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Cormac McCarthy: All The Pretty Horses

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Cormac McCarthy All The Pretty Horses

All The Pretty Horses: краткое содержание, описание и аннотация

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory. In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction. Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men. John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently. When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers. A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas. But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas. He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure. The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

Cormac McCarthy: другие книги автора


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What did you bring to shoot? said Rawlins.

Just Grandad's old thumb-buster.

Can you hit anything with it?

No.

Rawlins grinned. We done it, didnt we?

Yeah.

You think they'll be huntin us?

What for?

I dont know. Just seems too damn easy in a way.

They could hear the wind and they could hear the sound of the horses cropping.

I'll tell you what, said Rawlins.

Tell me.

I dont give a damn.

John Grady sat up and took his tobacco from his shirtpocket and began making a cigarette. About what? he said.

He wet the cigarette and put it in his mouth and took out his matches and lit the cigarette and blew the match out with the smoke. He turned and looked at Rawlins but Rawlins was asleep.

They rode on again in the late afternoon. By sunset they could hear trucks on a highway in the distance and in the long cool evening they rode west along a rise from which they could see the headlights on the highway going out and coming back random and periodic in their slow exchange. They came to a ranch road and followed it out to the highway where there was a gate. They sat the horses. They could see no gate on the far side of the highway. They watched the lights of the trucks along the fence both east and west but there was no gate there.

What do you want to do? said Rawlins.

I dont know. I'd like to of got across this thing tonight.

I aint leadin my horse down that highway in the dark.

John Grady leaned and spat. I aint either, he said.

It was growing colder. The wind rattled the gate and the horses stepped uneasily.

What's them lights? said Rawlins.

I'd make it Eldorado.

How far is that do you reckon?

Ten, fifteen miles.

What do you want to do?

They spread their bedrolls in a wash and unsaddled and tied the horses and slept till daybreak. When Rawlins sat up John Grady had already saddled his horse and was strapping on his bedroll. There's a cafe up the road here, he said. Could you eat some breakfast?

Rawlins put on his hat and reached for his boots. You're talkin my language, son.

They led the horses up through a midden of old truckdoors and transmissions and castoff motorparts behind the cafe and they watered them at a metal tank used for locating leaks in innertubes. A Mexican was changing a tire on a truck and John Grade walked over and asked him where the men's room was. He nodded down the side of the building.

He got his shaving things out of his saddlebag and went into the washroom and shaved and washed and brushed his teeth and combed his hair. When he came out the horses were tied to a picnic table under some trees and Rawlins was in the cafe drinking coffee.

He slid into the booth. You ordered? he said.

Waitin on you.

The proprietor came over with another cup of coffee. What'll you boys have? he said.

Go ahead, said Rawlins.

He ordered three eggs with ham and beans and biscuits and Rawlins ordered the same with a sideorder of hotcakes and syrup.

You better load up good.

You watch me, said Rawlins.

They sat with their elbows propped on the table and looked out the window south across the plains to the distant mountains lying folded in their shadows under the morning sun.

That's where we're headed, said Rawlins.

He nodded. They drank their coffee. The man brought their breakfasts on heavy white crockery platters and came back with the coffeepot. Rawlins had peppered his eggs till they were black. He spread butter over the hotcakes.

There's a man likes eggs with his pepper, said the proprietor.

He poured their cups and went back to the kitchen.

You pay attention to your old dad now, Rawlins said. I'll show you how to deal with a unruly breakfast.

Do it, said John Grady.

Might just order the whole thing again.

The store had nothing in the way of feed. They bought a box of dried oatmeal and paid their bill and went out. John Grady cut the paper drum in two with his knife and they poured the oatmeal into a couple of hubcaps and sat on the picnic table and smoked while the horses ate. The Mexican came over to look at the horses. He was not much older than Rawlins.

Where you headed? he said.

Mexico.

What for?

Rawlins looked at John Grady. You think he can be trusted? Yeah. He looks all right.

We're runnin from the law, Rawlins said.

The Mexican looked them over.

We robbed a bank.

He stood looking at the horses. You aint robbed no bank, he said.

You know that country down there? said Rawlins.

The Mexican shook his head and spat. I never been to Mexico in my life.

When the animals had eaten they saddled them again and led them around to the front of the cafe and down the drive and across the highway. They walked them along the bar ditch to the gate and led them through the gate and closed it. Then they mounted up and rode out the dirt ranch road. They rode it for a mile or so until it veered away to the east and they left it and set out south across the rolling cedar plains.

They reached the Devil's River by midmorning and watered the horses and stretched out in the shade of a stand of blackwillow and looked at the map. It was an oilcompany roadmap that Rawlins had picked up at the cafe and he looked at it and he looked south toward the gap in the low hills. There were roads and rivers and towns on the American side of the map as far south as the Rio Grande and beyond that all was white.

It dont show nothin down there, does it? said Rawlins.

No.

You reckon it aint never been mapped?

There's maps. That just aint one of em. I got one in my saddlebag.

Rawlins came back with the map and sat on the ground and traced their route with his finger. He looked up.

What? said John Grady.

There aint shit down there.

They left the river and followed the dry valley to the west. The country was rolling and grassy and the day was cool under the sun.

You'd think there'd be more cattle in this country, Rawlins said.

You'd think so.

They walked doves and quail up out of the grass along the ridges. Now and then a rabbit. Rawlins stepped down and slid his little 25-2o carbine out of the bootleg scabbard he carried it in and walked out along the ridge. John Grady heard him shoot. In a little while he came back with a rabbit and he reholstered the carbine and took out his knife and walked off a ways and squatted and gutted the rabbit. Then he rose and wiped the blade on his trouserleg and folded shut the knife and came over and took his horse and tied the rabbit by its hind legs to his bedroll strap and mounted up again and they went on.

Late afternoon they crossed a road that ran to the south and in the evening they reached Johnson's Run and camped at a pool in the otherwise dry gravel bed of the watercourse and watered the horses and hobbled them and turned them out to graze. They built a fire and skinned out the rabbit and skewered it on a green limb and set it to broil at the edge of the fire. John Grady opened his blackened canvas campbag and took out a small enameled tin coffeepot and went to the creek and filled it. They sat and watched the fire and they watched the thin crescent moon above the black hills to the west.

Rawlins rolled a cigarette and lit it with a coal and lay back against his saddle. I'm goin to tell you somethin.

Tell it.

I could get used to this life.

He drew on the cigarette and held it out to one side and tapped the ash with a delicate motion of his forefinger. It wouldnt take me no time at all.

They rode all day the day following through rolling hill country, the low caprock mesas dotted with cedar, the yuccas in white bloom along the eastfacing slopes. They struck the Pandale road in the evening and turned south and followed the road into town.

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