Mark Winegardner - The Godfather returns

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The Godfather returns: краткое содержание, описание и аннотация

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Even before you open the book, the stark red, white and black cover sparks the strains of Nino Rota's "The Godfather Waltz" begin playing in your mind. Mark Winegardner has been granted to task of writing a sequel to Mario Puzo's essential 1969 novel The Godfather, a novel which not only must pick up the story of that book, but must also fit the characters and situations Puzo, Francis Ford Coppola, Al Pacino, and others traced through three epic films. The result in The Godfather Returns.
Perhaps most of Winegardner's readers will be more familiar with the films than with the novel, which followed several different characters, many of whom, such as Johnny Fontane or Lucy Mancini, are only peripheral to the films. Winegardner returns to Puzo's novel to follow several different characters. Taking a technique for the second film, however, he also moves through time to present Michael Corleone's story before the first film, between the first two films, and between the second and third films.
Winegardner's decisions to fill in the blanks between the films is one of the weaknesses of The Godfather Returns. The films left out much of the empire building Michael had to do between them in his attempt to go legitimate. While Winegardner manages to add interesting layers of intrigue to Michaels' quest, and to the characters who surround him, the novel really works best when the characters are engaging in mafioso wheeling and dealing.
One of the strengths of Puzo's work was the characters he made come to life, and Winegardner does an excellent job not only with the lives of Puzo's characters, but with his own. Just as Puzo eventually picked up the story of Santino's son, Vincent, in "The Godfather, Part III," Winegardner also elects to follow Santino's offspring, in this case his twin daughters, as they take their first steps at breaking from the family business. Fredo, a pivotal character in the first two films, is actually fleshed out in The Godfather Returns, in which Winegardner adds to the appetites he exhibits in the first films and gives a deeper look into his need to become his own man and gain his older brother's approval.
The central character to the novel, however, is Nick Geraci, a member of the Corleone family who, Winegardner reveals, becomes the button man who killed Sal Tessio, his mentor. After proving his loyalty to the Corleones, it is clear that Geraci will eventually turn on the family as he tries to strike out on his own, setting up an eventual confrontation with Michael. Although it is clear Michael will be victorious, the cost of his victory helps build tension.
In many ways, Winegardner manages to recapture the style and spirit of Puzo's original novel. Nevertheless, there is the feeling that something is missing from The Godfather Returns. Winegardner successfully captures every individual aspect of Puzo's work, whether in the original novel or the films, but there is a magic beneath it that is missing. Despite missing the Puzo magic, The Godfather Returns is a welcome reintroduction to the Corleone clan.
Steven H Silver

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“I do have another reason to see you in person, though, Don Cesare. It involves your young godson Carmine Marino.”

The Don frowned. “He’s all right?”

“He’s doin’ great,” Geraci said. “Possibly the best man I have. Which is why I wanted to talk to you about a job I want to give him. A valuable, important, but very dangerous job.”

Geraci was tempted to confide in him. Indelicato was a valuable, even trusted, ally. More to the point, he was the only person Geraci knew who’d worked with the CIA before. During the war, the Mafia members not banished to Ustica by the Fascists had functioned in Sicily as the Resistance had in France. Indelicato quickly emerged as one of the leaders of this violent, effective underground. Via Lucky Luciano, the deported American Don, Indelicato met with operatives from the OSS-the forerunner of the CIA-to provide intelligence that laid the groundwork for the invasion of the island. It was supposedly Indelicato who came up with the stunt of air-dropping tens of thousands of red handkerchiefs emblazoned with Luciano’s famous script L to alert the Sicilian people-but not the Fascist invaders from the north-to what was coming. The British, who did not collaborate with the Mafia, suffered heavy casualties in their battles to take the eastern third of the island, but on the western two thirds, particularly in the regions that were Mafia strongholds, the Americans profited from superior intelligence and sustained relatively few casualties. After the invasion, in many of the cities occupied by the Americans, the civilians installed as provisional mayors were mafiosi. When the Allies withdrew, most of the mayors stayed. And when the Dons were freed from Ustica, they returned home to find that, courtesy of the USA and the OSS, the political power of the Mafia had increased exponentially. Soon thereafter, Cesare Indelicato was elected to the Italian Parliament and helped spearhead a surprisingly popular movement to secede from Italy and become America’s forty-ninth state.

Ultimately, Geraci decided not to risk it. “I can’t give you any details,” he said. “I can only say that Carmine wants to do the job and that he’d be the leader of the other men I send.”

“You tell me this why? What reason? You want my blessing, how can I do that if I don’t know what I bless, eh?”

“If you tell me to take Carmine off this job, I’ll do it. But I can’t be specific about what we’re doing. What we have to do.”

Don Cesare considered this. “I think you are asking me to approve that my godson Carmine, who sends his mother money home every month, that he go do something where you think he will be killed, eh? If not that, you don’t need to ask me nothing.”

Geraci answered this only with silence.

“And you know he’s related to the Bocchicchio clan? I wouldn’t want to be the man who got blamed for anything that happened to him.”

Don Cesare said this with no conviction, clearly grasping at straws. Geraci knew full well who Carmine Marino’s people were.

In silence, Geraci waited Don Cesare out.

“One question, then,” Don Cesare finally said. “Carmine, he knows as much about this as you, the danger and also the reason for it, and still he want to do it, ?”

“That’s right. Absolutely he still wants to do it.”

The Don bobbed his head back and forth, as if to show he was thinking about the repercussions of anything he might say. “Carmine is a man,” he said. “He does not need me to tell him what brave deeds he can or cannot do.”

“Thank you, Don Cesare.” Geraci felt the tremors coming on and excused himself to go to the bathroom, though all he really wanted to do was move around and concentrate on the moving so that the shaking would stop. For some reason, very little worked better in this regard than any action he could make his prick do. Urinating was in general handier than the other.

“For many reasons,” Geraci said as he sat back down at the table, “one of which being that Carmine will be in charge, I think it’s best that all the men we put on this job be Sicilians.” Another of the many reasons was that the Sicilians did not have rules against killing cops or government officials.

“You want people,” Indelicato said, “I’ll get you people.”

“I appreciate that. But I can’t risk bringing men in just for this job. I need men who’ve been in the States awhile. I don’t want to use too many of Carmine’s people either, especially, God forbid, if something should happen to the guy. I’m going to call in the pizza men, the best ones. Any objections?”

“If not for a tough job, then when, huh?”

Nearly all the men stashed in the pizza parlors had been directly or indirectly dispatched to America by Cesare Indelicato.

“A lot of those people I don’t know at all,” Geraci said.

“Of course you don’t. They don’t get in trouble, don’t have problems, what’s to know?”

“Exactly. I’ve got guys who’ve been out there seven years. Guys I’ve never laid eyes on. I need your advice, Don Cesare. If you were to recommend, say, the four best men you’ve sent over-best in terms of toughness, character, smarts-who would that be?”

Geraci had expected him to have to think about this awhile, but Don Cesare answered immediately, complete with brief descriptions of the men’s skills. If they were half the men he said they were, Geraci would have no trouble getting this done without sending Carmine.

“There’s another, unrelated matter,” Geraci said. “It involves a traitor in your midst. A man sent here from America. An inconvenient man to our Commission, or so they ruled.”

Geraci couldn’t do it himself, as of course Don Cesare understood. He was a Boss. Such things must be done by others.

The frail Capuchin monk struggled down the stairs to the convent’s catacombs. He had glaucoma and an arthritic hip, but he was determined not to become a burden to the order. He could still do all the tasks he’d done when he first came to Palermo as a young man-from the sublime of tending the garden, preparing meals for his brothers in Christ, and embalming the dead to be interred in the city cemetery next door, to the ridiculous of selling postcards to tourists and picking up the filth they left behind. Soda cans, wine bottles, spent flashbulbs (photography was explicitly forbidden), and even, once, a used prophylactic.

It was after lunch: almost three, when the catacombs would reopen to the public. A German tour group milled around outside the barred iron doors. As the monk descended farther, their vulgar noise receded. He smiled and thanked almighty God for allowing him to recognize that even diminished hearing can be a gift from on high.

At the base of the stairs was a candy wrapper. The monk’s knees cracked as he stooped to pick it up.

In the tunnels before him were the crumbling, finely dressed remains of eight thousand Sicilians. Many were hung from hooks in long rows, their skulls bowed in what the monk liked to think of as humility. Others lay on shelves and tucked into recessed alcoves, floor to ceiling. A few reclined in wooden coffins, heads resting on pillows covered by a film of dust that had once been flesh. In life, they’d been dukes and countesses, cardinals and important priests, military heroes who fought alongside Garibaldi and those who drew their swords against him. Some, including the monk’s own grandfather, had been defiled in their mortal lives by their association with what Sicilians call the Friends. Eight thousand dead: people who paid the order handsomely so that their remains or those of their loved ones could be displayed here. The folly of this was not lost on the old monk. With one exception -La bambina, whose presence the monk had helped arrange-the order had stopped accepting bodies in 1881, eighty years ago, two years after the monk was born. For the most part, these people who’d wanted so badly to be remembered had been forgotten by all but their Creator. Few if any of the children in these catacombs-including an entire chamber filled with them-were mourned by a living soul. The corporeal rot of these eight thousand had been slowed by skilled Capuchin embalmers and by the cool, dry air, but, except for La bambina, rot and earthly oblivion had come nonetheless.

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