Mark Winegardner - The Godfather returns

He bore left, scanning the floor for debris or fallen body parts. His grandparents, who came from the tiny town of Corleone, were among those hung vertically. His grandfather wore a green velvet coat (underneath, the gunshot wound in his back gaped open and a steel rod was all that kept the powdery-boned torso from collapsing). His grandmother (an arm had dropped off some time ago and been loosely reattached with wire) wore her wedding dress. When the monk had first arrived, they, like many of the dead, still had faces. For a half century he’d watched the day-by-day disappearance of their eyes and skin. He kissed his fingertips, applied them spider delicately to the foreheads of his ancestors, mumbled a prayer for their souls, and hurried on.

At the end of the tunnel was La bambina, the lovely two-year-old girl who’d died in 1920 and become one of Sicily’s most popular tourist attractions. The doctor who embalmed her had taunted the monks about the new procedure he’d invented. Before anyone learned his secret, he, too, died (from the deadly sin of pride, the monk would tell the younger brothers, though the prosaic cause was a ruptured spleen). The old monk had spent many reflective hours studying the doctor’s pitiful notes and the girl herself, fruitlessly trying to guess what the doctor had done. The baby with the long blond hair in that glass-covered coffin had been in there for forty-one years. She looked as though she’d died a few days ago.

As the monk approached La bambina, his cloudy eyes seemed to be playing tricks on him. Against the wall near the poor babe was a body as well preserved as hers.

He rubbed his eyes. It was a bald man in a raincoat. Diamonds gleamed from the rings on his fingers and the bar across his fat tie. The dead were not interred here wearing jewelry. Then the monk saw the distinct black lines on either side of the man’s mouth and felt a wave of relief.

It was a huge marionette. The jewelry must be fake. An odd prank, but the monk had lived in Palermo a long time and had learned not to be surprised by anything that happened here.

He drew nearer.

The puppet lines beside Laughing Sal Narducci’s mouth were actually rivulets of blood.

The rope used to garrote him-just before noon, when the catacombs closed for lunch-lay on the floor beside the dead man’s shiny shoes.

The monk took in this grim tableau, in this strange and holy place, and something inside his heart broke. A common thief would have taken the jewels. An ordinary killer would have hidden the body, not left it here, in the same chamber with La bambina ! The monk shouted a stream of curses at the Friends. Who else would do such a thing? He had devoted his life to paying penance for his family’s violent tradition, but again and again it sought him out. And now, so late in life, this atrocity. It felt cruelly inevitable. Rage filled him like a poison. His curses grew louder.

The brothers who ran to his aid told the authorities that when the beloved old man collapsed and died, his face was as red as the rightmost stripe of the Italian flag.

When, from the killer himself, Cesare Indelicato heard what had happened-on the terrace of his cliffside villa, overlooking the medieval city he essentially ruled-he marveled at God’s bleak sense of humor. Don Cesare had never met the poor monk, but he recognized the man’s name. It had been Don Cesare’s grandfather, Felice Crapisi, who killed the monk’s traitorous grandfather. Even more strangely, Don Cesare had been asked to kill Narducci twice (first by Thomas Hagen, then by Nick Geraci). The trusted soldato he’d sent had killed Narducci only once, yet the bloody poetics of the Creator saw fit to transform that lone killing into two deaths.

Don Cesare thanked the killer and dismissed him.

Alone, shaking his head in wonder and awe, Don Cesare raised a glass of grappa toward Palermo and toward the darkening heavens.

What toast might he give to such a world, such a God, that had made him so happy, so rich, that had rewarded his every duplicitous act while punishing the superstitious little ants down there striving to do good?

What else?

“Salut’,” he cried. He drank.

The toast echoed off the cliff. He heard it again, and again he drank.

A T THE CORLEONE COMPOUNDat Lake Tahoe, Theresa Hagen and Connie Corleone (who’d gone back to using her maiden name) were cooking dinner together, as they did most nights they were both home, which was most nights. They alternated kitchens, by no pattern Michael could see, some nights in his house, others (like tonight) at the Hagens’. There had been a remarkable change in Connie in the two years since she’d stopped trying to be a part of the jet set and come home to serve her brother-just as unmarried relatives have served as de facto first ladies to widowed or bachelor presidents. Theresa was no small part of Connie’s turnaround. She’d become the big sister Connie never had-complete with constant sisterly bickering, true, but they clearly loved each other. Because of Theresa, Connie had taken an interest in art and was helping Theresa raise funds to establish a permanent symphony orchestra in Lake Tahoe. They both held office in the League of Women Voters. The last year or so, Connie had even started dressing much more conservatively. They used the same designer the real first lady did.

In Tom Hagen’s office, the stone cottage behind the house, Tom and Michael were lying low until dinner was ready. Connie’s kids drove Michael nuts, even his godson, Mickey Rizzi, who was six years old and cried constantly. Connie ran things around the house, but Michael could have hired people to do that. Having someone else’s children living in his house made him miss Tony and Mary even more, he thought, than if he’d been rattling around over there alone. Not to mention the Hagen kids, right next door. Gianna Hagen and Mary were the same age, had gone to the same schools, and been best friends. It was impossible to look at Gianna and not feel a pang of yearning for the simple pleasure of reading a bedtime story to his daughter.

He and Tom also had business to discuss, of course. Tom had spoken to the Ambassador about getting Billy more responsibility in his job at the Justice Department; the Ambassador claimed to have spoken to his son Danny, the attorney general, but Tom had his doubts. Billy was apparently still being kept away from anything in the office that might be useful to the Corleones.

There was also the matter of Vincent Forlenza’s trumped-up rationale for killing his long-deported consigliere and the word Nick Geraci had sent that he needed to speak with Michael Corleone, in person, one on one.

“Did Geraci say what it was about?” Michael presumed it had to do with Narducci.

“He didn’t,” Tom said. “He said he could come out here if you’d rather-Aw, shit.”

On the putting green outside Tom’s office, Victor Rizzi-his twelve-year-old nephew, freshly suspended from school for fighting and drinking-executed a flying tackle of Andrew Hagen, seven years older and about to begin his sophomore year at Notre Dame. Andrew-a divinity major who planned to become a priest-was probably not the instigator. Victor came up swinging. Andrew tossed his putter aside and pinned Victor to the green.

Michael cocked an eyebrow.

“Forget it,” Tom said. “Andrew can handle it.”

“It’s not Andrew I’m worried about.”

The Hagens’ alarmed, obedient collie raced to the back door of the house, barking. A moment later, Connie came running out in a filthy apron, screaming at Victor. Andrew used his longer arms to his advantage and essentially handed Victor over to his furious mother.