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Mark Winegardner: The Godfather returns

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Even before you open the book, the stark red, white and black cover sparks the strains of Nino Rota's "The Godfather Waltz" begin playing in your mind. Mark Winegardner has been granted to task of writing a sequel to Mario Puzo's essential 1969 novel The Godfather, a novel which not only must pick up the story of that book, but must also fit the characters and situations Puzo, Francis Ford Coppola, Al Pacino, and others traced through three epic films. The result in The Godfather Returns. Perhaps most of Winegardner's readers will be more familiar with the films than with the novel, which followed several different characters, many of whom, such as Johnny Fontane or Lucy Mancini, are only peripheral to the films. Winegardner returns to Puzo's novel to follow several different characters. Taking a technique for the second film, however, he also moves through time to present Michael Corleone's story before the first film, between the first two films, and between the second and third films. Winegardner's decisions to fill in the blanks between the films is one of the weaknesses of The Godfather Returns. The films left out much of the empire building Michael had to do between them in his attempt to go legitimate. While Winegardner manages to add interesting layers of intrigue to Michaels' quest, and to the characters who surround him, the novel really works best when the characters are engaging in mafioso wheeling and dealing. One of the strengths of Puzo's work was the characters he made come to life, and Winegardner does an excellent job not only with the lives of Puzo's characters, but with his own. Just as Puzo eventually picked up the story of Santino's son, Vincent, in "The Godfather, Part III," Winegardner also elects to follow Santino's offspring, in this case his twin daughters, as they take their first steps at breaking from the family business. Fredo, a pivotal character in the first two films, is actually fleshed out in The Godfather Returns, in which Winegardner adds to the appetites he exhibits in the first films and gives a deeper look into his need to become his own man and gain his older brother's approval. The central character to the novel, however, is Nick Geraci, a member of the Corleone family who, Winegardner reveals, becomes the button man who killed Sal Tessio, his mentor. After proving his loyalty to the Corleones, it is clear that Geraci will eventually turn on the family as he tries to strike out on his own, setting up an eventual confrontation with Michael. Although it is clear Michael will be victorious, the cost of his victory helps build tension. In many ways, Winegardner manages to recapture the style and spirit of Puzo's original novel. Nevertheless, there is the feeling that something is missing from The Godfather Returns. Winegardner successfully captures every individual aspect of Puzo's work, whether in the original novel or the films, but there is a magic beneath it that is missing. Despite missing the Puzo magic, The Godfather Returns is a welcome reintroduction to the Corleone clan. Steven H Silver

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“How often do you get to see them?”

“Who?”

“Your family,” he said. “Tony and Mary.”

For a moment, Michael had thought Roger meant his theoretically former business associates. “I’m seeing them tomorrow.”

The rooms were big for Manhattan, small compared to what they’d had in Tahoe. “They’ll like this, I think.”

“What about you?” Cole asked. “Do you like it? Because if you don’t I’ve got a couple other places that could work. If you have time.”

“Who’s the seller?” Michael said.

Cole smiled. “King Properties, every square foot.”

Which meant that as Cole’s silent partner Michael already had a piece of it. “And the whole building’s for sale?”

“Not officially. Just the apartments. But for you, of course.”

He could draw his family closer to him than ever. Kathy had gotten a teaching job at City College; she and Francesca would live together and raise little Sonny. Connie and her kids would move into the other big suite on that floor. Tom and Theresa could have the whole floor under that. Anyone who moved here, he could make room for them and keep them safe.

They discussed terms.

“This is perfect, Roger.”

Francesca applauded. The men kissed each other on the cheeks. They all headed for the elevator.

“Once a New Yorker, huh?” Cole said. “I knew you’d come back. Welcome home, my friend!”

“It’s good to be back,” Michael said, louder than he’d meant to say it. As the elevator doors closed, his hollow words still echoed in the stone hallway of his empty new home.

Acknowledgments

Hearty, heartfelt thanks to the following people for their help during the writing of this book: Dottie Ames, Lynn Anderson, Ignazio Apolloni, Rachel Bernstein, Thomas Bligh, Kate Blum, Christine Cabello, Felice Cavallaro, Gina Centrello, Roger Cole, Anthony Corleone, Sanyu Dillon, Deanna Dunn, Magee Finn, Francesca Fontane, Rino Francaviglia, Buzz Fratello, Father Andrew Hagen, Theresa Hagen, Cesare Indelicato, Jr., Jonathan Jao, Jonny “the Pencil” Karp, Barbara (Geraci) Kennedy, J. A. Kriausky, Mike Lauer, Carole Lowenstein, Congresswoman Winifred “Annie” McGowan, Elizabeth McGuire, Daniel Menaker, Kay Michaelson, Hal Mitchell, Moonflower® (née Beverly Geraci), Gene Mydlowski, Tom Nevins, Neil Olson, Leoluca Orlando, Phil Ornstein, Allyson Pearl, Beth Pearson, Thomas Perry, Dr. Katherine (Corleone) Pietralunga, Anthony Puzo, Jillian Quint, Kelle Ruden, Donald “Donnie Bags” Serio, Sir Oliver Smith-Christmas, Willie “the Journeyman” Tonelli, Governor George Van Arsdale, Harriet Wasserman, Don Weisberg, Anthony Ziccardi, and Andy Warhol.

In addition, the following organizations provided richly appreciated support during the writing of this book: the Corporation of Yaddo, the Hambidge Center for the Arts, the Ragdale Foundation, the Central Intelligence Agency, and the World War II Instititute at Florida State University in Tallahassee, Florida. Thank you one and all.

About The Author

MARK WINEGARDNER received a master of fine arts degree in fiction writing from George Mason University and published his first book at age twenty-six, while still in graduate school. His books have been chosen as among the best of the year by The New York Times Book Review, Los Angeles Times, Chicago Sun-Times, USA Today, and the New York Public Library. His work has appeared in various publications including GQ, Playboy, Family Circle, American Short Fiction, Ladies’ Home Journal, Parents, and The New York Times Magazine. Several of his stories have been chosen as Distinguished Stories of the Year in The Best American Short Stories. He has also served as a board member of the Associated Writing Programs. He is now a professor and director of the creative writing program at Florida State University in Tallahassee, Florida.

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