Toni Morrison - Beloved

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Beloved: краткое содержание, описание и аннотация

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"DAZZLING… MAGICAL… AN EXTRAORDINARY WORK!" -New York Times
"BRILLIANT… RESONATES FROM PAST TO PRESENT." – San Francisco Chronicle
"A MAGNIFICENT HEROINE… A GLORIOUS BOOK!" – Baltimore Sun
"BEAUTIFULLY WRITTEN… POWERFUL…
TONI MORRISON HAS BECOME ONE OF AMERICA 'S FINEST NOVELISTS." -Cleveland Plain Dealer
"THERE IS SOMETHING GREAT IN BELOVED: A PLAY OF HUMAN VOICES, CONSCIOUSLY EXALTED, PERVERSELY STRESSED, YET HOLDING TRUE. IT GETS YOU." – The New Yorker
"A STUNNING BOOK… A LASTING ACHIEVEMENT!" -Christian Science Monitor
"Magical… rich, provocative, extremely satisfying!" – Milwaukee Journal
"Superb… a profound and shattering story that carries the weight of history… exquisitely told." -Cosmopolitan
"Compelling… Morrison shakes that brilliant kaleidoscope of hers again, and the story of pain, endurance, poetry, and power she is born to tell comes out right." -Village Voice
"In her most probing novel, Toni Morrison has demonstrated once again the stunning powers that place her in the first ranks of our living novelists." – St. Louis Post-Dispatch
"Shattering emotional power and impact!" -New York Daily News
"A book worth many rereadings." – Glamour
"Astonishing… a triumph!"-New Woman
"A work of genuine force… beautifully written." -Washington Post
"Written with a force rarely seen in contemporary fiction… One feels deep admiration." -USA Today
"Toni Morrison is not just an important contemporary novelist but a major figure of our national literature."-New York Review of Books
"Heart-wrenching… mesmerizing!" – Atlanta Journal-Constitution
"Powerful is too tame a word to describe Toni Morrison's searing new novel." -Library Journal
"Shatteringly eloquent."-Booklist
"A rich, mythical novel… a triumph!"- St. Petersburg Times
"Powerful… voluptuous!" – New York Magazine

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"A house?"

"Mmmmm. I passed it. Ain't no regular house with people in it though. A lean-to, kinda."

"How far?"

"Make a difference, does it? You stay the night here snake get you."

"Well he may as well come on. I can't stand up let alone walk and God help me, miss, I can't crawl."

"Sure you can, Lu. Come on," said Amy and, with a toss of hair enough for five heads, she moved toward the path.

So she crawled and Amy walked alongside her, and when Sethe needed to rest, Amy stopped too and talked some more about Boston and velvet and good things to eat. The sound of that voice, like a sixteen-year-old boy's, going on and on and on, kept the little antelope quiet and grazing. During the whole hateful crawl to the lean to, it never bucked once.

Nothing of Sethe's was intact by the time they reached it except the cloth that covered her hair. Below her bloody knees, there was no feeling at all; her chest was two cushions of pins. It was the voice full of velvet and Boston and good things to eat that urged her along and made her think that maybe she wasn't, after all, just a crawling graveyard for a six-month baby's last hours.

The lean-to was full of leaves, which Amy pushed into a pile for Sethe to lie on. Then she gathered rocks, covered them with more leaves and made Sethe put her feet on them, saying: "I know a woman had her feet cut off they was so swole." And she made sawing gestures with the blade of her hand across Sethe's ankles. "Zzz Zzz Zzz Zzz."

"I used to be a good size. Nice arms and everything. Wouldn't think it, would you? That was before they put me in the root cellar.

I was fishing off the Beaver once. Catfish in Beaver River sweet as chicken. Well I was just fishing there and a nigger floated right by me. I don't like drowned people, you? Your feet remind me of him.

All swole like."

Then she did the magic: lifted Sethe's feet and legs and massaged them until she cried salt tears.

"It's gonna hurt, now," said Amy. "Anything dead coming back to life hurts."

A truth for all times, thought Denver. Maybe the white dress holding its arm around her mother's waist was in pain. If so, it could mean the baby ghost had plans. When she opened the door, Sethe was just leaving the keeping room.

"I saw a white dress holding on to you," Denver said.

"White? Maybe it was my bedding dress. Describe it to me."

"Had a high neck. Whole mess of buttons coming down the back."

"Buttons. Well, that lets out my bedding dress. I never had a button on nothing."

"Did Grandma Baby?"

Sethe shook her head. "She couldn't handle them. Even on her shoes. What else?"

"A bunch at the back. On the sit-down part."

"A bustle? It had a bustle?"

"I don't know what it's called."

"Sort of gathered-like? Below the waist in the back?"

"Um hm."

"A rich lady's dress. Silk?"

"Cotton, look like."

"Lisle probably. White cotton lisle. You say it was holding on to me. How?"

"Like you. It looked just like you. Kneeling next to you while you were praying. Had its arm around your waist."

"Well, I'll be."

"What were you praying for, Ma'am?"

"Not for anything. I don't pray anymore. I just talk."

"What were you talking about?"

"You won't understand, baby."

"Yes, I will."

"I was talking about time. It's so hard for me to believe in it.

Some things go. Pass on. Some things just stay. I used to think it was my rememory. You know. Some things you forget. Other things you never do. But it's not. Places, places are still there. If a house burns down, it's gone, but the place-the picture of it-stays, and not just in my rememory, but out there, in the world. What I remember is a picture floating around out there outside my head. I mean, even if I don't think it, even if I die, the picture of what I did, or knew, or saw is still out there. Right in the place where it happened."

"Can other people see it?" asked Denver.

"Oh, yes. Oh, yes, yes, yes. Someday you be walking down the road and you hear something or see something going on. So clear.

And you think it's you thinking it up. A thought picture. But no. It's when you bump into a rememory that belongs to somebody else.

Where I was before I came here, that place is real. It's never going away. Even if the whole farm-every tree and grass blade of it dies.

The picture is still there and what's more, if you go there-you who never was there-if you go there and stand in the place where it was, it will happen again; it will be there for you, waiting for you. So, Denver, you can't never go there. Never. Because even though it's all over-over and done with-it's going to always be there waiting for you. That's how come I had to get all my children out. No matter what."

Denver picked at her fingernails. "If it's still there, waiting, that must mean that nothing ever dies."

Sethe looked right in Denver's face. "Nothing ever does," she said.

"You never told me all what happened. Just that they whipped you and you run off, pregnant. With me."

"Nothing to tell except schoolteacher. He was a little man. Short.

Always wore a collar, even in the fields. A schoolteacher, she said.

That made her feel good that her husband's sister's husband had book learning and was willing to come farm Sweet Home after Mr.

Garner passed. The men could have done it, even with Paul F sold.

But it was like Halle said. She didn't want to be the only white person on the farm and a woman too. So she was satisfied when the schoolteacher agreed to come. He brought two boys with him. Sons or nephews. I don't know. They called him Onka and had pretty man ners, all of em. Talked soft and spit in handkerchiefs. Gentle in a lot of ways. You know, the kind who know Jesus by His first name, but out of politeness never use it even to His face. A pretty good farmer, Halle said. Not strong as Mr. Garner but smart enough. He liked the ink I made. It was her recipe, but he preferred how I mixed it and it was important to him because at night he sat down to write in his book. It was a book about us but we didn't know that right away. We just thought it was his manner to ask us questions. He commenced to carry round a notebook and write down what we said. I still think it was them questions that tore Sixo up. Tore him up for all time."

She stopped.

Denver knew that her mother was through with it-for now anyway. The single slow blink of her eyes; the bottom lip sliding up slowly to cover the top; and then a nostril sigh, like the snuff of a candle flame-signs that Sethe had reached the point beyond which she would not go.

"Well, I think the baby got plans," said Denver.

"What plans?"

"I don't know, but the dress holding on to you got to mean something."

"Maybe," said Sethe. "Maybe it does have plans."

Whatever they were or might have been, Paul D messed them up for good. With a table and a loud male voice he had rid 124 of its claim to local fame. Denver had taught herself to take pride in the condemnation Negroes heaped on them; the assumption that the haunting was done by an evil thing looking for more. None of them knew the downright pleasure of enchantment, of not suspecting but knowing the things behind things. Her brothers had known, but it scared them; Grandma Baby knew, but it saddened her. None could appreciate the safety of ghost company. Even Sethe didn't love it.

She just took it for granted-like a sudden change in the weather.

But it was gone now. Whooshed away in the blast of a hazelnut man's shout, leaving Denver's world flat, mostly, with the exception of an emerald closet standing seven feet high in the woods. Her mother had secrets-things she wouldn't tell; things she halfway told.

Well, Denver had them too. And hers were sweet-sweet as lily-of-the-valley cologne.

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