrapping the town in its sombre shroud.

As I stood among the graves beside Elizabeth Shand, and waited for the casket of the young Swedish woman, it occurred to me that Frank might have pleaded guilty in order to save Estrella de Mar from being overrun by British and Spanish police, or by private detectives hired by relations of the Hollinger family. This innocence of crime might even explain the voyeuristic gaze of the people I had caught in the floodlights of the Club Nautico car park. Never having seen a rape, they had watched the assault as if it were some folkloric or pagan rite from a more primitive world.

One of the couples, I suspected, was present among the mourning party, a retired Bournemouth accountant and his sharp-eyed wife who ran a video-rental store in the Avenida Ortega. Both tried to avoid my camera lens and only relaxed when a black Cadillac hearse drew up outside the cemetery.

In Estrella de Mar death alone had been franchised to the Spanish. The pallbearers of the funeral firm in Benalmadena eased the polished casket from the hearse and transferred it to a cart manned by the cemetery staff. Preceded by the Reverend Davis, the pale and earnest vicar of the Anglican church, the cart rumbled towards the waiting grave. The clergyman's eyes were fixed on the grating wheels, teeth gritted against the painful sounds. He seemed embarrassed and uneasy, as if in some way holding the mourners responsible for the Swedish girl's death.

Stiletto heels teetered on the stony ground as everyone stepped forward. Heads were lowered, eyes avoiding the coffin and the hungry vault that would soon embrace it. Only Gunnar Andersson watched as it sank jerkily from sight, fed into the ground by the gravediggers' tapes. Tears gleamed through the faint beard on his sallow cheeks. His long legs straddled the heap of damp soil when the men reached for their spades, delaying the interment to the last moment.

A few feet from him Dr Sanger was staring at the coffin. His slim chest inflated at ten-second intervals, as if he were unconsciously starving himself of air. He smiled in a tender but almost remote way, like the owner of a dead pet briefly remembering their happier days together. He picked a handful of soil from the ground and threw it on to the coffin, then ran his hand through his shock of blow-dried hair, leaving a few grains of sand in the silvery waves.

The Reverend Davis was about to speak, but waited for a group of late arrivals who had entered the cemetery. David Hennessy led the way, nodding to the mourners as he carried out a quick head-count and confirmed that everyone he had notified was present, glad to lend his special skills to that even larger club than the Nautico, with its unlimited membership and no waiting list.

Behind him, face hidden by a silk scarf, was Dr Paula Hamilton, the dark-haired swimmer I had seen soon after my arrival. A resident physician at the Princess Margaret Clinic, she was one of the few people who had declined to talk to me. She had failed to return my telephone calls, and refused to see me at her office in the Clinic. Now she seemed as reluctant to attend the burial service, standing behind Hennessy with her eyes fixed on his heels.

Bobby Crawford, the Club Nautico's tennis professional, followed her from the gate. Dressed in a black silk suit and tie, sunglasses over his eyes, he resembled a handsome and affable gangster. He greeted the mourners with a reassuring wave, his outstretched hands touching a shoulder here and patting an arm there. Everyone seemed to revive in his presence, and even Elizabeth Shand raised the brim of her new straw hat to beam at him maternally, lips fleshing as she murmured sleekly to herself.

The Reverend Davis completed his perfunctory address, never once meeting the mourners' eyes and clearly eager to be back with his parish. Stones rattled on the coffin lid as the gravediggers spaded the heavy soil into the grave, shoulders bent in the sunlight. Unable to control himself, Andersson seized the spade from the older of the men and flailed at the loose soil, shovelling sand and grit on to the casket as if determined to shield the dead girl from any sight of the world that had failed her.

The mourners began to disperse, led by the uneasy clergyman. They stopped to look back when a spade rang against an old marker stone. There was a high and almost strangled shout, which Mrs Shand involuntarily echoed.

'Dr Sanger…!' Andersson stood astride the grave, spade held across his chest like a jousting pole, glaring in a deranged way at the psychiatrist. 'Doctor, why did you come? Bibi didn't invite you.'

Sanger raised his hands, as much to calm the watching mourners as to restrain the young Swede. His melancholy smile seemed to float free of his lips. Eyes lowered, he turned from the grave for the last time, but Andersson refused to let him pass.

'Sanger! Doctor Professor… don't go away…' Andersson pointed mockingly to the grave. 'Dear Doctor, Bibi's here. Have you come to He with her? I can make you comfortable A brief but ugly brawl followed. The two men grappled like clumsy schoolboys, panting and heaving until Bobby Crawford wrenched the spade from Andersson's hands and sent him sprawling to the ground. He helped Sanger to his feet, steadied the shaken psychiatrist and dusted his lapels. Ashen-faced, his silver hair breaking around his ears, Sanger limped away, guarded by Crawford as he held the spade in a two-handed racket grip.

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