Kenzaburo Oe - Somersault

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Somersault: краткое содержание, описание и аннотация

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Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut. In Somersault (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (A Personal Matter) and toward this lengthy, involved account of a Japanese religious movement. Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, Somersault is no laugh riot. Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation. His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter. – Regina Marler
From Publishers Weekly
Nobelist Oe's giant new novel is inspired by the Aum Shinrikyo cult, which released sarin gas in Tokyo 's subway system in 1995. Ten years before the novel begins, Patron and Guide, the elderly leaders of Oe's fictional cult, discover, to their horror, that a militant faction of the organization is planning to seize a nuclear power plant. They dissolve the cult very publicly, on TV, in an act known as the Somersault. Ten years later, Patron decides to restart the fragmented movement, after the militant wing kidnaps and murders Guide, moving the headquarters of the church from Tokyo to the country town of Shikoku. Patron's idea is that he is really a fool Christ; in the end, however, he can't escape his followers' more violent expectations. Oe divides the story between Patron and his inner circle, which consists of his public relations man, Ogi, who is not a believer; his secretary, Dancer, an assertive, desirable young woman; his chauffeur, Ikuo; and Ikuo's lover, Kizu, who replaces Guide as co-leader of the cult. Kizu is a middle-aged artist, troubled by the reoccurrence of colon cancer. Like a Thomas Mann character, he discovers homoerotic passion in the throes of illness. Oe's Dostoyevskian themes should fill his story with thunder, but the pace is slow, and Patron doesn't have the depth of a Myshkin or a Karamazov-he seems anything but charismatic. It is Kizu and Ikuo's story that rises above room temperature, Kizu's sharp, painterly intelligence contrasting with Ikuo's rather sinister ardor. Oe has attempted to create a sprawling masterpiece, but American readers might decide there's more sprawl than masterpiece here.

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Patron acquiesced silently. If meeting Patron for the first time in so long wasn't going to lead to any substantive discussion, Kizu felt he might as well have hailed a cab in front of the hospital and gone home alone. He didn't mind waiting for a time, though.

Since Guide suffered his calamity, the front gate of their residence had been bolted, so when he heard the van pull up Ogi came out to greet them and let them in. Supported on both sides by Dancer and Ogi as he walked into the house, Patron had none of the vitality he'd displayed in front of the nurses' station; watching him leaning his entire weight on the two young people, Kizu was cut to the quick.

2

In the corner office, Ms. Tachibana was sorting the letters they'd received from people who'd learned of Patron's new movement through newspaper reports of the incident involving Guide. When Kizu stopped by to ask her how the work was going, she merely said she'd taken over because Ogi was busy, her eyes remaining glued to the computer screen.

After leading Patron to his bedroom study and letting Dancer take over from there, Ogi came back and stood beside Ms. Tachibana's desk, but he didn't seem to have anything new to report. Ikuo had parked the car in the garage, reset the bolt in the gate, and come to sit down beside Kizu, silent, his arms folded over his massive chest.

Not long after, Dancer appeared in the office, leaned over, and whis- pered something into Ogi's ear. Usually Ogi played the role of younger brother to Dancer, but now she seemed to rely on him more than the other way around.

After listening to her, Ogi shared her confusion. Before long he spoke up.

"If that's what Patron wants, there's nothing you or I can do about it.

Why don't you just tell him exactly what Patron said?"

Dancer looked like a little girl who had been slapped in the face as she walked over to Kizu. "Patron says he wants you to be the new Guide," she said.

"New Guide? That's pretty unexpected!" Rather than replying to Dancer, Kizu seemed to be muttering to no one in particular. His words were like a pebble thrown down a deep well without response, but after some time Dancer finally spoke up.

"Whether you accept or not, you need to tell Patron yourself. I tell you, it's been one surprise after another. I have no idea what to do."

Dancer's voice was different from its usual piercing whisper, more muffled now; Kizu could catch a hint of her Hokkaido accent seeping through. Most likely this was the way she spoke when, years before, she was struggling to convince her family to let her study modern dance. At the same time, Kizu felt Ikuo's tense gaze clinging to him.

The person waiting for him, lying in bed, blanket and down comforter up to his chest, was neither the unusually vigorous person of the first half of their hospital visit nor the plainly exhausted person of the second half. Patron had a sort of composed strength about him now. He looked up at Kizu with dis- tant eyes and, with a solemn movement of his head, motioned for Dancer to leave them.

"In my new church," he said, "I'd like you to succeed Guide in his work.

To repay you, I'll help you overcome the terrible thing that's assailing you spiritually and physically."

Kizu answered at once, "If you have that kind of power, then you should fix Guide's brain!"

Patron didn't react to these mean-spirited words but lamented instead, in a voice so full of grief it was comical, "Ah-if only I couldV Taken aback by Patron's directness, Kizu felt deflated. Having lost his chance to continue by Kizu's interruption, Patron looked away, a dark look on his brow. Then he pulled himself together and began to speak in a more prosaic way, quite the opposite of the enthusiasm with which he'd invited Kizu to take Guide's place.

"With Guide the way he is now, maybe I'm just an old man who can't do a thing, and maybe I should just forget about this new movement and spend the rest of my days taking care of Guide. Isn't that what you're think- ing? When we read R. S. Thomas that topic came up, as I recall. I'd like to talk with Guide about it, though I have no idea if he'd understand what I say. At the time of the Somersault we'd already imagined that sort of future for us.

"But Professor, with Guide in the hospital, I can't just abandon my role as Patron and spend my time pushing him around in his wheelchair as he goes through rehabilitation; Guide was injured facing up to a group that held him against his will and put him through a trumped-up trial to get him to admit that the Somersault was a mistake.

"I don't think he'll ever be able to communicate with us again. But even if he were to die without regaining full consciousness or the ability to talk, he's fulfilled his mission in life. He has suffered as a true prophet.

"But I have to live on. Having done the Somersault and now unable, without Guide, to put my visions into words, I still have the audacity to keep on living. But if I just grow decrepit and senile and die, my life will have been in vain. And then what would being Patron amount to? Nothing-just one big joke.

"Only after I've lived a life befitting Patron do I want to die. Those people held Guide prisoner, gouging out what wounded him most, a more abominable act than actually killing him. That being the case, I want to rise up again to the point where they have to choose me as their target."

Patron turned sharp birdlike eyes to Kizu.

"Professor, please. You don't need to say a thing. You can be a Guide who just paints!" Patron implored. "You can express things in a way I can- not. Your painting can clarify what my visions mean. If you turn your eyes in the direction of my beliefs, that's enough. With Guide in the shape he's in now, can you really refuse? I have only a handful of young people around me. Other than you, what mature person can I count on?"

"I don't know if I'll be able to fill the role, but I'll do my best until he recovers," Kizu replied, overcoming his nervousness. "I've been stopping by the office every once in a while, but I'll come more often. I can be your partner."

"Ikuo can drive you back and forth," Patron said, his eyes sleepy like those of a contented bird. "Now, would you mind asking Dancer to bring me my sleeping pills?"

Kizu returned to the living room and told Dancer, who was still stand- ing beside the desk with Ogi, what Patron had said to him. As the young man and woman listened, he noticed for the first time a shared expression on their faces, like brother and sister. Kizu also noticed, in Ikuo's attitude as he looked up at him, that all three of them agreed with the decision Kizu had come to.

Ms. Tachibana, too, in her unobtrusive way, looked content.

As powdery snow swirled around him, Kizu stood on the pavement waiting for Ikuo to bring the minivan around. The snow was different from the light flakes that had fallen in the United States at his East Coast university and had the soft, easy-melting quality of snow he remembered from his childhood.

He felt a tinge of nostalgia. He got in beside Ikuo and looked up at the snowy sky, his heated mind reviewing his conversation with Patron.

Patron had said that if Kizu undertook the role of Guide he would help him overcome his spiritual and physical crisis; Kizu smiled coolly at the thought. He's not just dealing with my soul, he mused, but maybe sensed the reoccurrence of my cancer as well. He felt his cheeks tense up, though, at the memory of his huffy, mean response.

"There's something different about you," Ikuo said. "You seem-I don't know-cold, I guess. I've never seen you smile like that before. Have you changed your mind?"

"I'm smiling at myself, not at other people," Kizu replied.

"If you see Patron's proposal as too painful, I can understand that," Ikuo said, "but I was really keeping my fingers crossed you'd accept. I know you weren't too enthusiastic about the idea when Dancer first brought it up, and I was afraid it was going to be a problem. I was afraid you'd feel forced to go back to America, and I didn't want to end up having to choose between you.

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