Paul Theroux - The Great Railway Bazaar

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Paul Theroux is a vocal proponent of rail travel over air travel, which he likens to traveling by submarine for all that goes unseen and not experienced by its adherents. The Great Railway Bazaar, his 1975 account of a four month railroad journey through Europe and Asia begins, "I sought trains, I found passengers." It is certainly the individuals that Theroux meets along the way, rather than the cities, buildings, or sites of touristic import, to which he devotes his most generous descriptions.
Beginning in Victoria Station with Duffill, an older man with a tweed cap, ill-fitting clothes, and mysterious business in Istanbul (Duffill's name later becomes synonymous with being left behind at a railway station), Theroux's journeys brim with a huge cast of colorful characters. From ashram-bound hippies to devout Kali-worshiping Tamils to Vassily Prokofyevich, the drunken Russian dining car manager on the Trans-Siberian Express, Theroux richly details his varied encounters, paying particular attention to the bizarre along the bazaar.
In Calcutta, "a city of mutilated people (where) only the truly monstrous looked odd," the author encounters "the hopping man," who with only one muscular leg, hops himself through the urban detritus; on the Saigon to Bien Hoa train, a Vietnamese woman thrusts an American baby upon him, expecting Theroux to keep and raise the child; and in Japan, where the cleanliness, efficiency, and quiet of the passenger trains provide striking contrast to what the author had up until that point become accustomed to, he finds the cultural undercurrent of sadistic pornography disturbingly unquestioned.
Paul Theroux had already established himself as a novelist at the time of his four month journey; The Great Railway Bazaar, today a travel writing classic, was preceded by ten books, six of which were novels. In fact, his four month long excursion seems to have been funded or at least justified, by the lecture engagements the author had arranged all along his route.
The first of many in this genre from Theroux, including Dark Star Safari (2002) and Ghost Train to the Eastern Star (2008), The Great Railway Bazaar is at once a timeless narrative of humans and travel and a distinctly historical slice of global affairs as viewed by one decidedly motion-bound writer.
The journey however is a long one and while masterfully wrought, it is often the incidental passage of time in a railway compartment that is thus rendered, and by the end of it even Theroux has tired of his travels. Snippets of brilliance exist throughout, but they are intermittent as you might expect, as when viewed from a passing train.

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A beggar's skinny hand appeared at my compartment door, a bruised forearm, a ragged sleeve. Then the doomed cry, 'Sahib!'

At Sirpur, just over the border of Andhra Pradesh, the train ground to a halt. Twenty minutes later we were still there. Sirpur is insignificant: the platform is uncovered, the station has two rooms, and there are cows on the verandah. Grass tufts grow out of the ledge of the booking-office window. It smelled of rain and wood smoke and cow dung; it was little more than a hut, dignified with the usual railway signs, of which the most hopeful was trains running late are likely to make up time. Passengers on the Grand Trunk Express began to get out. They promenaded, belching in little groups, grateful for the exercise.

'The engine has packed up,' one man told me. 'They are sending for new one. Delay of two hours.'

Another man said, 'If there was a cabinet minister on this train they would have an engine in ten minutes' time.'

The Tamils were raving on the platform. A native of Sirpur wandered out of the darkness with a sack of roasted chickpeas. He was set upon by the Tamils, who bought all the chickpeas and demanded more. A mob of Tamils gathered at the station-master's window to howl at a man tapping out Morse code with a little key.

I decided to look for a beer, but just outside the station I was in darkness so complete I had second thoughts. The smell of rain on the vegetation gave a humid richness to the air that was almost sweet. There were cows lying on the road: they were white; I could see them clearly. Using the cows as road markers I walked along until I saw a small orange light about fifty yards away. I headed towards it and came to a little hut, a low poky shack with mud walls and a canvas roof. There was a kerosene lantern on the doorway and another inside lighting the surprised faces of half a dozen tea-drinkers, two of whom recognized me from the train.

'What do you want?' one said. 'I will ask for it.'

'Can I buy a bottle of beer here?'

This was translated. There was laughter. I knew the answer.

'About two kilometres down the road' – the man pointed into the blackness – 'there is a bar. You can get beer there.'

'How will I find it?'

'A car,' he said. He spoke again to the man serving tea. 'But there is no car here. Have some tea.'

We stood in the hut, drinking milky tea out of cracked glasses. A joss stick was lit. No one said a word. The train passengers looked at the villagers; the villagers averted their eyes. The canvas ceiling drooped; the tables were worn shiny; the joss stick filled the room with stinking perfume. The train passengers grew uncomfortable and, in their discomfort, took an exaggerated interest in the calendar, the faded colour prints of Shiva and Ganpati. The lanterns flickered in the dead silence as our shadows leaped on the walls.

The Indian who had translated my question said under his breath, 'This is the real India!'

We did not go far that night. The relief engine was late, there were more delays, the Tamils were cursing: damn, blast, ruddy, bloody. The train broke down throughout the night; it slowed, it stopped, the engine died and then I could hear, among the curses, loud crickets. We arrived at Vijayawada five hours behind time in a dark rainy dawn. I bought an apple at a stall, but before I could take a bite out of it a boy limped over to me, stuck his hand out and began to cry. I gave him that apple and bought another, which I hid until I got into the train.

The south was unexpectedly cool and lush: the greenness of the countryside matched the green on the map, the sea-level colour of this area. Because it was still early, and because Indian villagers seem to think of railway tracks as the margin of their world, there were people crouched all along the line, shitting. At first I thought they were simply squatting comfortably to watch the train go by, then I noticed the bright yellow hanks under them. I saw one man; he portended a hundred more, all facing the train for the diversion it offered, unhurriedly fouling the track. They were shitting when the train pulled in; they were still at it when the train pulled out. One curious group – a man, a boy, and a pig – were in a row, each shitting in his own way. A dignified man with his dhoti drawn up squatted a little distance from the tracks. He watched the train go by and he looked as if he would be there for some time: he held a large black umbrella over his head and a newspaper on his knees. Indeed, he seemed the perfect symbol for what a man in Delhi had called 'The Turd World'.

For the last leg of the journey the train veered to the coast and followed the low-lying shore along the Bay of Bengal. The fields were flooded, but men ploughed the water – teams of black buffaloes dragged them through the paddy fields. The rivers were swollen with fast red currents that brimmed to the lip of the banks. This southeastern part of Andhra Pradesh was the most fertile I had seen in India; and it was striking in another way, the people so black, the earth such a deep red brown, the green so green. Still the rain came down, more heavily as we neared Madras.

I asked my travelling companion about his scar. He said he had been stabbed in Assam by some dacoits who took him for a Bengali. He had gone to the door and three men jumped him and began ripping at his heart with daggers. He fell back, and they fled. 'The blood came out – I was on my back, but spouts of it shot up from my heart, high over my face, and splashed over me.' He called to his five-year-old son to get cloths to stanch the flow. The child did as he was told, but his hands were so small and he was so eager that his hand sank into the wound. The father was brought to the hospital at Siliguri, but it took a year for the wound to heal, and by the time he was released he had no money and no job. He described himself as 'a fairly typical Indian engineer'.

We had a conversation about his job. He had something to do with hydraulics. It was not a long conversation. Most Indians I met had jobs that defied analysis or even comment. They were salesmen canvassing for firms that made seamless tubes, plastic washers, or bleaching agents; they marketed bench marks or hasps for manila folders. Once I met a Sikh who made rubber goods, but nothing simple like tyres or contraceptives; he made rubber bushings and casings. I said I didn't understand. He explained: 'Casings – rubber ones – for lugged sprockets.'

It was my inability to understand these occupations that led these Indian railway conversations into anecdotes of the oddest sort. The engineer, seeing that my grasp of hydraulics was slender, told me a story about a yogi who neither ate nor drank a thing in his life. 'What did he live on?' I asked. It seemed a fair question. 'Air only,' he said, 'because he did not want to contaminate the body with food and drink.' The yogi lived to a ripe old age – over seventy. Mr Gopal, the liaison man, had been stumped by my ignorance of liaising. His story concerned a monkey and a tiger who always travelled together. No one could understand why the tiger didn't gobble up the monkey, but a man watched them closely (from behind a tree, unseen) and realized that the tiger was blind: the monkey guided the tiger from place to place. I had heard a story about a man in Bombay who walked on water, and another about a man who taught himself to fly using wings from palm leaves; the canvasser for seamless tubes told me about a bridge of monkeys from Ceylon to Dhanushkodi, across the Palk Strait. I saw these tall stories as a flight from the concrete, the Indian imagination requiring something more than the prosy details of the ledger. So Mr Bhardwaj, the accountant, believed in astrology; Mr Radia, maker of dry-cell batteries, improvised (he said) philosophical songs; and an otherwise completely rational man I met in Bombay claimed that many Indians were addicted to the bite of a cobra: 'You stick out your tongue, cobra bites tongue, and venom makes you wonderful.'

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