Paul Theroux - The Great Railway Bazaar

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Paul Theroux is a vocal proponent of rail travel over air travel, which he likens to traveling by submarine for all that goes unseen and not experienced by its adherents. The Great Railway Bazaar, his 1975 account of a four month railroad journey through Europe and Asia begins, "I sought trains, I found passengers." It is certainly the individuals that Theroux meets along the way, rather than the cities, buildings, or sites of touristic import, to which he devotes his most generous descriptions.
Beginning in Victoria Station with Duffill, an older man with a tweed cap, ill-fitting clothes, and mysterious business in Istanbul (Duffill's name later becomes synonymous with being left behind at a railway station), Theroux's journeys brim with a huge cast of colorful characters. From ashram-bound hippies to devout Kali-worshiping Tamils to Vassily Prokofyevich, the drunken Russian dining car manager on the Trans-Siberian Express, Theroux richly details his varied encounters, paying particular attention to the bizarre along the bazaar.
In Calcutta, "a city of mutilated people (where) only the truly monstrous looked odd," the author encounters "the hopping man," who with only one muscular leg, hops himself through the urban detritus; on the Saigon to Bien Hoa train, a Vietnamese woman thrusts an American baby upon him, expecting Theroux to keep and raise the child; and in Japan, where the cleanliness, efficiency, and quiet of the passenger trains provide striking contrast to what the author had up until that point become accustomed to, he finds the cultural undercurrent of sadistic pornography disturbingly unquestioned.
Paul Theroux had already established himself as a novelist at the time of his four month journey; The Great Railway Bazaar, today a travel writing classic, was preceded by ten books, six of which were novels. In fact, his four month long excursion seems to have been funded or at least justified, by the lecture engagements the author had arranged all along his route.
The first of many in this genre from Theroux, including Dark Star Safari (2002) and Ghost Train to the Eastern Star (2008), The Great Railway Bazaar is at once a timeless narrative of humans and travel and a distinctly historical slice of global affairs as viewed by one decidedly motion-bound writer.
The journey however is a long one and while masterfully wrought, it is often the incidental passage of time in a railway compartment that is thus rendered, and by the end of it even Theroux has tired of his travels. Snippets of brilliance exist throughout, but they are intermittent as you might expect, as when viewed from a passing train.

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We were travelling parallel to the coast, a few miles inland, and the fans in the compartment gave very little relief from the pressure of humidity. The sky was overcast with clouds that seemed to add weight to the suffocating heat, and the train was going so slowly there was no breeze at the windows. To shake off my feeling of sluggishness, I borrowed a broom and some rags from the conductor; I swept out my compartment and washed all the windows and woodwork. Then I did my laundry and hung it on hooks in the corridor. I plugged the sink and sluiced myself with water, then shaved and put on my slippers and pyjamas. It was my own sleeping car, after all. At Villupuram the electric engine was replaced by a steam locomotive, and at that same station I bought three large bottles of warm beer. I plumped the pillows in my compartment and, while my laundry dried, drank beer and watched the state of Tamil Nadu grow simpler: each station was smaller than the last and the people grew increasingly naked – after Chingleput there were no shirts, undershirts disappeared at Villupuram, and further on lungis were scarce and people were running around in drooping loincloths. The land was flat, featureless except for an occasional storklike Tamil poised in a distant paddy field. The huts were as poorly made as those temporary ones thrown up in the African interior, where it is considered unlucky to live in the same hut two years in a row. They were of mud and had palm-leaf roofs; the mud had cracked in the heat and the first of the monsoon would sweep those roofs away. In contrast to this haphazard building, the rice fields were cleverly irrigated by complex plumbing systems and long canals.

The greatest annoyance that afternoon was the smoke from the steam engine. It poured through the windows, coating every surface with a fine film of soot, and the smell of burned coal – which is the smell of every Indian railway station – lingered in the compartment. It took much longer for the engine to build up speed, and the trip-hammer sound and the rhythmic puffing was transmitted through the carriages. But there was a gentleness in this power, and the sounds of the thrusting wheels gave a motion to the train that was not only different from the amplified lawnmower of the electric engine, but made the steam engine seem animal in the muscular way it moved and stopped.

After dark the compartment lights went out and the fan died. I went to bed; an hour later – it was 9.30 – they came on again. I found my place in the book I was reading, but before I finished a paragraph the lights failed a second time. I cursed, switched everything off, smeared myself with insect repellent (the mosquitoes were ferocious, nimble with their budget of malaria), and slept with the sheets over my head, waking only at Trichino-poly (Tiruchirappalli) to buy a box of cigars.

The next morning I was visited by a Buddhist monk. His head was shaved, he wore saffron robes, and he was barefoot. He was the very picture of piety, the mendicant monk with his sweaty head, going third class on the branch line to Nirvana. He was, of course, so right for the part that I guessed immediately he was an American, and it turned out he was from Baltimore. He was on his way to Kandy in Central Ceylon. He didn't like my questions.

'What do your folks think about you becoming a Buddhist?'

'I am looking for water,' he said obstinately.

'Are you in a monastery or what?'

'Look, if there's no water here, just tell me and I'll go away.'

'I've got some good friends in Baltimore,' I said. 'Ever get back there?'

'You're bothering me,' said the monk.

'Is that any way for a monk to talk?'

He was really angry then. He said, 'I get asked these questions a hundred times a day!'

'I'm just curious.'

'There are no answers,' he said, with mystifying glibness. 'I'm looking for water.'

'Keep looking.'

'I'm dirty! I haven't slept all night; I want to wash!'

'I'll show you where the water is if you answer me one more question,' I said.

'You're a nosy bastard, just like the rest of them,' said the Buddhist monk.

'Second door on your right,' I said. 'Don't drown.'

I think the next ten miles were the most exciting I have ever travelled in a train. We were on the coast, moving fast along a spit of land, and on either side of the train – its whistle screaming, its chimney full of smoke -white sand had drifted into magnificent dunes; beyond these dunes were slices of green sea. Sand whipped up by the engine pattered against the carriages behind, and spray from the breakers, whose regular wash dramatized the chugging of the locomotive, was flung up to speckle the windows with crystal bubbles. It was all light and water and sand, flying about the train speeding towards the Rameswaram causeway in a high wind. The palms under the scudding clouds bowed and flashed like fans made of feathers, and here and there, up to their stupas in sand, were temples flying red flags on their crooked masts. The sand covered the track in places; it had drifted into temple doorways and wrecked the frail palm-frond huts. The wind was terrific, beating on the windows, carrying sand and spray and the whistle's hooeeee, and nearly toppling the dhows in full sail at the hump of the spangled horizon where Ceylon lay.

'Few minutes more,' said the conductor. 'I think you are sorry you took this train.'

'No,' I said. 'But I was under the impression it went to Dhanushkodi – that's what my map says.'

'Indo-Ceylon Express formerly went to Dhanushkodi.'

'Why doesn't it go there now?'

'No Indo-Ceylon Express,' he said. 'And Dhanush-kodi blew away.'

He explained that in 1965 a cyclone – the area is plagued with them – derailed a train, drowning forty passengers and covering Dhanushkodi with sand. He showed me what remained, sand dunes at the tip of the peninsula and the fragments of black roofs. The town had disappeared so thoroughly that not even fishermen lived there any more.

'Rameswaram is more interesting,' said the conductor. 'Nice temple, holy places, and tombs of Cain and Abel.'

I thought I had misheard him. I asked him to repeat the names. I had not misheard.

The story is that when Adam and Eve were driven from the Garden of Eden they went to Ceylon (Dhanushkodi is the beginning of the seven islands across the Palk Strait known as 'Adam's Bridge'). Christ went there; so did Buddha and Rama, and so, probably, did Father Divine, Joseph Smith, and Mary Baker Eddy. Cain and Abel ended up in Rameswaram, which might be the true Land of Nod, east of Eden. Their tombs are not signposted. They are in the care of the local Muslims, and in this town of Hindus, the majority of whom are high-caste Brahmins, I had some difficulty locating a Muslim. The driver of the horse-drawn cab (there are no cars in Rameswaram) thought there might be a Muslim at the ferry landing. I said that was too far to go: the tombs were somewhere near the railway station. The driver said the Hindu temple was the holiest in India. I said I wanted to see the tombs of Cain and Abel. We found a ruminant Muslim in a dusty shop on a side street. He said he would show me the tombs if I promised not to defile them with my camera. I promised.

The tombs were identical: parallel blocks of crumbling stone on which lizards darted and the green twine of tropical weeds had knotted. I tried to appear reverential, but could not suppress my disappointment at seeing what looked like the incomplete foundations of some folly concocted by a treasonous clerk in the Public Works Department of the local mosque. And the tombs were indistinguishable.

'Cain?' I said, pointing to the right one. I pointed to the left. 'Abel?'

The Muslim didn't know.

The Hindu temple, founded by Rama (on his way to Lanka, Ceylon, to rescue Sita), was an impressive labyrinth, nearly a mile of subterranean corridors, garishly lit and painted. The traveller J. J. Aubertin, who visited the Rameswaram temple (but not the tombs of Cain and Abel: maybe they weren't there in 1890?) mentions the 'blasphemous' and 'ugly' dances of the nautch girls in his book, Wanderings and Wonderings (1892). I looked. I saw no nautch girls. Five aged women were gravely laundering their shrouds in the sacred pool at the centre of the temple. In India, I had decided, one could determine the sacredness of water by its degree of stagnation. The holiest was bright green, like this.

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