Paul Theroux - The Old Patagonian Express - By Train Through the Americas

One of us on that sliding subway train was clearly not heading for work. You would have known it immediately by the size of his bag. And you can always tell a fugitive by his vagrant expression of smugness; he seems to have a secret in his mouth — he looks as if he is about to blow a bubble. But why be coy? I had woken in my old bedroom, in the house where I had spent the best part of my life. The snow lay deep around the house, and there were frozen footprints across the yard to the garbage can. A blizzard had just visited, another was expected to blow in soon. I had dressed and tied my shoes with more than usual care, and left the stubble on my upper lip for a moustache I planned to grow. Slapping my pockets to make sure my ballpoint and passport were safe, I went downstairs, past my mother's hiccupping cuckoo clock, and then to Wellington Circle to catch the train. It was a morning of paralyzing frost, the perfect day to leave for South America.

For some, this was the train to Sullivan Square, or Milk Street, or at the very most Orient Heights; for me, it was the train to Patagonia. Two men using a foreign language spoke in low voices; there were others with lunch-boxes and valises and briefcases, and one lady with the sort of wrinkled department store bag that indicated she was going to return or exchange an unwanted item (the original bag lending veracity to the awkward operation). The freezing weather had altered the faces in the multi-racial car: the whites' cheeks looked rubbed with pink chalk, the Chinese were bloodless, the blacks ashen or yellow-grey. At dawn it had been 12° Fahrenheit, by mid-morning it was 9°, and the temperature was still dropping. The cold wind gusted through the car as the doors opened at Haymarket, and it had the effect of silencing the muttering foreigners. They looked Mediterranean; they winced at the draught. Most of the people sat compactly, with their elbows against their sides and their hands in their laps, squinting and conserving their warmth.

They had affairs to attend to in town — work, shopping, banking, the embarrassing moment at the refund desk. Two had hefty textbooks in their laps, and a spine turned towards me read A General Introduction to Sociology. A man solemnly scanned the headlines in the Globe, another thumb-flicked the papers in his briefcase. A lady told her little girl to stop kicking and sit still. Now they were getting out at the windy platforms- after four stations the car was half-full. They would return that evening, having spent the day speaking of the weather. But they were dressed for it, office clothes under eskimo coats, gloves, mittens, woolly hats; resignation was on their faces and, already, a suggestion of fatigue. Not a trace of excitement; all this was usual and ordinary; the train was their daily chore.

No one looked out of the window. They had seen the harbour, and Bunker Hill, and the billboards before. Nor did they look at each other. Their gazes stopped a few inches from their eyes. Though they paid no attention to them, the signs above their heads spoke to these people. These folks were local, they mattered, the advertising men knew who they were addressing. NEED FEDERAL INCOME TAX FORMS? Beneath it, a youth in a pea-jacket grinned at his newspaper and swallowed. CASH YOUR CHECKS ALL OVER MASSACHUSETTS. A lady with that yellow-grey Hottentot colour hugged her shopping bag. BE A SCHOOL VOLUNTEER IN THE BOSTON PUBLIC SCHOOLS. Not a bad idea for the sick-of-it-all briefcase examiner in the Russian hat. MORTGAGE MONEY? WE HAVE PLENTY. No one glanced up. ROOFS AND GUTTERS. GET A COLLEGE DEGREE IN YOUR SPARE TIME. A restaurant. A radio station. A plea to stop smoking.

The signs did not speak to me. These were local matters, but I was leaving this morning. And when you are leaving, the promises in advertisements are ineffectual. Money, school, house, radio: I was putting them behind me, and in the duration of this short trip from Wellington Circle to State Street, the words of the ads had become merely an imploring jabber, like the nonsense of an unknown language. I could shrug; I was being pulled away from home. Apart from the cold, and the blinding light on the fallen snow, there was nothing of great significance in my going, nothing momentous except the fact that as we drew into South Station I was now a mile nearer to Patagonia.

Travel is a vanishing act, a solitary trip down a pinched line of geography to oblivion.

What's become of Waring

Since he gave us all the slip?

But a travel book is the opposite, the loner bouncing back bigger than life to tell the story of his experiment with space. It is the simplest sort of narrative, an explanation which is its own excuse for the gathering up and the going. It is motion given order by its repetition in words.

That sort of disappearance is elemental, but few come back silent. And yet the convention is to telescope travel writing, to start — as so many novels do — in the middle of things, to beach the reader in a bizarre place without having first guided him there. 'The white ants had made a meal of my hammock,' the book might begin; or, 'Down there, the Patagonian valley deepened to grey rock, wearing its eons' stripes and split by floods.' Or, to choose actual first sentences at random from three books within arm's reach:

'It was towards noon on March 1, 1898, that I first found myself entering the narrow and somewhat dangerous harbour of Mombasa, on the east coast of Africa.' (The Man-Eaters of Tsavo, by Lt Col J.H. Patterson)

' "Welcome!" says the big signboard by the side of the road as the car completes the corkscrew ascent from the heat of the South Indian plains into an almost alarming coolness.' (Duty Preserved, by Mollie Panter-Downes)

'From the balcony of my room I had a panoramic view over Accra, capital of Ghana.' (Which Tribe Do You Belong To? by Alberto Moravia)