Toni Morrison - Beloved

Sethe had given little thought to the white dress until Paul D came, and then she remembered Denver's interpretation: plans. The morning after the first night with Paul D, Sethe smiled just thinking about what the word could mean. It was a luxury she had not had in eighteen years and only that once. Before and since, all her effort was directed not on avoiding pain but on getting through it as quickly as possible. The one set of plans she had made-getting away from Sweet Home-went awry so completely she never dared life by making more.

Yet the morning she woke up next to Paul D, the word her daughter had used a few years ago did cross her mind and she thought about what Denver had seen kneeling next to her, and thought also of the temptation to trust and remember that gripped her as she stood before the cooking stove in his arms. Would it be all right? Would it be all right to go ahead and feel? Go ahead and count on something?

She couldn't think clearly, lying next to him listening to his breathing, so carefully, carefully, she had left the bed.

Kneeling in the keeping room where she usually went to talk-think it was clear why Baby Suggs was so starved for color. There wasn't any except for two orange squares in a quilt that made the absence shout. The walls of the room were slate-colored, the floor earth-brown, the wooden dresser the color of itself, curtains white, and the dominating feature, the quilt over an iron cot, was made up of scraps of blue serge, black, brown and gray wool-the full range of the dark and the muted that thrift and modesty allowed. In that sober field, two patches of orange looked wild-like life in the raw.

Sethe looked at her hands, her bottle-green sleeves, and thought how little color there was in the house and how strange that she had not missed it the way Baby did. Deliberate, she thought, it must be deliberate, because the last color she remembered was the pink chips in the headstone of her baby girl. After that she became as color conscious as a hen. Every dawn she worked at fruit pies, potato dishes and vegetables while the cook did the soup, meat and all the rest. And she could not remember remembering a molly apple or a yellow squash. Every dawn she saw the dawn, but never acknowledged or remarked its color. There was something wrong with that.

It was as though one day she saw red baby blood, another day the pink gravestone chips, and that was the last of it.

124 was so full of strong feeling perhaps she was oblivious to the loss of anything at all. There was a time when she scanned the fields every morning and every evening for her boys. When she stood at the open window, unmindful of flies, her head cocked to her left shoulder, her eyes searching to the right for them. Cloud shadow on the road, an old woman, a wandering goat untethered and gnawing bramble-each one looked at first like Howard-no, Buglar. Little by little she stopped and their thirteen-year-old faces faded completely into their baby ones, which came to her only in sleep. When her dreams roamed outside 124, anywhere they wished, she saw them sometimes in beautiful trees, their little legs barely visible in the leaves.

Sometimes they ran along the railroad track laughing, too loud, apparently, to hear her because they never did turn around. When she woke the house crowded in on her: there was the door where the soda crackers were lined up in a row; the white stairs her baby girl loved to climb; the corner where Baby Suggs mended shoes, a pile of which were still in the cold room; the exact place on the stove where Denver burned her fingers. And of course the spite of the house itself. There was no room for any other thing or body until Paul D arrived and broke up the place, making room, shifting it, moving it over to someplace else, then standing in the place he had made.

So, kneeling in the keeping room the morning after Paul D came, she was distracted by the two orange squares that signaled how barren 124 really was.

He was responsible for that. Emotions sped to the surface in his company. Things became what they were: drabness looked drab; heat was hot. Windows suddenly had view. And wouldn't you know he'd be a singing man.

He was up now and singing as he mended things he had broken the day before. Some old pieces of song he'd learned on the prison farm or in the War afterward. Nothing like what they sang at Sweet Home, where yearning fashioned every note.

The songs he knew from Georgia were flat-headed nails for pounding and pounding and pounding.

But they didn't fit, these songs. They were too loud, had too much power for the little house chores he was engaged in-resetting table legs; glazing.

He couldn't go back to "Storm upon the Waters" that they sang under the trees of Sweet Home, so he contented himself with mmmmmmmmm, throwing in a line if one occurred to him, and what occurred over and over was "Bare feet and chamomile sap,/ Took off my shoes; took off my hat."

It was tempting to change the words (Gimme back my shoes; gimme back my hat), because he didn't believe he could live with a woman-any woman-for over two out of three months. That was about as long as he could abide one place. After Delaware and before that Alfred, Georgia, where he slept underground and crawled into sunlight for the sole purpose of breaking rock, walking off when he got ready was the only way he could convince himself that he would no longer have to sleep, pee, eat or swing a sledge hammer in chains.

But this was not a normal woman in a normal house. As soon as he had stepped through the red light he knew that, compared to 124, the rest of the world was bald. After Alfred he had shut down a generous portion of his head, operating on the part that helped him walk, eat, sleep, sing. If he could do those things-with a little work and a little sex thrown in-he asked for no more, for more required him to dwell on Halle's face and Sixo laughing. To recall trembling in a box built into the ground. Grateful for the daylight spent doing mule work in a quarry because he did not tremble when he had a hammer in his hands. The box had done what Sweet Home had not, what working like an ass and living like a dog had not: drove him crazy so he would not lose his mind.

By the time he got to Ohio, then to Cincinnati, then to Halle Suggs' mother's house, he thought he had seen and felt it all. Even now as he put back the window frame he had smashed, he could not account for the pleasure in his surprise at seeing Halle's wife alive, barefoot with uncovered hair-walking around the corner of the house with her shoes and stockings in her hands. The closed portion of his head opened like a greased lock.

"I was thinking of looking for work around here. What you think?"

"Ain't much. River mostly. And hogs."

"Well, I never worked on water, but I can pick up anything heavy as me, hogs included."

"Whitepeople better here than Kentucky but you may have to scramble some."

"It ain't whether I scramble; it's where. You saying it's all right to scramble here?"

"Better than all right."

"Your girl, Denver. Seems to me she's of a different mind."

"Why you say that?"

"She's got a waiting way about her. Something she's expecting and it ain't me."

"I don't know what it could be."

"Well, whatever it is, she believes I'm interrupting it."

"Don't worry about her. She's a charmed child. From the beginning."

"Is that right?"