Mark Winegardner - The Godfather returns

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The Godfather returns: краткое содержание, описание и аннотация

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Even before you open the book, the stark red, white and black cover sparks the strains of Nino Rota's "The Godfather Waltz" begin playing in your mind. Mark Winegardner has been granted to task of writing a sequel to Mario Puzo's essential 1969 novel The Godfather, a novel which not only must pick up the story of that book, but must also fit the characters and situations Puzo, Francis Ford Coppola, Al Pacino, and others traced through three epic films. The result in The Godfather Returns.
Perhaps most of Winegardner's readers will be more familiar with the films than with the novel, which followed several different characters, many of whom, such as Johnny Fontane or Lucy Mancini, are only peripheral to the films. Winegardner returns to Puzo's novel to follow several different characters. Taking a technique for the second film, however, he also moves through time to present Michael Corleone's story before the first film, between the first two films, and between the second and third films.
Winegardner's decisions to fill in the blanks between the films is one of the weaknesses of The Godfather Returns. The films left out much of the empire building Michael had to do between them in his attempt to go legitimate. While Winegardner manages to add interesting layers of intrigue to Michaels' quest, and to the characters who surround him, the novel really works best when the characters are engaging in mafioso wheeling and dealing.
One of the strengths of Puzo's work was the characters he made come to life, and Winegardner does an excellent job not only with the lives of Puzo's characters, but with his own. Just as Puzo eventually picked up the story of Santino's son, Vincent, in "The Godfather, Part III," Winegardner also elects to follow Santino's offspring, in this case his twin daughters, as they take their first steps at breaking from the family business. Fredo, a pivotal character in the first two films, is actually fleshed out in The Godfather Returns, in which Winegardner adds to the appetites he exhibits in the first films and gives a deeper look into his need to become his own man and gain his older brother's approval.
The central character to the novel, however, is Nick Geraci, a member of the Corleone family who, Winegardner reveals, becomes the button man who killed Sal Tessio, his mentor. After proving his loyalty to the Corleones, it is clear that Geraci will eventually turn on the family as he tries to strike out on his own, setting up an eventual confrontation with Michael. Although it is clear Michael will be victorious, the cost of his victory helps build tension.
In many ways, Winegardner manages to recapture the style and spirit of Puzo's original novel. Nevertheless, there is the feeling that something is missing from The Godfather Returns. Winegardner successfully captures every individual aspect of Puzo's work, whether in the original novel or the films, but there is a magic beneath it that is missing. Despite missing the Puzo magic, The Godfather Returns is a welcome reintroduction to the Corleone clan.
Steven H Silver

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Don Forlenza had no idea his own godson was the biggest heroin importer in the United States. “I don’t know,” Geraci said. Though he did, of course. “Something like that.”

“Sonny more or less got Vito shot, is the story I heard. I don’t see this Fredo, after an experience like that, doing something even worse.”

“First of all,” Geraci said, “Fredo’s on the booze and has an unbelievably bad marriage. He’s out of control. Second, and this is how we get him to hang himself-”

“Hang himself?”

“Figure of speech.”

Forlenza shrugged. “If he hangs himself, he hangs himself.”

“Right, well. Sure. Anyway. Here’s the deal: Fredo’s got this idea about building a city of the dead in New Jersey. He’s like a guy who had a religious vision or something.”

“City of the dead?”

“Big cemetery scam. Long story. Michael’s not for it, and he’s probably right. How is Fredo, out west and married to a movie star, going to run a big new operation-on another Family’s turf, more or less? Point is, Fredo thinks he came up with a billion-dollar business and that Mike’s too caught up in his Cuba thing to give him the time of day. Or too sick of what a fuckup Fredo is to give him more than a symbolic title and a legal whorehouse to run.”

Geraci heard himself say all this and knew there was no turning back. He was taking sides against the Family, too. Fuck it. Loyalty’s a two-way street. Nick Geraci never breathed a disloyal breath-up until the point Michael Corleone tried to kill him.

Revenge, in Nick Geraci’s book, was not the same thing as betrayal.

Don Forlenza closed his eyes and sat in silence so long that Geraci looked at the man’s chest to make sure he was still breathing.

“Hyman Roth’s been in partnership with the Corleones,” Geraci said, “even longer than he has with you, but the deal he and Mike are working on in Cuba is so big that they’ve reached some sort of stalemate.” Geraci came closer. He raised his voice, enough to wake Forlenza up if need be. “We can use Fredo to break it. Roth still has plenty of political pull in New York. If Fredo thinks that Roth will back this cemetery thing, it’ll get his attention in a hurry.”

Forlenza kept breathing. His fingers tugged ever so slightly at the blanket on his lap.

“What we do,” Geraci said, “is go through Louie Russo for everything. The L.A. guys are Russo’s puppets. Fredo’s chummy with a lot of ’em. What happens is, you get Russo to get the word to L.A. Gussie Cic-ero or somebody can set it up so that one of Roth’s guys-Mortie Whiteshoes, Johnny Ola, a party boy like that-just happens to bump into Fredo out in Beverly Hills. Fredo’ll give Roth’s guys any info about Mike they want so long as he thinks that the payoff will be that if you die in New York City, Fredo’ll get a piece of it.”

Finally, Forlenza looked up. “Why the fuck would I die in New York City?”

“Godfather, I have every confidence that you’ll never die anywhere.”

Forlenza waved him off and laughed. “ La testa di cazzo, eh?” What makes you so sure Fuckface will want to go along with all this?”

“He’ll benefit from it. That’s the main thing. But the other reason is that the person he’ll be dealing with is you-the only Don who’s not Russo’s puppet or his enemy.”

“That’s what you think, huh?” Forlenza said, clearly flattered.

“I didn’t get as far as I have by being a guy who doesn’t do his homework, you know?”

Forlenza smiled. He knew. He agreed to the plan and sealed it with a kiss.

If anything went wrong, the blame would fall on Russo. If that layer of insulation failed, the blame would fall on Forlenza, who could be counted on, in his dealings with Russo, to leave all mention of Geraci out of it-both to protect his godson and because he’d want to take credit for the plan himself. Geraci didn’t want blame to fall on Forlenza, but better him than Nick Geraci.

At great length, they discussed the details.

“Trust me,” Geraci said as they were finishing. “Fredo’s so dumb, he’ll betray his brother and think he’s helping out.”

“Never say Trust me. Because no one will.”

“Oh, yeah?”

“Trust me.”

Geraci grinned “You trust me, don’t you, Godfather?”

“I do, of course. Of course!”

“Enough to grant me a favor? One final detail we haven’t yet covered?”

Forlenza pursed his lips and turned his hands palms up, a let-me-hear-it gesture.

“When the time is right,” Geraci said, “I want to kill that rat Narducci myself.”

That rat. In his mind’s eye, Geraci saw the river rat slithering out of the rectum of that stiff Laughing Sal had planted down by the river, the corpse the world had mistaken for Gerald O’Malley.

“Let me be honest with you,” Forlenza said. “I was already gonna have you do it.”

Clemenza had been Vito Corleone’s oldest friend, but the only member of the late Don’s immediate family who went to New York for the funeral was Fredo. Carmela had had a flare-up of her blood clots-this time in her legs-and couldn’t travel. Michael had business. Kay, a lot of people seemed to think, was on the edge of leaving him. Connie had dumped her second husband, that sadsack accountant Ed Federici, and was off in Monaco, consorting naked on the beaches with Eurotrash. It was unclear-to Nick Geraci, anyway-why Hagen couldn’t come, but he wasn’t here. The same went for all the members of the organization out in Nevada, even Rocco Lampone, who’d made it all the way from a gimpy war vet with few prospects all the way to caporegime, every step of it with Clemenza’s backing. Nobody but Fredo, dispatched for symbolic value, presumably, though when Geraci picked him up at the airport, Fredo said he wouldn’t have missed the chance to pay his respects to Pete Clemenza for anything.

On the way to the funeral, during a snowstorm, Fredo Corleone and Nick Geraci stopped for a walk through the Brooklyn Botanic Garden. This had been Tessio’s favorite place to talk business, and it had become Geraci’s. The place was never so crowded on a weekday that it was hard to talk privately. Plus, it would have been an impossible place to bug.

The snow fell in wet flakes, four inches or more expected. The Rock Garden looked like the lumpy surface of the moon. Trailing several paces behind were four of Geraci’s men, Momo the Roach, Eddie Paradise, and two zips (recently arrived Sicilians, in other words, considered ruthless even by other wiseguys). Two others (Tommy Neri, who’d come with Fredo, and Geraci’s driver, Donnie Bags, so named for the colostomy bag he’d needed since he was gutshot by his own wife) had stayed with the cars.

“What I hear,” Fredo said, “is that maybe Pete’s heart attack was no heart attack.”

“The autopsy said heart attack,” Geraci said. “Making someone have a heart attack? Christ. Know what I think? People watch too much TV. Rots their brains. No offense.”

“None taken,” Fredo said. “Plus which you may be right.” The prevailing rumor was that the men who said they pulled Clemenza from the grill had actually pushed him onto it, that they were trying to burn him up and along with it, the diner, too, but lucked out: he had a heart attack, which streamlined things. There were men both inside and outside his own crew who were suspected of the killing, if there had been a killing, which was highly debatable.

That didn’t stop other rumors from flying. Many seemed to think Clemenza had been killed by Hyman Roth, the Jewish gang leader, if only because Roth was in the middle of negotiations with Michael Corleone for control of Cuba. Louie Russo’s Chicago outfit couldn’t be ruled out, either. If it had been murder, Geraci would have bet on the Rosato Brothers, a rogue element in Clemenza’s regime with ties to Don Rico Tattaglia. All that said, both Ockham’s razor and Clemenza’s diet pointed to an unadorned heart attack. An autopsy showed that his heart was twice the size of a normal man’s.

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