Mark Winegardner - The Godfather returns

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The Godfather returns: краткое содержание, описание и аннотация

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Even before you open the book, the stark red, white and black cover sparks the strains of Nino Rota's "The Godfather Waltz" begin playing in your mind. Mark Winegardner has been granted to task of writing a sequel to Mario Puzo's essential 1969 novel The Godfather, a novel which not only must pick up the story of that book, but must also fit the characters and situations Puzo, Francis Ford Coppola, Al Pacino, and others traced through three epic films. The result in The Godfather Returns.
Perhaps most of Winegardner's readers will be more familiar with the films than with the novel, which followed several different characters, many of whom, such as Johnny Fontane or Lucy Mancini, are only peripheral to the films. Winegardner returns to Puzo's novel to follow several different characters. Taking a technique for the second film, however, he also moves through time to present Michael Corleone's story before the first film, between the first two films, and between the second and third films.
Winegardner's decisions to fill in the blanks between the films is one of the weaknesses of The Godfather Returns. The films left out much of the empire building Michael had to do between them in his attempt to go legitimate. While Winegardner manages to add interesting layers of intrigue to Michaels' quest, and to the characters who surround him, the novel really works best when the characters are engaging in mafioso wheeling and dealing.
One of the strengths of Puzo's work was the characters he made come to life, and Winegardner does an excellent job not only with the lives of Puzo's characters, but with his own. Just as Puzo eventually picked up the story of Santino's son, Vincent, in "The Godfather, Part III," Winegardner also elects to follow Santino's offspring, in this case his twin daughters, as they take their first steps at breaking from the family business. Fredo, a pivotal character in the first two films, is actually fleshed out in The Godfather Returns, in which Winegardner adds to the appetites he exhibits in the first films and gives a deeper look into his need to become his own man and gain his older brother's approval.
The central character to the novel, however, is Nick Geraci, a member of the Corleone family who, Winegardner reveals, becomes the button man who killed Sal Tessio, his mentor. After proving his loyalty to the Corleones, it is clear that Geraci will eventually turn on the family as he tries to strike out on his own, setting up an eventual confrontation with Michael. Although it is clear Michael will be victorious, the cost of his victory helps build tension.
In many ways, Winegardner manages to recapture the style and spirit of Puzo's original novel. Nevertheless, there is the feeling that something is missing from The Godfather Returns. Winegardner successfully captures every individual aspect of Puzo's work, whether in the original novel or the films, but there is a magic beneath it that is missing. Despite missing the Puzo magic, The Godfather Returns is a welcome reintroduction to the Corleone clan.
Steven H Silver

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“ Hagen said he thought that all the rumors were ridiculous, too,” Fredo said.

“What did the Don say?” asked Geraci.

“Mike agreed with Hagen,” Fredo said. “I talked to him personally about it.” He bounced on the balls of his feet as he said it.

A semi-illiterate reader of human beings could have guessed that this was a lie, though Geraci didn’t even have to guess. Fredo’s top bodyguard used to be Geraci’s barber. Everyone called him Figaro. Figaro’s cousin was a welder and fabricator-Geraci’s guy for tricking out storage spaces in cars and trucks to transport goods from the docks in Jersey. According to Figaro and the cousin, Fredo had barely said hello to Michael since Francesca’s wedding.

Fredo was shivering almost to the point of convulsion. He’d lived out west for twelve years and said he couldn’t handle the cold anymore. Pathetic. If he wanted to experience real cold, he ought to take the fucking train to Cleveland sometime. But out of pity, Geraci steered him into a greenhouse, full of orchids in full bloom and a troop of Girl Scouts.

“How’s your ma?” asked Geraci. “Doin’ all right?”

“She’s tough. The move was hard on her, though. Her place in Tahoe is a million times nicer than that house on the mall, but she and Pop built that place together. Lot of memories.”

“If she’s anything like my mother,” Geraci said, crossing himself and looking out at the falling snow, “the change of scenery might do her a world of good.”

“Not to mention the warmer weather,” Fredo said. “I never seen an orange orchid before,” he said, pointing.

The Girl Scouts left, and the two men were alone together in the greenhouse.

“Mike really wanted to come,” Fredo said, “but he’s all tied up with something big. He loved Pete like an uncle. Christ, we all did.”

Geraci nodded, willing his face into impassiveness. “I’m sure the Don knows what’s best.” Geraci presumed that the real reason Michael hadn’t come was that he didn’t want to be seen at the funeral by any New York reporters or the FBI. His mania to become quote-unquote legitimate overrode his loyalty to his father’s oldest friend, a man he himself had seemed to love-to the extent he was capable of love, or any other emotion. “Something big, huh?”

“To be honest with you,” Fredo said, “I don’t know much about it.”

That was probably true. But Geraci knew plenty. Michael and Roth were apparently unaware that their negotiations for control of Cuba were pointless, since the Batista government was doomed to fall, and had no real importance other than to make them cogs in a bigger wheel involving a coalition of the midwest Families, led by Chicago and Cleveland. Louie Russo had a deal worked out with the rebels. Even if Batista somehow stayed in power, Fredo’s weakness could be used to turn Roth and Michael against each other. All that would be left of their deal was the deal itself, the terms of which Russo and his associates were fully prepared to assume.

Geraci nodded toward the door. They had to keep moving.

He gave Fredo an update on the project they were calling Colma East. He’d worked out the turf issues in Jersey with the Straccis. He had a front, someone impossible to connect to the Corleone Family, who had a contract on a big swampy parcel of land. Also, since Geraci was already shipping most of his heroin from Sicily in between slabs of marble too heavy for customs inspectors to move, getting into the stonecutting business would be a snap. “What about on your end?”

“It’s in the bag. Me and Mike just need to sit down and hammer out a few particulars.”

“You haven’t done that yet?” Geraci said, pretending to be surprised. “Because this is as far as I can take this thing. Ordinances, rezoning, et cetera-those aren’t fields of the law I know about. I know who to ask, how to get all that rolling, but first you have to get the Don’s blessing. The politicians-again, his call and not mine. There’s also the matter of how the public might react to this, how to sell it to them. How to keep it off the ballot and so on. Fredo, I respect what you’re trying to do, but don’t you think that if the Don thought these problems were easy to fix, we’d probably be moving forward already?”

“Nah. The problem is the timing. Mike’s focus for the time being is on other things. Knowing you’re on board, though, that’ll get it done. From Mike’s way of thinking, me and you are perfect for a thing like this. His brother and the guy he’s got the highest opinion of.”

Geraci put his big hand on Fredo’s shoulder. “Mike never said that, Fredo.”

It was a show of disrespect, a calculated risk, but of course Geraci was right.

“Did I say he said that?” Fredo said. “What I said was what his way of thinking was.”

“I’m just a mook from Cleveland.” Geraci tightened his grip; Fredo flinched. “I do what I’m told, run my own things, spread the wealth, everybody’s happy. Here and there, I see an opportunity, and I take it. But don’t make me into more than I am. I’m not on board, either. You asked me to look into some things, and I looked. Period. We clear?”

Fredo nodded. Geraci let go of his shoulder. They started walking again. The sun came out, but the snow kept falling.

“I hate that,” Fredo said. “The snow and the sun. It’s unnatural. Like the bomb’s been dropped and the world’s gone screwy on us.”

“I need to be clear on something else, Fredo,” Geraci said. “I don’t want to get into the middle of things between you and your brother.”

“Things are fine between me and my brother.”

“Just so it’s understood. I’m not taking sides. Under no circumstances.”

“There’s no sides to take. C’mon. We’re on the same side about everything. Anybody says different, they don’t know me. They don’t know Mike.”

“ ‘Methinks thou dost protest too much.’ ”

“What the fuck?”

Geraci jerked his thumb toward where they came from. “Shakespeare. The garden back there made me think of it. You’re an actor now, Fredo. Maybe you should learn that stuff.”

“Don’t college-boy me, Mr. Just-a-mook-from-Cleveland. You think you’re better than me?”

“Easy,” Geraci said. “I don’t think anything. Shakespeare was just on my mind.”

“Because I’ve been to see Shakespeare. I’ve even seen Shakespeare in Italian.”

“Which ones? Which plays?”

“I don’t know which ones, right off. What are you, my fucking En-glish teacher? Don’t tell me what I need to learn. It may come as news to you that I got a lot of different things going on. I’m not sittin’ on my ass sipping sherry and making lists of all the plays I ever been to. I’ve been to plays. All right? Smart guy? Plays.”

“Fine,” Geraci said.

They kept walking. He gave Fredo time to calm down.

“Look,” Geraci finally said. “I’m edgy, all right? I don’t like to go behind Michael’s back even to take a leak.”

“Don’t worry about it. Our operation’s too big for any one man to be aware of every little thing or even want to.”

If Fredo really believed that, he certainly didn’t know his brother.

“Problem with Mike,” Fredo said, “he’s smart but he’s bad with people. He don’t understand, it’s natural for people to want to do things for themselves, create things. All I want is to have something that’s mine. My legacy, if you will. If you didn’t feel the same way-”

“This is getting us nowhere, Fredo. I’ve said what I have to say.” Geraci had been right. Fredo was a sweet guy but dumb enough to take his thirty pieces of silver and betray his brother without even knowing that was what he’d done. It was a sad moment. Despite everything, he really liked Fredo. “The next step is one hundred percent between you and Mike. End of story.”

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