Kenzaburo Oe - Somersault

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Somersault: краткое содержание, описание и аннотация

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Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut. In Somersault (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (A Personal Matter) and toward this lengthy, involved account of a Japanese religious movement. Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, Somersault is no laugh riot. Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation. His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter. – Regina Marler
From Publishers Weekly
Nobelist Oe's giant new novel is inspired by the Aum Shinrikyo cult, which released sarin gas in Tokyo 's subway system in 1995. Ten years before the novel begins, Patron and Guide, the elderly leaders of Oe's fictional cult, discover, to their horror, that a militant faction of the organization is planning to seize a nuclear power plant. They dissolve the cult very publicly, on TV, in an act known as the Somersault. Ten years later, Patron decides to restart the fragmented movement, after the militant wing kidnaps and murders Guide, moving the headquarters of the church from Tokyo to the country town of Shikoku. Patron's idea is that he is really a fool Christ; in the end, however, he can't escape his followers' more violent expectations. Oe divides the story between Patron and his inner circle, which consists of his public relations man, Ogi, who is not a believer; his secretary, Dancer, an assertive, desirable young woman; his chauffeur, Ikuo; and Ikuo's lover, Kizu, who replaces Guide as co-leader of the cult. Kizu is a middle-aged artist, troubled by the reoccurrence of colon cancer. Like a Thomas Mann character, he discovers homoerotic passion in the throes of illness. Oe's Dostoyevskian themes should fill his story with thunder, but the pace is slow, and Patron doesn't have the depth of a Myshkin or a Karamazov-he seems anything but charismatic. It is Kizu and Ikuo's story that rises above room temperature, Kizu's sharp, painterly intelligence contrasting with Ikuo's rather sinister ardor. Oe has attempted to create a sprawling masterpiece, but American readers might decide there's more sprawl than masterpiece here.

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If they were aware ot this inconsistency yet still went ahead with it, it must be part of their strategy for the future. Their intention is to pro- voke me-but to what end? To direct me to perform another Somer- sault, this time without Guide backing me up?

What we did, though, makes that impossible. Having done our Som- ersault, the two of us tell into hell, where we stayed for ten years. lust when we found the strength to crawl out of this hell, Guide was tortured to death by those people who, clinging to their one-dimensional view- point, tried to force him into a backward Somersault. Now that he's been killed, all I have is a handful of trusted companions to help me begin my new movement.

This is what the people who killed Guide planned from the start.

They weren't really aiming at a reverse Somersault. Guide's refusal- unto death-to take a backward Somersault showed them exactly where we stood, stumbling up out of the abyss of our own private hell to begin again.

I'm announcing this to those who did not distort our Somersault and who patiently awaited our rebirth from hell. I am also appealing to those who only just learned about what happened to Guide and who want to hold him dear in their memory. Guide has been lost to us, but I, Patron, am taking a bold new step forward.

First of all, though, I will hold a memorial service for Guide. I would like to pray together with my new companions. Hallelujah! Thy will be done!

4

Dancer read Patron's announcement that Kizu had transcribed and, without expression, went to Patron's room to deliver it to him. Ikuo was up by this time and came over, and Kizu told him about the job he'd just com- pleted, urging him to listen to the Walkman. Ikuo, too, had a hard time at first in trying to turn up the volume. After he was finished listening, he said, excitedly: "Patron seems to be focusing on those who still believe in him and people who individually got in touch with him. But wouldn't this include people left over from the radical faction? Won't they respond to Patron's announcement too? Not those who were directly responsible for Guide's death, of course; that's out of the question. But don't some of these former faction members still want to take radical action?"

"You really seem to be interested in what moves that group is going to make," Kizu asked. "This meeting that Patron's going to hold is his way of memorializing Guide."

"Patron announced he's starting a new movement," Ikuo said, "so after the service there's no way he can retreat back into the hell he fell into after the Somersault. Not that I understand much about this hell or anything-"

Dancer rejoined them, interrupting Ikuo, who was about to say more.

"Patron says the announcement is fine," she said to Kizu. "He told me once that when he and Guide used to be engrossed in work together they'd invari- ably argue. Guide's task, as you know, was to take from Patron what could not be put into human language and somehow make it understandable, right?

I imagine, Professor, that as you listened to the tape you struggled with the same thing."

"But what I did was different from what Guide used to do," Kizu said, "which must have been an amazingly difficult undertaking. There's a con- text behind the nuances of what Patron says that I can't quite grasp, and I'm afraid I had to content myself with writing the sort of humdrum sentences anybody can come up with."

"I was talking with Ogi about creating a home page on the Internet for our new movement," Ikuo cut in. "People could access that and listen directly to Patron's announcement. What do you think?"

"Please don't get our Innocent Youth involved in all kinds of extrane- ous work," Dancer replied, sidestepping his question. "While he's busy at the hospital and crematorium, I'd like you to take care of the business here that needs to be done. I want to pass this announcement to the media, so I'd like you to input it into the computer."

Ikuo stretched out a long muscular arm to take the loose-leaf pages and began running his eyes over them.

"Patron said it's fine the way it is."

Undeterred by the way Dancer had flared up at him, Ikuo began in- tently working under Kizu's attentive gaze. Did the tension between these two young people have its origin in their conversation during their forced march through the snow the night before? Kizu wondered.

Less than an hour later the front doorbell rang, and since Dancer and Ikuo were engrossed in their work it was left to Kizu, ensconced on the sofa, to answer it. He stepped down onto the concrete floor of the entrance, unlatched the lock Ikuo had fastened, and found Ms. Tachibana and a young woman standing just outside the front door. The snow-covered garden behind them was excessively bright. Backlit by this, the pale young woman was introduced to him by Ms. Tachibana as her friend Ms. Asuka; Ms. Asuka merely nodded her head in greeting. Ms. Tachibana continued.

"There's someone outside the main gate who says he made a TV pro- gram about Patron before the Somersault," she said. "He hasn't seen Patron in fifteen years, and asked if Patron would be willing to meet him."

The three of them went to the office and found Dancer on the phone.

She soon held the receiver out for Ikuo.

"It's Ogi," she told him. "He says a bunch of people showed up at the hospital who are causing trouble. But he doesn't want the hospital to call the police to clear them out."

Ikuo took the receiver and began to talk, and Dancer, in her unaffected way, went over to stand beside Ms. Tachibana and Ms. Asuka, and the three of them went into the kitchen. Ikuo finished his phone call and told Kizu what it was all about.

"As Dancer said, a few members of the former radical faction saw the news on the morning TV show and came to the hospital. Ogi says he doesn't know if they have any connection with the ones who killed Guide, but he doesn't think they're the ones the police are looking for. Since the former radical faction consisted of people hand-picked and trained by Guide, it's only natural, I guess, that some of them would grieve over his death. Anyway, Ogi had them wait in a corner of the hospital waiting room while he was busy taking calls and greeting other visitors. He told them someone from our of- fice would be coming in an hour and asked them to wait at a coffee shop be- tween the hospital and the subway station."

"I'd like the Professor to stay here, so you go alone, Ikuo," Dancer said, sticking her face out from the kitchen; she and the other two women had been doing something in there. "I'll go talk with the TV reporter outside."

Kizu expected Ikuo to object to Dancer's unilateral orders, but he seemed instead to accept them wholeheartedly.

"What about breakfast? Would you like something before you go?"

Ms. Tachibana said, as she too stuck her head out from the kitchen.

Ikuo picked up his down jacket and muffler from the two Windsor chairs in a corner of the office that he and Dancer had used to drape their clothes over the previous night and, unconcerned about whether they were dry or not, prepared to leave.

"I'll pick up something at the McDonald's near the station," Ikuo said.

"I've made up these expense forms, so be sure to sign one before you go,"

Dancer said, holding out the envelope. She hurried to catch up with him and walked outside to talk with the reporter, who was waiting beyond the still snow-covered gate.

After some time, Dancer returned. The TV van to be used in a live re- mote was parked at the large railroad crossing, already cleared of snow, she reported, and they'd discussed how the media crowd was to be handled and the arrangements for the afternoon. The van driver told her about traffic conditions after the snowfall, and Dancer was optimistic that the road from the hospital to the crematorium and then back to headquarters with the re- mains would be passable. Preparations for breakfast were finished. Dancer went again to help Ms. Tachibana and Ms. Asuka and then took Patron's meal and her own into his bedroom study.

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