Mark Winegardner - The Godfather returns

Dizzy, she collapsed, falling sideways against the gearshift and not caring. She let herself cry. That made nothing better. She wanted to do something, not sit in her cheating husband’s fancy car, crying like some helpless woman.

She was not some helpless woman.

She was a Corleone.

She was the daughter of a great warrior king, Santino Corleone.

By the time she noticed she was murmuring “Daddy, help me” over and over, she’d been doing it awhile.

A Capitol Police traffic cop stopped to write her a ticket, but when Francesca sat up-her face contorted in anguish, her hair and eyes wild-the cop put the summons book away. He looked like he’d seen a ghost. He turned and walked the other way, shaking his head.

In a dark parking lot down by the Potomac River, Francesca waited in her husband’s red car, watching the bar across the street, where she was supposed to meet Billy. She’d been there for a long time, long enough to read every speculation, half-truth, and condescending comment in that hateful file. She wasn’t wearing a watch, and the clock in the Ghia kept lousy time. There had been a handful of aspirin in her purse (next to the kitchen knife, a wedding present from Fredo Corleone and Deanna Dunn), but they’d worn off. Her hand was throbbing worse than ever. But the emotional and physical pain were working together to keep her from passing out, the way two deadly poisons in the bloodstream can keep a person alive.

Maybe an hour ago, Billy had gone into the bar with several other young lawyers. He hadn’t seen her. If he had, they’d have probably had this out already. She wouldn’t really have used that knife (would she?), and she wasn’t above making a scene. But she couldn’t bring herself to do it. Every moment since then, she’d been a moment away from getting out of the car. She would have, she thought, if she knew what she was going to do or even what she wanted.

She kept going back and forth between wishing she hadn’t brought the knife at all and fearing that she couldn’t possibly do this with her left hand.

She kept thinking about her tough and funny little boy, which made her alternately more and then less inclined to act.

She kept thinking that if only she could calm down, she’d think better.

She realized, now, that this was as absurd as thinking that if only her father were here for her, her whole life would be different and better.

She thought she might soften when she saw Billy again, but when he finally came out of the bar, alone and unsteady on his feet, turning up the collar of his coat against the cold, the opposite happened.

Insurance.

Her heart raced. Her hand hurt so badly she whimpered like a dying animal. Billy turned the corner and started up a steep, narrow cobblestone alley toward M Street. She knew what he was doing. He was a rich boy who’d bought this fancy car because it was what Johnny Fontane, Bobby Chadwick, and Danny Shea drove, but he was also too cheap to hail a cab if it meant having to ride around an unnecessary block. On M Street, he’d be able to get one that wouldn’t have to turn around.

Francesca turned on the ignition. It was a fast car, that Dual-Ghia, one of the fastest made. A perfect hybrid of Italian engineering and American flamboyance.

In the blink of an eye and a few agonizing thrusts of the gearshift, Francesca had it rocketing up that alley.

Billy turned, shielding his eyes from the glare of the headlights. She braced her arms against the big, faux-wood steering wheel. Billy was directly in front of her. There was a split-second flash of what might have been a smile, and she hit him. On impact, his shoes exploded off his feet, his legs buckled, his torso whipped forward, and his head slammed into the hood as hard as if he’d dove from ten stories above. The car fishtailed but kept going. She slowed down but did not slam on the brakes. Billy stayed on the hood as if he were imbedded there.

Francesca grabbed the folder and jumped out of the car. She closed the door as if nothing unusual had just happened and, without hesitating, walked away from the car.

She wasn’t hurt. No one seemed to have seen her. The only thing she felt was awe. She wasn’t screaming or crying. She’d had the mental strength to go through with this and the physical strength to brace herself against the wheel, even with a badly injured hand. The hand was killing her now, but on impact she hadn’t felt a thing.

About fifty yards from the wreck she saw one of his shoes but didn’t even break stride.

She told herself not to look. But as she was about to turn onto M Street, she couldn’t help but look back.

From the top of the hill, the damage to the car didn’t look bad at all. Billy was still on the hood, motionless. A pool of blood was spreading across the cobblestones. At first she couldn’t tell where all that blood was coming from, until she realized that his legs were not crumpled underneath the front bumper. Far behind the car, under the alley’s lone streetlight, lay the severed bottom half of his body.

She felt no remorse whatsoever.

The walk home might have taken her a minute or a day, Francesca couldn’t have said. All the way home, enduring the pain in her hand and the almost as severe pain from the lurches her heart made every time she heard a siren, she didn’t look behind her, not once.

Kathy was at the table, lost in her writing, and Sonny was asleep in his room.

Francesca sat heavily down on the sofa.

“Did Billy call?”

“I don’t know,” Kathy said, not looking up. “I unplugged the phone to work. I hope you weren’t worried. Sonny was a blast. A doll. Everything went great. How’s your hand?”

“Remember when I found out Billy was cheating on me, and you said I should kill him? Well, I did it.”

Kathy started to laugh, then looked closer at her sister and, eyes wide, stifled it. She rushed over to the sofa. “Oh, my God, you-”

“Look at this,” Francesca said, extending the folder to her sister.

“Tell me everything,” Kathy said. “Tell me everything fast. ”

The police showed up about an hour after Francesca did, maybe five minutes after Kathy got on the bus that would take her to Union Station and the night’s last train back to New York. There was no trace of her in Francesca’s apartment. Kathy hadn’t even told her mother and her mother’s fiancé, Stan the Liquor Man, that she’d gone to Washington for fear Sandra would immediately start laying on the guilt about how long it had been since Kathy had come to see them in Florida.

When the police gave Francesca the news, she ran down the hall to her bedroom, screaming in not-quite-mock hysteria. She hit the wall with the palm of her left hand-hard but of course not hard enough to hurt anything. Still, the noise it made was convincing. When they caught up to her, there was a hole in the wall and Francesca’s hand was, in their opinion, broken and starting to swell. The ice that had in fact just brought the swelling down dramatically had been flushed down the toilet.

Miraculously, Sonny slept through all of this. After the police left, and after the doctor sent over by Danny Shea’s secretary left, too, Francesca unplugged the telephone and stood over her son’s bed and watched him sleep, his golden football helmet on the pillow beside him.

She would have to tell him. She would call Kathy in New York, and Kathy would call everyone else: their mother, even Billy’s brother and his parents. But Francesca would, somehow, have to shoulder the burden of telling Sonny.

She went back out to the kitchen and took the file out from behind her pots and pans, where she’d hidden it. She paged through it again, marveling that anyone would betray his own family like this. And for what? His career? He was rich. Francesca’s family had connections. Her family could have been Billy’s insurance.